Friday, January 9, 2026

Auditions for DIARY OF A WIMPY KID: THE MUSICAL at Valley Youth Theatre announced for February 17 & 18




Diary of a Wimpy Kid: The Musical
Director: Molly LaJoie
Music Director: Tristan Petersen-Steinert, VYT Alumni
Stage Manager: Maya Whitaker
Performed at Valley Youth Theatre
Run Dates: April 10th – April 26th 

AUDITION DATE, TIME AND LOCATION:
Tuesday, February 17th, 2026 at 4:00pm.   Doors Open at 3:30 pm.
Wednesday February 18th, 2026 at 4:00 pm.    Doors Open at 3:30 pm.
You only need to attend one of these auditions. We hold auditions at our theatre:
Valley Youth Theatre
525 North First Street
On the Southeast Corner of First Street & Fillmore in Downtown Phoenix
Enter through the side door on Filmore and follow the signage.
Please note: The VYT parking lot is first-come, first-serve. Public paid parking is available in the lot across the street of the front doors on 1st street and at various meters surrounding the theatre. Please plan accordingly.

Additional Information can be found at ​​https://vyt.com/section/auditions

Valley Youth Theatre welcomes all young artists (age 20 and under). All ethnicities, all gender expressions, and all bodies are encouraged to audition. 
SYNOPSIS:
Diary of a Wimpy Kid: The Musical is the musical adaptation of the Diary of a Wimpy Kid book series written by Jeff Kinney. It was adapted by Kevin Del Aguila, with Music by Michael Mahler and Lyrics by Alan Schmuckler.
Middle school, ugh. It's the worst. But Greg is determined NOT to be at the bottom of the popularity chart. He'll leave that to his weird neighbor, Fregley. Or maybe Greg's best friend, Rowley Jefferson. But it's not going to be Greg…no way. See Jeff Kinney's popular character take center stage as Greg's cartoon diary becomes a raucous musical. Will Greg's plans lead him to sacrifice his one true friend? Can anyone avoid the dreaded Cheese Touch? Grab a hall pass and don't be late for an adventure familiar to anyone who actually survived middle school.
CHARACTERS:
GREG HEFLEY
Male - 11
11 year-old, first year middle-schooler, driven with a burning desire to achieve popularity and acclaim at any and all costs. Equal parts cocky and insecure, Greg’s single-focus on popularity often makes him short-sighted and immature, almost costing him his closest friendship. Strong, comedic young performer with a powerful, unchanged singing voice.
Lowest Note: G3
Highest Note: D5

ROWLEY JEFFERSON
Male - 11
11 year-old, first year middle-schooler, with a determinedly sunny disposition and über positive outlook on life. Almost blindly devoted to Greg, but ultimately capable of standing up for himself. Strong, comedic young performer with a powerful, unchanged singing voice.
Lowest Note: Ab3
Highest Note:F5
RODRICK HEFLEY
Male - 16
Sullen, sarcastic 16 year-old, older brother of Greg, and his main tormentor. Brash and obnoxious, Rodrick is the front-man of the heavy-metal, garage band; Löded Diper and delights in torturing Greg and taxing their parents goodwill. Strong, comedic young performer with a powerful, singing voice.
Lowest Note: Ab2
Highest Note: F4

FRANK HEFFLEY
Male
Greg’s put-upon father, who possesses an interest in U.S. history and a deep distrust of teenagers. Uncomfortable speaking with tweens, Frank is always trying to toughen Greg up and get him to “go be active,” perhaps in an effort to keep his son from following in his own wimpy footsteps. Strong, comedic performer and singer.
Lowest Note: A2
Highest Note: G#4

SUSAN HEFFLEY
Female
Greg’s chipper, loving, and overly-supportive mother, Susan is a former Pre-school teacher who is constantly looking for “teachable moments” with her boys. Though she always sees the best in her kids (sometimes blinding her to reality), she is also quick to become the household disciplinarian when necessary. Strong, comedic performer and singer.
Lowest Note: A3
Highest Note: C5

MANNY HEFFLEY
All Genders
Impossibly adorable and spoiled baby brother of Greg and Rodrick. Manny enjoys exalted status as his parents dote on him and make constant excuses for his behavior. Strong comedic young performer of any gender, to portray a toddler.

CHIRAG GUPTA
Male
Greg’s quick-witted and wily classmate, who is enthusiastically engaged in a years-long prank-battle with Greg. Strong, comedic young performer with a powerful unchanged singing voice. Actors of South Asian Descent are highly encouraged to audition.
Lowest Note: Bb3
Highest Note: Bb4

PATTY FARRELL
Female
Ambitious, driven, and overachieving classmate of Greg. Always out to best him at every turn since he poured glitter-glue down her back in second grade, Patty sees success as the only destination. Strong, comedic young performer with a powerful singing voice.
Lowest Note: G3
Highest Note: E5

FREGLEY
Male
Greg’s deeply odd-ball classmate, who is sensitive to sugar and unapologetically interested in his own boogers. Strong, comedic young performer with a powerful, unchanged singing voice.
Lowest Note: B3
Highest Note: D#5

BRYCE ANDERSON
Male
Dreamboat classmate of Greg’s, who enjoys unfettered adoration and popularity. Infamous for his cutting remarks and cute-butt status, Bryce has hit his growth-spurt early and presents as more mature than many of his peers. Strong, comedic young performer and singer.
*Various Vocal Ranges can be used for this character. We need a strong tenor or High Baritone. Must have a clear, powerful voice
JOSHIE
Female/Male
European teen pop star and Rowley’s idol. A cross between a boy-band star and KidsBop performer, Joshie is obviously manufactured to make responsibility sound cool to 6-8 year old girls. His motto: follow your dreams and respect your parents! Strong, comedic young performer and singer with pop chops.
Lowest Note: C#2
Highest Note: G#4

CHRIS/CHRISTINE HOSEY & LIONEL/LEONA JAMES
Female/Male
Two of the most unpopular and nerdy kids in Middle School. Strong, comedic young performer and singers.
Lowest Note: B3
Highest Note: C5

PAULENE & YVETTE
Female
Patty Farrell’s minions. They like what she likes and dislike whatever she dislikes – aka Greg. They are perfect in every way, but always look up to Patty. Strong, comedic young performer and singers.
Lowest Note: Bb3
Highest Note: C5

CLAIRE
Female
A ‘Wednesday Addams’-lite, goth-in-training middle schooler. Claire is the keeper of the lore of the Cheese Touch and takes it upon herself to make sure nobody starts the dreaded curse again. Strong, comedic young performer and singer.
Lowest Note: G3
Highest Note: E5

MR. WINSKY/BILL WALTER
Male
CHARACTER MAN - MALE IDENTIFYING, ANY ETHNICITY Plays: 
MR. WINSKY Faculty advisor of the school’s ‘Safety Patrol.’ He takes his job super seriously, as though he’s head of the FBI or Special Ops. 
BILL WALTER 35 year-old, unemployed rocker dude who still lives with his folks and plays in Rodrick’s high school band, Löded Diper. Strong, comedic performer and singer.
Lowest Note: A3
Highest Note: F4

MRS. CLAYTON/FREGLEY'S MOM
Female
CHARACTER WOMAN - FEMALE IDENTIFYING, ANY ETHNICITY Plays: 
MRS. CLAYTON Greg’s no-nonsense English teacher. Loves to host the Winter Talent Show every year. 
FREGLEY’S MOM A creepy, frail, and occasionally terrifying elderly woman. She could be a ghost. Strong, comedic performer and singer.
Lowest Note: B3
Highest Note: C5

OTHER ENSEMBLE ROLES TO BE CAST:
CREIGHTON THE CRETIN
VICE PRINCIPAL ROY
TEEN HOOLIGANS
OVERGROWN KIDS
REPORERS
VALENTINES STUDENTS
CARTOON KIDS
LONG-HAIRED CARTOON CHARACTER
CARTOON DOCTOR


REHEARSALS AND TIME COMMITMENT:
Approximate rehearsal dates can begin as early as the week of February 23rd and run though April 2nd 2026, Monday through Thursday evenings and Saturdays. Before tech, evening rehearsals will be 5p - 9p; tech rehearsals will be potentially until 10pm-12pm. We understand that some students may have conflicts where they may miss rehearsals, must arrive late or leave early. However, cast members will not be able to miss rehearsals during tech week or the run of the show.
**Tech Rehearsals begin Friday April 3rd from 4pm-Midnight. Saturday, April 4th Tech Rehearsal will be 10am-Midnight and Sunday April 5th will be DARK. Tech Rehearsals starting Monday April 6th running through Thursday April 9th will be 4pm-10pm

Opening night is Friday April 10th, 2026 and the show runs through April 26th . There are several weekday matinees for schools in addition to the traditional evening and weekend performances.
To View the Rehearsal and Performance schedules, please visit https://vyt.com/section/auditions
We will ask about the specific dates of your conflicts in the audition form. Again, cast members will not be able to have any conflicts between April 3rd and April 26th. 

WHAT TO HAVE READY FOR THE AUDITION:
  • A headshot. It doesn't have to be professional. Just a good photo that looks like you! you can take it with a camera phone if you'd like. Make sure you have good lighting so we can see your face.
  • An acting or theatre resume. You don't have to have one all fancy and ready to upload (although you certainly can). We just want to know what you have done performance-wise and in a theatre. If you worked on the stage crew, put that in there too!
  • A song that will show off your voice and is appropriate for you and the character you are auditioning for. How long should the song be? Good question. The answer is: as long as it needs to be for you to feel that you have shown us how amazing you are! Chances are that's around :30 to 1 minute or so, but it may be longer or shorter. You may not get to sing the whole song either so make sure that you get to "the good part" sooner rather than later. You don't have to start at the beginning of the song. We just want to see how you sing!
  • Comfortable clothes that are appropriate to dance in -- no sandals or skirts, please. 
  • A Water Bottle. This is Arizona! You need to stay hydrated and energized.
If you can, it's a good idea to pre-register. You will fill out the audition form online before hand so you won't have to fill it out when you get to the theatre. To pre-register, follow the link below.

Review Highlights: THE BOOK OF MORMON - National Tour: ASU Gammage

Jacob Aune, Charity Arianna, and Sam McLellan
Photo by Julieta Cervantes
 
highlights from local critics reviews - (click link at bottom of each review to read complete review)

Click here for more information on this production that runs through January 11

"The national tour of the Broadway smash musical The Book of Mormon proves that this boundary-pushing musical still packs a punch, delivering outrageous laughs while also offering moments of heart and sincerity in addition to the humor. More than a decade after its Broadway debut, the show remains a crowd favorite thanks to its fearless comedy, catchy score, razor sharp satire, and a national tour cast that shines."   - Gil Benbrook, TalkinBroadway.com (click here to read the complete review)

"The show still walks a razor-thin line between parody and offense, and not every audience member will agree where that balance lands. And that has always been the paradox of this show. It’s a musical that skewers belief while celebrating the very joy of believing. Some jokes have aged less gracefully despite the new script tweaks, and the tour’s scale and polish don’t quite match Broadway’s. But its irrepressible spirit, its unapologetic exuberance, and its sheer musical craftsmanship still remain intact. And unlike the customary ovation-as-obligation seen in too many valley theaters, this one was definitely earned."   - David Appleford, Broadway World (click here to read the complete review)

Cast annnounced for JANE ANGER at Order Chaos Theater Company


Jane Anger - Cynn Agent
William Shakespeare - Johnny Kalita
Francis Sir - CJ Mascarelli
Anne Hathaway - Emily Mohney

Tuesday, January 6, 2026

Auditions for THE WIZARD OF OZ at TheaterWorks announced for January 11 & 12

 
Auditions for TheaterWorks’ MainStage Production of The Wizard of Oz

Director:
Chris Hamby

Choreographer:
Cydney Trent

Music Director:
Lincoln Wright

Auditions:
Sunday Jan 11, 5 - 9 pm
Monday Jan 12, 5 - 9 pm


Callbacks:
Sunday Jan 18, 5 - 9 pm
Monday Jan 19, 5 - 9 pm


Performance Dates:
March 27 - April 12, 2026


Casting:
Actors ages 8 - Adult

All roles available. No roles have been precast.

Auditions, callbacks, rehearsals, and performances will all take place at TheaterWorks (at the Peoria Center for Performing Arts, 10580 N 83rd Dr. Peoria, AZ 85345

LINK TO FULL DETAILS, CALENDAR, AND AUDITION SIGN UP:

RIDE THE CYCLONE - Velvet Curtain Productions - January 14-18, 2026


In this hilarious and outlandish story, the lives of six teenagers from a Canadian chamber choir are cut short in a freak accident aboard a roller coaster. When they awake in limbo, a mechanical fortune teller invites each to tell a story to win a prize like no other — the chance to return to life. This popular musical is a funny, moving look at what makes a life well-lived!


Cyclone Cast: 

Fri, 1/16/2026 7:30 PM
Sat, 1/17/2026 2:00 PM
Sun, 1/18/2026 7:00 PM

Uranium Cast:

Thurs, 1/15/2026 7:00 PM
Sat, 1/17/2026 5:00 PM
Sun, 1/18/2026 2:00 PM



Vortex Cast:

Wed, 1/14/2026 7:00 PM
Fri, 1/16/2026 5:00 PM
Sat, 1/17/2026 7:30 PM

Performances at Limelight Performing Arts, 511 W Guadalupe Rd #12, Gilbert, AZ 85233


Monday, January 5, 2026

Cast announced for PRIVATE LIVES, THE MUSICAL at Fountain Hills Theater

 
Amanda Prynne: Courtney Jacobs
Sibyl Chase: Emma Giffen
Elyot Chase: Tom Mangum
Victor Prynne: Cam Oakes



Cast announced for SONGS FROM FILM at Scottsdale Old Town Theatre Company


SONG FROM FILM Cast includes (in no particular order): Taylor Underwood, Grant West, Mike Arseneault, Liana Harper-Cruz, Mars Ungor, Chris Gamble, Shelby Hanks, Mara Chiles

PERFORMANCE DATES & TIMES
Thursday, January 15, 7:00 pm (Opening Night)
Saturday, January 17, 2:00 pm
Saturday, January 17, 7:00 pm
Sunday, January 18, 2:00 pm

VENUE: Historic ASU Kerr Cultural Center, 6110 N Scottsdale Rd, Scottsdale, AZ 85253

SONGS FROM FILM TICKETS:

Patrons can also phone the ASU Kerr Box Office during Box Office hours (Wednesday - Friday,
10am-5pm) at 480-596-2660, to save the online ticketing platform fee.

WEEK AT A GLANCE: January 5-11, 2026

Click on any show title to get more information on that production




CLOSING:




N/A








LIMITED RUN:








Sunday, January 4, 2026

Cast announced for THE IMPORTANCE OF BEING EARNEST at Mesa Encore Theatre



 
Cast:
Algernon Moncrieff: Jacob Buttry
Algernon Moncrieff U/s: Emilio Herrera
Cecily Cardew: Alex Frost
Cecily Cardew U/s: Elise Migacz 
Gwendolen Fairfax: Victoria Whitaker
Gwendolen Fairfax U/s: Ashleigh Brown
Jack Worthing: Casey Karapetian
Jack Worthing U/s: Huberto Paz
Lady Bracknell: Valerie Tanner
Lane/Merriman: Reagan Burows
Miss Prism: Dawn Gunderson
Miss Prism U/s, Lane/Meriman/Bracknell Swing: Pamela Crandall
Rev. Canon Chasuble: David Heap

Crew:
Director: Ricky Araiza
Stage Manager: Alexis Nomorosa
Assistant Stage Manager: Colin Patrick
Artistic Director: Brianna Fallon
Production Manager: Lorelee Godden
Technical Director: Cheryl Briley
Scenic Designer: Michael Esparza
Hair & Makeup Designer: Colin Patrick
Costume Designer: Abby Lopez
Lighting Designer: Rob Littlefield
Head Carpenter: Lorelee Godden
Sound Designer: Brianna Fallon
Sound Board Op: Lorelee Godden
Props Designer: Colin Patrick

Your first look at the National Tour of THE BOOK OF MORMON













Photos by Julieta Cervantes 

Arizona Musical Theater Academy's January 2026 Classes!


from our friends at Arizona Musical Theater Academy:

Our JANUARY GROUP CLASS REGISTRATION IS OPEN! Join us Sunday Nights for an evening of Dance, Acting and Exploration! 


DATES 
Sundays January 11th, 18th and 25th


LOCATION
PHOENIX DANCE STUDIOS
24850 N 19th Ave 
#103
Phoenix, AZ 85085


TIMES

BALLET TECHNIQUE 

ages 7-11: 5pm-6pm
ages 12+: 6pm-7pm


TAP FUNDAMENTALS

ages 7-11: 6pm-7pm
ages 12+: 5pm-6pm


SCENE TO SONG ACTING CLASS 

ages 11+: 7:15pm-8:45pm
*SPACE LIMITED 12 STUDENTS ONLY*


COST

Ballet: $15 per class

Tap: $15 per class

Scene to Song: $120 for all 3 classes


ABOUT OUR CLASSES

BALLET TECHNIQUE: This class is geared toward students who are looking to improve their ballet vocabulary and focus on their technique  and ballet skills. Ballet is the BASE of any other dance practice and imparitive in the Musical Theater world. Class will include a group warmup, ballet bar, across the floor and center practice. 
Instructor: Laurie 

TAP FUNDAMENTALS: Students will grow their tap vocabulary and focus on the clarity of their sounds and technique. Learning the popular steps found in musical theater choreography. Class will include a warmup, technique work and a short tap combo.
Instructor: Shonn

MUSICAL THEATER SCENE TO SONG: WE'RE BRINGING IT BACK! This class was so popular in August and we had so much fun so we are offering it again! In class students will be paired up with a partner where they will be given a scene from a musical. Students will learn the song, blocking and dialogue from the scene. They will learn techniques on how to build the scenes so there is a natural and smooth transition between dialogue and song, helping students improve their voice and acting skills.
Instructor: Shonn and Ryan

ABOUT OUR INSTRUCTORS

RYAN ARDELT: (Scene to Song Acting class) 

Ryan Ardelt is a Grand Canyon University graduate with a BA in Theatre and a dance minor. He is Phoenix native and has been performing as a local musical theatre artist for several years. Some of his credits include: Don Lockwood Understudy/ Ensemble in Singing in the Rain, Rolf in The Sound of Music, Mike in A Chorus Line (The Phoenix Theatre Company) Older Patrick in Mame (Arizona Broadway Theatre), and Sammy Splitsole in Tappy the Elf (Tap 24.7). Along with performing, Ryan has choreographed many productions around the valley, including Mary Poppins at GCU in which he was nominated for an AriZoni award. He is passionate about tap dance and is a part of the professional Phoenix tap company Tap 24.7 where he writes, composes, and performs original productions in collaboration with the company members. Ryan is passionate about teaching and has taught dance, musical theatre, and masterclasses at award winning youth theatres and dance studios in the Phoenix metropolitan area including The Dance Project, Dynamic Motion Dance Academy, Actor’s Youth Theatre, Valley Youth Theatre, Christian Youth Theatre, and more. 

LAURIE TRYGG: (BALLET)

Laurie studied ballet in Buffalo, NY, where she danced professionally with the Empire State Ballet Company.  After moving to Arizona she became a member of the Tempe Dance Company performing and competing throughout the U.S. Currently Laurie teaches private dance lessons and also performs in musical theater. Some of her favorite regional theater credits include: Chicago (Annie), Pippin(Aerialist/Player), A Christmas Carol (Ghost of Christmas Future), Cats (Cassandra), Legally Blonde (Elle’s Mom/Judge), A Chorus Line(Sheila), Avenue Q (Bad Idea Bear/Mrs T), The Odd Couple (Gwendolyn Pigeon), An American in Paris, Elf: The Musical, and Billy Elliot. 

SHONN WILEY  (TAP) made his Broadway debut in the Tony Award-Winning revival of 42ND STREET (Ford Center) where he performed the opening number for the Tony Awards at Radio City Music Hall. Shonn later returned to Broadway in Frank Wildhorn's DRACULA, The Musical (Belasco). Other NYC credits include: Junior Dolan in ON YOUR TOES (Encores!), John Trainor in NO NO, NANETTE (Encores!), Jack Donahue in MY VAUDEVILLE MAN (The York Theatre), Richard Loeb in THRILL ME (The York Theatre), Understudying and performing the title character in CANDIDE at New York City Opera, STAIRWAY TO PARADISE co-starring Kristin Chenoweth (Encores!), THE VIEW FROM HERE (NYMF). Shonn starred in the Chicago cast of the Tony Winning Broadway Musical, JERSEY BOYS as Bob Gaudio. Regional Theatre credits include: Burt in MARY POPPINS and Georg in SHE LOVES ME (Croswell Opera House), Anthony in Sweeney Todd (Barrington Stage) Bobby Child in CRAZY FOR YOU (Westchester Broadway Theatre), Younger Brother in RAGTIME (Papermill Playhouse), Dickon in THE SECRET GARDEN (5th Avenue Theatre), Cosmo Brown in SINGIN IN THE RAIN (The Toledo Rep), John Truitt in MEET ME IN ST. LOUIS (Santa Barbara CLO), Gerard in CAMILLE CLAUDEL (Goodspeed), Wayne Frake in STATE FAIR (MTW), Henrik in A LITTLE NIGHT MUSIC (Wheeling Symphony). Shonn is a founding member of the retro rock n' roll vocal group, UNDER THE STREETLAMP. Under The Streetlamp: Live, was filmed in 2011 and debuted on PBS across America. As a Choreographer, Shonn received a 2009 Lucille Lortel Award and Drama Desk Award nomination for outstanding choreography for MY VAUDEVILLE MAN (The York Theatre). Other choreography projects: GENTLEMAN’S GUIDE TO LOVE AND MURDER and ROMANCE ROMANCE (PVCC), (Goodspeed), SWEENEY TODD and POOL BOY (Barrington Stage), THE VIEW FROM HERE (NYMF), THE MUSIC MAN and FOREVER PLAID (Croswell). Shonn serves as the resident choreographer for UNDER THE STREETLAMP. As an educator, Shonn has been on faculty at Paradise Valley Community College, Gotta Dance Company, Centre Stage Kids, and has taught master classes and private lessons in dance, vocal/ musical theatre performance, and acting all over the world. He holds a BFA in drama from Carnegie Mellon University.


To register please email us the information below to azmtacademy@gmail.com:
-Students name
-Dates and classes you wish to attend


Cast announced for THE BROKEN AGE at Space 55

 

Main Street Creative Arts Center presents "The Director Series" of hands-on directing workshops, January 3-17



The Directors Series at Main Street Creative Arts Center is a hands-on workshop series for anyone curious about directing and leadership in the rehearsal room.

Using the 10-minute play Sure Thing by David Ives as our shared text, we’ll explore how directors make choices around structure, pacing, staging, and energy. Each session focuses on a different layer of the directing process, allowing you to see how one script can support many valid interpretations.

This is not a lecture-based class. We’ll be on our feet with live readings, physical demonstrations, and practical staging adjustments so you can see how small changes shift the dynamics of a scene. The goal is to connect ideas directly to what’s happening in the room.

The series is facilitated by Paige Westfall, who guides helps discussion, translates theory into usable tools, and helps create space for multiple directing styles to emerge. Each session also features guest directors who bring their own approaches and insights into the process.

You do not need prior directing experience to attend. Actors stepping into leadership, new or returning directors, educators, and curious theater-makers are all welcome. Some familiarity with theater is helpful, but curiosity and openness matter more than credentials.

Each session stands on its own, so you’re welcome to attend one or join the full series for a deeper arc.

Cost: $10 per session paid in person cash or card

The Director Series Q&A

Q: Who is this for?
A: Anyone interested in directing. Actors who feel the pull toward leadership, new directors, educators, or folks who have directed before but want more grounding in their process.

Q: Do I need experience?
A: You don’t need a directing résumé. Some theater familiarity helps, but curiosity and openness matter more than credentials.

Q: Is this super academic?
A: No. We’ll talk about structure, but always in a way that connects back to what’s actually happening on the floor.

Q: Will we be working on our feet?
A: Yes. There will be live reading, physical demonstrations, and moments where we adjust staging to see how it changes the scene.

Q: Why start this at Main Street?
A: Because strong directors shape healthy rehearsal rooms. This series is part of building a supportive, thoughtful theater community here.

Q: Is this about one “right” way to direct?
A: Absolutely not. The point is to help you discover your way, with tools to support it.

Auditions for ALICE IN WONDERLAND at Fountain Hills Theater announced for January 10


WHAT: Auditions for Alice in Wonderland  
Book, Music and Lyrics by Leslie Haddad. 
Adapted from the novel by Lewis Carroll

WHERE:       Fountain Hills Theater
11445 N Saguaro Blvd., Fountain Hills, AZ 85268

WHEN:         Saturday, January 10 at 12:00pm, Sunday, Jan. 11 at 6:00pm

HOW: Audition sign-up 480-837-9661 X 3 or fhtaz.org/auditions

Fountain Hills Theater announces auditions for the musical Alice in Wonderland. Thanks to a generous grant collaborative from Virginia G. Piper Charitable Trust and Stardust Foundation, this Youth Theater production will be participation fee free for all participants. This grant was part of the foundations’ “Arts and Culture Experiences” grant program, encouraging more young people to attend and participate in the performing arts.

Join Alice as she chases the White Rabbit into a topsy-turvy world that gets "curiouser and curiouser". Meet the Mad Hatter, the Cheshire Cat, the Queen of Hearts & more unforgettable characters when we go down the rabbit hole!
 
Alice in Wonderland is directed by Elias Matthews, musically directed by Seikai Ishizuka and choreographed by Brittany Foster. Alice in Wonderland Auditions will be held Saturday, January 10 at 12:00pm, Sunday, January 11 at 5:00pm.  Callbacks, if necessary, Tuesday, January 13 at 6:00pm.
 
Alice in Wonderland will play March 6 – 22, 2026.  All performances take place in the Ross Collins Playhouse at Fountain Hills Theater, 11445 N Saguaro Blvd, Fountain Hills, AZ

Auditioners should complete the digital audition form available at the FHT website fhtaz.org and bring a headshot and resume, if not already submitted via the website audition link.  Auditioners are asked to sing 16- 32 bars of a song that best shows off their voice and range, this will be followed by a dance audition.  An accompanist is provided.  Please bring sheet music. Auditioners should be prepared with a short monologue if requested.  

Early video auditions - which must be submitted prior to Jan. 10 – may be submitted via the link on the FHT website and can substitute for appearing at the regular auditions.  The video should include a song showing off your voice and range, and a short monologue.  The video should be uploaded with a headshot and resume (if available). However, if chosen from a video audition, candidates will be required to appear in person at the callbacks.  

FHT seeks to include persons of every race, color, culture, age, gender, creed, physical disability, and sexual orientation. Character ages are not set in stone and all roles are open to all ethnicities unless otherwise stated.  Actors should consider roles if they feel they can represent the characters and age range listed.

Casting for:

Alice
The Queen of Hearts 
The Mad Hatter
The White Rabbit
The Doormouse 
The Mock Turtle
The Cheshire Cat 
The Knave of Hearts, a Jack of Hearts Card 
The Caterpillar 
The March Hare 
Large ensemble roles

Cast announced for BIG FISH at Limelight Performing Arts





Saturday, January 3, 2026

Auditions for BETWEEN THE LINES at Paradise Valley Community College announced for February 2 & 3


Between the Lines 
Music & Lyrics by Kate Ander-son and Elyssa Samsel; Book by Jodi Picoult and Timothy Allen McDonald

Auditions: February 2nd from 6:00-8:00pm
February 3rd from 4:00-6:00pm

Callbacks: February 4th, 6:00-10:00pm

Where: Studio Theater Building M-East
18401 North 32nd Street,
Phoenix, AZ 85032

Contact Director: Andrea Robertson

Casting Protocol: Go to www.paradisevalley.edu/theatre and select Auditions from left menu
Sign up for a 5 minute audition time slot Headshot and Resume: Preferred but not required

Prepare: 32 bars of a musical theatre song (Callbacks will consist of cold readings, songs from show and dance)

Rehearsals Begin: February 17th, 2026. Rehearsal schedule is M-F, 4:00pm-6:30pm

Performance Times: April 10, 11, 17, 18 at 7p; April 12, 19 at 2pm

Play Synopsis: Between the Lines is an empowering and enchanting new musical for any of us seeking to find our place in the world. An outsider in a new school, Delilah seeks comfort in the pages of her favorite book, where she feels heard and understood. But as the lines between the two worlds of reality and fantasy begin to blur in extraordinary and astonishing ways, Delilah has to confront whether she alone has the power to rewrite her own story.

AVAILABLE ROLES– some roles may be doubled

Delilah- Smart, well read. Upended by her parents’ bitter divorce, to escape, she turns to books.

Prince Oliver- A classic fairytale prince, charming, sincere, and smart. Oliver wishes for the freedom to live beyond the confines of the story that has been written for him.

Grace- Delilah’s mother; after 17 years of being a stay-at-home mom with dreams of completing her nursing degree, Grace finds herself the sole breadwinner and parent.

Queen Maureen -Queen Maureen is Prince Oliver’s fairytale mother. When the book is closed, she is the martini-swigging queen of snark.

Allie McAndrews: school’s resident queen bee who is a smart, entitled, “mean girl.”

Princess Seraphima: the quintessential princess; beautiful, eloquent. However once the book is closed, she is the exact op-posite: not very bright and self-absorbed.

Jules: Strong and confident, Jules is the living embodiment of “live the story you want if it’s not the story you’re in.”

Ryan: jock boyfriend of Allie McAndrews, a dude’s dude.

Frump: Prince Oliver’s best friend who is half-dog due to a curse placed on him by the evil Rapskullio earlier in the fairy tale book. Hopelessly in love with Princess Seraphima.

Janice: Allie’s ditzy right hand gal.

Marina/Kyrie/Ondine/ Fairy: When the book is being read, the mermaids are obsessed with men, however once the book is closed they become staunch feminists.

Martin: A teen internet troll who bullies Delilah through social media posts and is part of Allie McAndrews’ tribe.

Troll: when the fairy tale is being read the Troll is a grunting, monosyllabic monster; when the book is closed, he is an Oliv-ier-esque actor’s actor.

Ms. Winx: school librarian who happens to have a longstanding literary crush on Mr. Darcy from Pride and Prejudice; sas-sy, strong, knows exactly who she is.

Jessamyn: the author of the fairy tale book Delilah is obsessed with and a widowed mother of a teenage boy; she’s kooky, a bit scattered and off beat, but smart and intuitive.

Mrs. Brown: a biology teacher who is obsessed with self-tanning, teeth whitening, and vacationing in the Caribbean.

Dr. Ducharme: school social worker. He’s a quirky, socially awkward, nebbish sort of fellow.

Rapskullio: a classic evil villain, but when the book is closed he is the exact opposite: ultra-sensitive, good-hearted, and in touch with his feelings.

*All performers/crew are required to register for THP273, (1 credit)

Friday, January 2, 2026