Showing posts with label Drunk. Show all posts
Showing posts with label Drunk. Show all posts

Wednesday, June 24, 2026

Audition Submissions for DRUNK SHAKESPEARE - PHX due by July 13

 
SUBMISSIONS FOR DRUNK SHAKESPEARE PHX 2026

Every evening, a group of five skilled performers, members of 'The Drunk Shakespeare Society,' gather to put on a mesmerizing play. But here's the thrilling twist: one among them bravely indulges in multiple shots of liquid courage, setting the stage for an unforgettable performance.

We're on the lookout for an eclectic mix of performers, each bringing their unique flair and artistic prowess to our ensemble. No matter your background or identity, we invite you to apply for roles that interest and excite you. 

NOTE: Cast members are required to drink onstage approximately once per week. Strict drinking guidelines will be adhered to. Our current show is Drunk Romeo and Juliet, but upcoming shows include Drunk Pirates, Drunk Dracula and Drunk Christmas Carol. All roles are ensemble-based and all actors learn multiple tracks. 

Submission due date is 7/13. Auditions (chosen from pre-screens) will be 7/27.

SEEKING:

TRACK 1: Romeo / Dracula / Scrooge / Long John Silver - Commanding, with charm, swagger, and major leading role presence. This track moves from full-throttle romantic to supernatural seducer, bitter holiday icon, and charming pirate manipulator. 

TRACK 2: Juliet / Mina / Cindy Lou / Jim - Bright, and emotionally open. Anchors the chaos with truth. This track moves from rebellious young romantic to intelligent gothic heroine, heart-forward holiday optimist, and scrappy young adventurer. 

TRACK 3: Montague / Harker / Cratchit / Dr. Livesey - A versatile character with big feelings, precise comedy, and the ability to spiral beautifully. This track covers overwhelmed gothic sincerity, holiday optimism under pressure, medical reason barely holding it together, and a chaotic best friend.

TRACK 4: Capulet / Professor Buffy Van Yuengling / Marley / Captain Keira Knightley - Bold, and high-impact, who enters like a force of nature and transforms constantly. This track moves through authority figures, vampireslaying pop culture chaos, ghosts, objects, cameos, and celebrity pirate confidence. 

Host: Host / Prince / Ensemble / Villains / Parrot / Narrator / Ghosts - The engine of the show and the glue holding everything together. Guides the audience, steers the chaos, jumps between characters and impressions, and keeps the room fully engaged from start to finish. A confident improviser with strong audience instincts, rapid-fire comedic energy, and a natural command of the room.

TO SUBMIT:
Please submit headshots and resumes to jobs@brassjar.com. Please use "PHX - AUDITION - Your Full Name" as your email's subject line.

RATE:
Special Agreement - Actor's Equity
Weekly - $824.00 Minimum for 8 Shows Per Week
Part Time - Guaranteed 2 Shows Per Month or more at $87.55 per show

Wednesday, September 20, 2023

Drunk Shakespeare Phoenix currently accepting Video Audition Submissions through September 26


Brass Jar Productions PHX LLC (Drunk Shakespeare)
Phoenix, AZ

The hit Off-Broadway comedy, Drunk Shakespeare is seeking versatile performers for the attached 5 roles.

Each night, five performers of “The Drunk Shakespeare Society” gather to put on a play. One of them actually drinks several shots of liquor at the start of the play. This show is a bit of a ‘play within a play’... an immersive party combining Shakespeare, pop culture, comedy, and audience connection!

Since 2014, Drunk Shakespeare has been entertaining audiences from all over the world with productions in NYC, Chicago, DC, Phoenix, and Houston. Drunk Shakespeare is a New York Times Critics’ Pick and the Chicago Tribune said it “may just wind up being one of the most enjoyable ways to experience a tragedy.” Alumni from the cast have gone on to perform on Broadway, in the West End, Blue Man Group, The Deuce, Billions, Sunnyside, and on national tours.

Drunk Shakespeare is performed in a hidden “speakeasy library,” and craft cocktails are served throughout the performance.


AUDITION DATE AND TIME

VIDEO submissions with IN-PERSON callbacks to follow.

HOW TO SUBMIT

1) Email headshot, resume, and brief cover letter highlighting any special skills/talents to jobs@brassjar.com with the following in the subject line: PHX- “[YOUR NAME], [THE ROLE(s) YOU WISH TO BE CONSIDERED FOR]”

2) Please include a video (roughly 2-3 minutes) to showcase both a portion of Shakespeare's text and any special skills as outlined below.

VIDEO REQUIREMENTS

Videos should be sent via shareable link (Youtube, Vimeo, Google Drive, etc.) but please ensure no password or account is needed and no download is required. Do not attach a video file to your Email.

MATERIAL TO PREPARE

MONOLOGUE - Shakespeare, 1 minute in length. We would like to meet YOU through this text, so approach it in a contemporary way that allows your personality to shine while honoring Shakespeare's intention.

SKILLS SHOWCASE - Prepare a 1-2 minute video showcasing your special skills. Examples could include: dialects, impressions, dance, acrobatics, musical abilities, speaking multiple languages, etc. Let your imagination run wild! You can incorporate your skills into a speech or use a more freestyle approach.

Deadline for audition submission: 9/26/23 at 10 p.m. Submissions may not be considered after this date.


BREAKDOWN

We are actively seeking a diverse array of performers who bring their individuality and artistic gifts to the ensemble. We encourage performers of all backgrounds and identities to apply for any role(s) that excite them.

As part of this rotating ensemble of players, you will have the opportunity to work with the director to curate aspects of your character to showcase you as a performer - celebrating your personality and strengths.

All performers must have excellent comedic chops, commanding stage presence, special skills, a love for Shakespeare, and a desire to play and work as an ensemble.


Note: With the exception of The Host, all roles will be required to drink alcohol on stage approximately once a week.

ROLES BEING CAST:

HOST

The Master of Ceremonies and impressions extraordinaire. They welcome the audience into the society and wrangle the drunk actor while keeping the show in motion. Seeking a charismatic performer with the ability to listen and connect to an audience and a love for hosting a party. They also have the opportunity to showcase an arsenal of impressions, dialects, and characters!

*Note: This track is NOT required to drink on stage.


MACBETH

The character through which the audience experiences the arc of the narrative. Macbeth is a soldier returning home from a war that is enticed by vaulting ambition (and a very convincing wife). Seeking imposing performers with excellent Shakespeare chops and the ability to drive the play.

Macbeth often ends up shirtless at the end of the play. (Dependent on the comfort of the actor).

This role may be required to drink on stage approximately once a week.

“THE DRUNK ACTOR”

The ‘Drunk Actor’ rotates through all of the tracks with the exception of the Host. Having a different actor/character in this role each show keeps each performance fresh. When you are the drunk actor, you are the conductor of chaos with the power to issue challenges to your cast-mates, perform curated “Drunk Challenges” and be the force the audience roots for. We want you to have fun and let the audience have fun with you. This is an opportunity to bring an elevated version of yourself outside the boundaries of Shakespeare’s text.

There is one drunk actor per show and the schedule is organized to ensure no performer drinks more than twice a week. There are numerous internal systems in place to ensure the well-being of performers and audiences. The “Drunk Actor” receives free safe transportation home.

Finally, we acknowledge that everybody has a different relationship to alcohol. We are seeking to celebrate joy, laughter, and libations as people have done through time but only you know if this is the right environment for you. Performers begin with an initial 4-week trial period so that both the performer and production can decide if this is a great fit. Brass Jar Productions PHX LLC does not promote irresponsible drinking, and strict drunk performance guidelines will be adhered to. By submitting for this casting you are acknowledging that you are over 21 years of age and that you want to drink and perform Shakespeare on stage approximately once a week. We do not condone alcoholism. If you believe you may have a problem, please do not apply.


TIME COMMITMENT:

Holiday availability and a flexible schedule are a must! Weekend availability is required. Initial rehearsals may be held during both day and night.

Actors will begin with an initial 4-week trial contract, followed by an extension with the opportunity for an open-ended run.

Performance Schedule: Drunk Shakespeare typically runs seven days a week with 10+ performances. Cast members are not guaranteed a minimum number of shifts, but are guaranteed at least 1 day off per week. There will be a rotating cast to cover all performances as the schedule expands and there is great potential for learning additional tracks. Management will do their best to work with you and other cast members to allow some flexibility with schedule requests.

Compensation: Begins at $70/show, and increases based on a total number of performances.

$15/hr for rehearsals.


SALARY
$70.00 – $150.00 per show

HOW TO APPLY
APPLY BY EMAIL to  jobs@brassjar.com

Wednesday, July 6, 2022

Video Audition Submission Date for the Phoenix company of DRUNK SHAKESPEARE extended to July 8

 


NOW CASTING DRUNK SHAKESPEARE: PHOENIX, AZ

The hit Off-Broadway comedy, Drunk Shakespeare, is opening in Phoenix, AZ! We are seeking versatile performers for the attached 5 roles.

Each night, five performers of “The Drunk Shakespeare Society” gather to put on a play. One of them actually drinks several shots of liquor at the start of the play. This show is a bit of a ‘play within a play’... an immersive party combining Shakespeare, pop culture, comedy and audience connection!

Since 2014, Drunk Shakespeare has been entertaining audiences from all over the world with productions in NYC and Chicago. Drunk Shakespeare is a New York Times Critics’ Pick and the Chicago Tribune said it “may just wind up being one of the most enjoyable ways to experience a tragedy.” Alumni from the cast have gone on to perform on Broadway, in the West End, Blue Man Group, The Deuce, Billions, Sunnyside and on national tours. 

The company is converting a vacant space in the heart of Downtown Phoenix into a new performance venue, “The Rose Theatre,” featuring a hidden library speakeasy installation. 


AUDITION DATE AND TIME

VIDEO submission with callbacks to follow in-person mid July. 

 COVID PROTOCOL: At this time, all patrons and staff must be fully vaccinated. You can find the company and production’s current protocols here: www.drunkshakespeare.com/coronavirus. Any adjustments will be updated on this page.

 
HOW TO SUBMIT

1) Email headshot, resume, and brief cover letter highlighting any special skills / talents to rose@drunkshakespeare.com with the following in the subject line: “[YOUR NAME], [THE ROLE(s) YOU WISH TO BE CONSIDERED FOR]”

2) Please include a video (roughly 2-3 minutes) to showcase both a portion of Shakespeare text, and any special skills as outlined below. 


VIDEO REQUIREMENTS

Videos should be sent via shareable link (Youtube, Vimeo, google drive etc.) but please ensure no password or account is needed and no download is required. Do not attach a video file to your Email. 

 
MATERIAL TO PREPARE

MONOLOGUE - Shakespeare, 1-2 minutes in length. We would like to meet YOU through this text, so approach it in a contemporary way that allows your personality to shine while honoring Shakespeare's intention.

 
SKILLS SHOWCASE - Prepare a 1-minute video showcasing your special skills. Examples could include: dialects, impressions, dance, acrobatics, musical abilities, speaking multiple languages, etc. Let your imagination run wild! You can incorporate your skills into a speech or use a more freestyle approach.

 
SUPPLEMENTAL MATERIALS - Feel free to send links to any other material you'd like us to view.

 
Deadline for audition submission: 07/8/22. Submissions may not be considered after this date.

 
BREAKDOWN 

We are actively seeking a diverse array of performers that bring their individuality and artistic gifts to the ensemble. We encourage performers of all backgrounds and identities to apply for any role(s) that excite them. 

As part of this rotating ensemble of players, you will have the opportunity to work with the director to curate aspects of your character to showcase you as a performer - celebrating your personality and strengths. 

All performers must have excellent comedic chops, commanding stage presence, special skills, a love for Shakespeare, and a desire to play and work as an ensemble. 

Note: With the exception of The Host, all roles will be required to drink alcohol on stage approximately once a week.


HOST

The Master of Ceremonies and impressions extraordinaire. They welcome the audience into the society and wrangle the drunk actor while keeping the show in motion. Seeking a charismatic performer with the ability to listen and connect to an audience and a love for hosting a party. They also have the opportunity to showcase an arsenal of impressions, dialects and characters!  


*Note: This track is NOT required to drink on stage.


MACBETH

The character through which the audience experiences the arc of the narrative. Macbeth is a soldier returning home from war that is enticed by vaulting ambition (and a very convincing wife). Seeking imposing performers with excellent Shakespeare chops and the ability to drive the play. 

Macbeth often ends up shirtless at the end of the play. 

This role will be required to drink on stage approximately once a week.


LADY MACBETH

Lady M uses everything at her disposal to influence her husband, entice and impress the audience, and drive their mutual rise (and ultimate fall) in power. You also get to play a pretty gnarly witch. Seeking a bold and charismatic actor with a strong command of Shakespeare’s text. 

This role will be required to drink on stage approximately once a week.


BANQUO (AND OTHERS)

This track plays multiple parts including the best friend; the hungover & flirtatious porter; a puppet, a witch, Bill Pullman, and more. Seeking performers with a broad character range and a love for the outrageous. Improvisation and puppetry skills are a major plus!

This role will be required to drink on stage approximately once a week.

 
MACDUFF 

Macduff is the catalyst that drives the final act of the play. Seeking physical and energetic performers that are compelling movers and must have an impressive musical talent. This track also gets to play a fun witch and do a little puppetry. 

This role will be required to drink on stage approximately once a week.

 
“THE DRUNK ACTOR” 

The ‘Drunk Actor’ rotates through all of the tracks with the exception of the Host. Having a different actor/character in this role each show keeps each performance fresh. When you are the drunk actor, you are the conductor of chaos with power to issue challenges to your cast-mates, perform curated “Drunk Challenges” and be the force the audience roots for. We want you to have fun and let the audience have fun with you. This is an opportunity to bring an elevated version of yourself outside the boundaries of Shakespeare’s text.

There is one drunk actor per show and the schedule is organized to ensure no performer drinks more than once a week. There are numerous internal systems in place to ensure the well-being of performers and audience. The “Drunk Actor” receives free safe transportation home. 

Finally, we acknowledge that everybody has a different relationship to alcohol. We are seeking to celebrate joy, laughter and libations as people have done through time but only you know if this is the right environment for you. Performers begin with an initial 4-week trial period so that both the performer and production can decide if this is a great fit. Brass Jar Productions AZ LLC does not promote irresponsible drinking, and strict drunk performance guidelines will be adhered to. By submitting for this casting you are acknowledging that you are over 21 years of age, and that you want to drink and perform Shakespeare on stage approximately once a week. We do not condone alcoholism. If you believe you may have a problem, please do not apply. 
 

TIME COMMITMENT:

Holiday availability and flexible schedule are a must! Initial rehearsals will be held during both day and night. 

Rehearsals will begin in July and opening will be in August. Actors will begin with an initial 4-week trial contract, followed by an extension with the opportunity for an open-ended run.

Performance Schedule: Initially 5 shows/week: (1 show Thursday, 2 shows Fridays and Saturdays) with potential to expand up to 8+ shows/week. (Mon, Wed, Thurs, Fri and Sat). There will be a rotating cast to cover all performances as the schedule expands and there is potential for learning additional tracks. 

Actors will always be guaranteed at least 1 day off per week. Management will do their best to work with you and other cast members to allow some flexibility with schedule conflicts. 


Compensation: $70/show. $15/hr for rehearsals. 

*Drunk Shakespeare will also be seeking a Bartender, Servers and Front of House staff. Inquire at rose@drunkshakespeare.com.

Tuesday, June 28, 2022

Video Audition Submissions for the Phoenix company of DRUNK SHAKESPEARE being accepted through July 2


NOW CASTING DRUNK SHAKESPEARE: PHOENIX, AZ

The hit Off-Broadway comedy, Drunk Shakespeare, is opening in Phoenix, AZ! We are seeking versatile performers for the attached 5 roles.

Each night, five performers of “The Drunk Shakespeare Society” gather to put on a play. One of them actually drinks several shots of liquor at the start of the play. This show is a bit of a ‘play within a play’... an immersive party combining Shakespeare, pop culture, comedy and audience connection!

Since 2014, Drunk Shakespeare has been entertaining audiences from all over the world with productions in NYC and Chicago. Drunk Shakespeare is a New York Times Critics’ Pick and the Chicago Tribune said it “may just wind up being one of the most enjoyable ways to experience a tragedy.” Alumni from the cast have gone on to perform on Broadway, in the West End, Blue Man Group, The Deuce, Billions, Sunnyside and on national tours. 

The company is converting a vacant space in the heart of Downtown Phoenix into a new performance venue, “The Rose Theatre,” featuring a hidden library speakeasy installation. 


AUDITION DATE AND TIME

VIDEO submission with callbacks to follow in-person mid July. 

 COVID PROTOCOL: At this time, all patrons and staff must be fully vaccinated. You can find the company and production’s current protocols here: www.drunkshakespeare.com/coronavirus. Any adjustments will be updated on this page.

 
HOW TO SUBMIT

1) Email headshot, resume, and brief cover letter highlighting any special skills / talents to rose@drunkshakespeare.com with the following in the subject line: “[YOUR NAME], [THE ROLE(s) YOU WISH TO BE CONSIDERED FOR]”

2) Please include a video (roughly 2-3 minutes) to showcase both a portion of Shakespeare text, and any special skills as outlined below. 


VIDEO REQUIREMENTS

Videos should be sent via shareable link (Youtube, Vimeo, google drive etc.) but please ensure no password or account is needed and no download is required. Do not attach a video file to your Email. 

 
MATERIAL TO PREPARE

MONOLOGUE - Shakespeare, 1-2 minutes in length. We would like to meet YOU through this text, so approach it in a contemporary way that allows your personality to shine while honoring Shakespeare's intention.

 
SKILLS SHOWCASE - Prepare a 1-minute video showcasing your special skills. Examples could include: dialects, impressions, dance, acrobatics, musical abilities, speaking multiple languages, etc. Let your imagination run wild! You can incorporate your skills into a speech or use a more freestyle approach.

 
SUPPLEMENTAL MATERIALS - Feel free to send links to any other material you'd like us to view.

 
Deadline for audition submission: 07/02/22. Submissions may not be considered after this date.

 
BREAKDOWN 

We are actively seeking a diverse array of performers that bring their individuality and artistic gifts to the ensemble. We encourage performers of all backgrounds and identities to apply for any role(s) that excite them. 

As part of this rotating ensemble of players, you will have the opportunity to work with the director to curate aspects of your character to showcase you as a performer - celebrating your personality and strengths. 

All performers must have excellent comedic chops, commanding stage presence, special skills, a love for Shakespeare, and a desire to play and work as an ensemble. 

Note: With the exception of The Host, all roles will be required to drink alcohol on stage approximately once a week.


HOST

The Master of Ceremonies and impressions extraordinaire. They welcome the audience into the society and wrangle the drunk actor while keeping the show in motion. Seeking a charismatic performer with the ability to listen and connect to an audience and a love for hosting a party. They also have the opportunity to showcase an arsenal of impressions, dialects and characters!  


*Note: This track is NOT required to drink on stage.


MACBETH

The character through which the audience experiences the arc of the narrative. Macbeth is a soldier returning home from war that is enticed by vaulting ambition (and a very convincing wife). Seeking imposing performers with excellent Shakespeare chops and the ability to drive the play. 

Macbeth often ends up shirtless at the end of the play. 

This role will be required to drink on stage approximately once a week.


LADY MACBETH

Lady M uses everything at her disposal to influence her husband, entice and impress the audience, and drive their mutual rise (and ultimate fall) in power. You also get to play a pretty gnarly witch. Seeking a bold and charismatic actor with a strong command of Shakespeare’s text. 

This role will be required to drink on stage approximately once a week.


BANQUO (AND OTHERS)

This track plays multiple parts including the best friend; the hungover & flirtatious porter; a puppet, a witch, Bill Pullman, and more. Seeking performers with a broad character range and a love for the outrageous. Improvisation and puppetry skills are a major plus!

This role will be required to drink on stage approximately once a week.

 
MACDUFF 

Macduff is the catalyst that drives the final act of the play. Seeking physical and energetic performers that are compelling movers and must have an impressive musical talent. This track also gets to play a fun witch and do a little puppetry. 

This role will be required to drink on stage approximately once a week.

 
“THE DRUNK ACTOR” 

The ‘Drunk Actor’ rotates through all of the tracks with the exception of the Host. Having a different actor/character in this role each show keeps each performance fresh. When you are the drunk actor, you are the conductor of chaos with power to issue challenges to your cast-mates, perform curated “Drunk Challenges” and be the force the audience roots for. We want you to have fun and let the audience have fun with you. This is an opportunity to bring an elevated version of yourself outside the boundaries of Shakespeare’s text.

There is one drunk actor per show and the schedule is organized to ensure no performer drinks more than once a week. There are numerous internal systems in place to ensure the well-being of performers and audience. The “Drunk Actor” receives free safe transportation home. 

Finally, we acknowledge that everybody has a different relationship to alcohol. We are seeking to celebrate joy, laughter and libations as people have done through time but only you know if this is the right environment for you. Performers begin with an initial 4-week trial period so that both the performer and production can decide if this is a great fit. Brass Jar Productions AZ LLC does not promote irresponsible drinking, and strict drunk performance guidelines will be adhered to. By submitting for this casting you are acknowledging that you are over 21 years of age, and that you want to drink and perform Shakespeare on stage approximately once a week. We do not condone alcoholism. If you believe you may have a problem, please do not apply. 
 

TIME COMMITMENT:

Holiday availability and flexible schedule are a must! Initial rehearsals will be held during both day and night. 

Rehearsals will begin in July and opening will be in August. Actors will begin with an initial 4-week trial contract, followed by an extension with the opportunity for an open-ended run.

Performance Schedule: Initially 5 shows/week: (1 show Thursday, 2 shows Fridays and Saturdays) with potential to expand up to 8+ shows/week. (Mon, Wed, Thurs, Fri and Sat). There will be a rotating cast to cover all performances as the schedule expands and there is potential for learning additional tracks. 

Actors will always be guaranteed at least 1 day off per week. Management will do their best to work with you and other cast members to allow some flexibility with schedule conflicts. 


Compensation: $70/show. $15/hr for rehearsals. 

*Drunk Shakespeare will also be seeking a Bartender, Servers and Front of House staff. Inquire at rose@drunkshakespeare.com.