Showing posts with label Arizona Regional. Show all posts
Showing posts with label Arizona Regional. Show all posts

Friday, February 8, 2019

Finding Help and Hope while Striving to be Normal: a conversation with Chris R. Chávez, the director of Arizona Regional Theatre's production of NEXT TO NORMAL

Chris R. Chávez
by Julia Bashaw

Being normal is something that we are often told we need to be and something that people often strive for yet some find it very difficult to fit in to what others consider "normal."

In the musical Next To Normal, a family discovers just how hard it is to be normal and to seem like a perfectly happy family when circumstances beyond their control, including mental illness, complicate their lives.

Chris R. Chávez, who is directing the Arizona Regional Theatre production of the Pulitzer Prize winning musical that opens next Friday, explains the musical perfectly as “a story about a woman who is dealing with mental illness and about how this illness affects her family and those people around her.”

Chávez used to work in the mental health industry and he still was when this musical was being created. He believes the show provides a good message about the importance of mental health and gives a realistic view into the struggle of the disease.

the cast of Arizona Regional Theatre's production of Next to Normal
Nathan Sheppard, Andy Albrecht, Amy Jo Halliday, and Kendra Richards
photo courtesy JALT Media / Kimberly Sheperd
“Normal is very subjective,” Chávez explained. “My normal might be completely different from what you think normal is and vice versa. That being said I do not believe that anybody with any kind of ailment should ‘try to be normal’. These all are real issues that I feel for far too long have been swept under the rug and that also have a stigma that comes with them. I think at all times we should be free to talk about these issues, whether they are our own or somebody else's, to be able to talk and get the help we need and destigmatize it.”

Chávez wanted to make this production be as realistic as possible in order for the message to get across. In the casting process, 120 people auditioned but he had to narrow that number down to the six characters in the shows. Once that complicated process was over, Chávez wanted them to be authentic.

“One thing that I wanted to do was to bring some professionals in to speak to our actors in order for them to get a perspective of somebody living with mental illness,” he explained. “We got two people who are both living with bipolar disorder and did a round table discussion with our actors that way they could get that perspective and know what it’s like to live with mental illness. The discussion allowed the cast to ask questions for them to help develop their characters.”

The majority of this musical takes place inside the main character's family home and Chávez believes it is used as a metaphor. “I think the fact that it does take place so much in the home relates to the whole concept of the show that mental illness is such an internal struggle,” believes Chávez. “It is something that we can not see and the show being inside the home reflects that. It makes people think that that could be happening to their neighbors because you don't know. It's all happening inside the home, you have no idea what's happening behind closed doors.”

With a Tony winning score full of rich ballads, soaring rock tunes and moving, emotional packed melodies, Next to Normal is both an entertaining musical as well as an educational piece. Though, this show’s purpose isn’t to condemn but rather show audiences the journey of how one family overcomes grief and also how they cope with mental illness.

But Chávez believes it's more than that. “I would say this show is more than just about mental illness. This show is about hope most of all. In the last song they talk about light and what that means to me is no matter how dark your situation is, no matter what you are going through, that at the end of the tunnel there is still some hope and light.”

When asked about his thoughts for audiences who might be turned off by the idea of seeing a musical about mental illness, Chávez replied, “I want to open their eyes and let them see that these are real issues that real people deal with every day. I want them to find ways that they can help others. Even though it was difficult I do feel that we have got one of the most amazing casts.  That may sound like something someone would say all the time but I truly mean it. This has been one of the best theatre projects I have ever worked on and one of the most amazing and giving casts that have allowed me to direct them in such a way. It has been such a collaborative and beautiful process, I think that alone, in addition to the show itself, is something worth seeing.”

CLICK HERE for more information on Next to Normal at Arizona Regional Theatre, which runs February 15 to February 24

Friday, February 1, 2019

audition notice - LITTLE SHOP OF HORRORS - Arizona Regional Theatre - March 6 & 7


Arizona Regional Theatre announces auditions for their final production of the season, Little Shop of Horrors!

Auditions will take place from 6-9pm on March 6th & 7th at the Arizona Regional Theatre Blackbox located at 712 S. Hacienda Dr., Suite 5 Tempe, AZ 85281.

CLICK HERE to sign up!

Wednesday, January 30, 2019

Tuesday, January 8, 2019

Arizona Regional Theatre's Double Feature Cabarets - January 28, 2019


Two shows in one night presented by Arizona Regional Theatre and Seth Tucker!

"Double Feature Cabarets" features Arizona Regional Theatre's "Season Two Unveiling Cabaret" and "Uncensored Cabaret" hosted by Seth Tucker and Louis Farber.

Be the first to hear what's in store for Arizona Regional Theatre's second season and follow it up with a side splitting, trashy concert you didn't know you needed, but will be glad you experienced!

General admission is $15 for each show. VIP Tickets to both shows are $40 and includes a private reception with an opportunity to mingle with the cast!

Arizona Regional Theatre
www.arizonaregionaltheatre.org
(602) 698-8668

Thursday, December 20, 2018

cast announcement - NEXT TO NORMAL - Arizona Regional Theatre


CLICK HERE for more information on this production, which runs February 15-24

Diana: Amy Jo Halliday
Dan: Andy Albrecht
Gabe: Nathan Sheppard
Natalie: Kendra Richards
Henry: Tucker Abney
Doctor Madden: James Grandjean

Director: Chris R. Chávez
Musical Director: Jennifer Adams

Wednesday, November 28, 2018

Finding the moments within SONGS FOR A NEW WORLD

Xandra Gunnel, Alicia Ferrin, Nathan Sheppard, and Darren Friedman

by Haddi Meyer

“It’s a concert with a plot. It’s a list of songs that you don’t think will lead you anywhere, but they really have an overlying arch and they do all fit together. It’s the audiences job to put them together and make their own story and conclusion out of it.”

That's what CJ O’Hara said when asked to describe Songs For A New World, which opens at Arizona Regional Theatre this Friday and runs through December 9th.

One of the show's leads, Xandra Gunnell concurred, “It’s more about the audience, and the actors and the audience being able to tell whatever story they want to tell.”

Songs for a New World, is not quite a musical, but a lot more than a revue O’Hara stated. The show is an amalgamation of songs written by Jason Robert Brown all collected into a show that lies somewhere between a musical and a song-cycle.

It features four actors who portray a myriad of different people across different time periods, who may not seem like they connect but Gunnell says the themes presented in each plot line absolutely align.

“A really common lyric is ‘it’s about one moment.’ and kind of how each moment could change your life, and how every decision you make little or big will have some kind of effect on you.”

Gunnell plays "Woman Number One" who discusses fear and love and motherhood over the course of the show. Part of her characterization process was to name ‘woman one’ in each scene she is in.
 “Every song is different. In one song she’s Amy, in ‘I’m Not Afraid of Anything’ her name is Rose.”

Characterization is an actor’s challenge, but CJ O’Hara really takes the idea of challenge to a new level. He is not only the conductor and music director for the show, but also Songs for a New World’s sole director.

“I’ve been pushing myself like crazy, to do work ahead of time and be ready to go but also to let my creativity flow over and just go ‘Oh, that’s an idea, let’s try this’ or ‘Oh no, that didn’t work let’s try something else,’ O’Hara explained, “So that’s been my fun and a little bit of my struggle.”

CJ O'Hara
The music in the show varies greatly, and O’Hara was kind enough to let me sit in on a rehearsal. The music is striking and emotional, and the four actors he selected for these roles all play compelling and dynamic characters. I found myself tearing up a little just watching a run through of “The Flagmaker, 1775”.

Gunnell sang plenty of praises for the show as well, saying “It’s going to be such a killer show. I’ve never worked with such a hard working cast. We learned the score in two nights.”

“Yeah, they really did,” O’Hara interjected. “It has been the most incredible experience. We have put so much work into it and it’s just going to be incredible.”

Songs for a New World is certainly a hidden gem of a musical and from what I saw of the rehearsal, Arizona Regional Theatre’s production will undeniably be full of charm.

Sometimes going into a musical blind with no background knowledge can be a bit of a drag, and can lead to confusion but Gunnell says that having no foreknowledge of Songs for a New World, is one of the best ways to appreciate the show fully.

“It’s good that [they] don’t know what it is or that [they’re] not quite sure because, like we said at the beginning it’s all about your imagination. It’s all about whatever you want to make it, so when you come and see it, not knowing anything about it is a better place to be in. You can make it completely your own.”

Tuesday, November 27, 2018

ticket discount - SONGS FOR A NEW WORLD - Arizona Regional Theatre


Arizona Regional Theatre is offering a special reward to PHXStages followers for their upcoming production of "Songs for a New World -

Use reward code "PHXSTAGES50" and receive half-off on up to four tickets!

CLICK HERE to order your tickets today - this production runs November 30th to December 9th

Monday, November 26, 2018

NEXT TO NORMAL - Arizona Regional Theatre - February 15-February 24, 2019


Music by Tom Kitt; Book & Lyrics by Brian Yorkey

An unflinching look at a suburban family struggling with the effects of mental illness. Winner of three 2009 Tony Awards, including Best Musical Score and the 2010 Pulitzer Prize, Next to Normal was also chosen as "one of the year's ten best shows" by critics around the country, including The Los Angeles Times, The Washington Post, Rolling Stone and The New York Times.

Friday & Saturday Evenings at 7:30 pm
Saturday and Sunday Matinee at 2:30 pm

All performances take place at Third Street Theatre at the Phoenix Center for the Arts

CLICK HERE for more information on this production, and to purchase tickets when available

LITTLE SHOP OF HORRORS - Arizona Regional Theatre - ​June 21-June 30, 2019


Book and Lyrics by Howard Ashman
Music by Alan Menken
Based on the film by Roger Corman, screenplay by Charles Griffith

A deviously delicious Broadway and Hollywood sci-fi smash musical, Little Shop Of Horrors has devoured the hearts of theatre goers for over 30 years. Howard Ashman and Alan Menken (Disney's The Little Mermaid, Beauty And The Beast, and Aladdin) are the creative geniuses behind what has become one of the most popular shows in the world.

Friday & Saturday Evenings at 7:30 pm
Saturday and Sunday Matinee at 2:30 pm

CLICK HERE for more information on this production, and to purchase tickets when available

AS BEES IN HONEY DROWN - Arizona Regional Theatre - April 5-14, 2019


by Douglas Carter Beane

A satirical comedy by Douglas Carter Beane in which a con artist charms a New York writer into writing a screenplay of her wild and crazy life.

Alexa Vere de Vere- Elyse Wolf (AEA)
Evan Wyler- Seth Tucker (AEA)
Woman 1- Elizabeth Grace Garcia
Woman 2- Tina Khalil
Man 1- Andrew Stachurski (EMC)
Man 2- TBA

Friday & Saturday Evenings at 7:30 pm
Saturday and Sunday Matinee at 2:30 pm

CLICK HERE for more information on this production, and to purchase tickets when available

Wednesday, October 31, 2018

SONGS FOR A NEW WORLD - Arizona Regional Theatre - November 30-December 9


Music and Lyrics by Jason Robert Brown
Originally Produced by the WPA Theatre, New York City, 1995
(Kyle Renick, Artistic Director)
Original Orchestration by Brian Besterman and Jason Robert Brown

It's about one moment. It's about hitting the wall and having to make a choice... or take a stand... or turn around and go back. The first musical from Tony Award winner, Jason Robert Brown (Parade, Bridges of Madison County), this moving collection of powerful songs examines life, love and the choices that we make.

Xandra Gunnel - Woman 1
Alicia Ferrin - Woman 2
Nathan Sheppard - Man 1
Darren Friedman - Man 2

Friday & Saturday Evenings at 7:30 pm
Saturday and Sunday Matinee at 2:30 pm

All performances take place at Third Street Theatre at the Phoenix Center for the Arts


Monday, September 24, 2018

A conversation with JEKYLL AND HYDE's Matravius Avent

Matravius Avent, top with Elizabeth Grace and Jackie Brecker
photo courtesy Glynn / Sheperd / JALT Media  
by Haddi Meyer

The title characters from Robert Louis Stevenson's novel "Strange Case of Dr Jekyll and Mr Hyde," which was turned into the hit musical Jekyll and Hyde, are the kind of dark, complex and rigorous roles that actors who invite challenge leap at the chance to play. The fact that, in this musical, both characters are portrayed by the same individual requires the kind of incredible talent, drive, and stage presence that allows Matravius Avent to easily slip into the role, like Dr. Jekyll slips into Mr. Hyde.

It's clear from sitting down and speaking with Avent that the amount of emotion and enthusiasm with which he speaks about the role shows an undeniable love of and passion for theater. An accomplished actor and singer who works continually at theatres across the Valley, Avent says he was inspired from a young age after seeing a performance of Ragtime as a child.

“That was the first time I had ever seen somebody on stage who looked like me. A black man, performing a lead role and just, destroying it,” Avent stated, “I was like, holy crap, I could do that! I would love to do that. It was the first time I had ever felt that I could make a career out of theater and performing.”

As for Jekyll and Hyde, Avent is full of enthusiasm and elegance when speaking about the show which is the first production from Arizona Regional Theatre, the brand new company co-founded by Kayla Etheridge and Kimberly Sheperd. Avent, a prolific performer who has worked around the globe sang nothing but praise about the show's cast and production team.

“We have such a good cast and I am so excited for this show,” Avent laughed, “The entire team is pretty much all women. That never happens, ever. So I don’t think there’s anywhere in the state where you’re going to find that, so I think that’s really cool. Both Kayla and Kim are very knowledgeable and enthusiastic about their show, and it’s been a lot of fun to work with them.”

In regards to his co-leads, Jackie Brecker who plays the complex and kind courtesan Lucy, and  Elizabeth Grace who plays Dr. Jekyll’s loyal and supportive fiancée Emma, Avent not only said that they were “both fantastic actresses” and that it was easy to work alongside them, but also that they were instrumental in his characterization of Dr. Jekyll and Mr. Hyde.

“I sat down with Kayla and Kim, and Jackie just sitting around discussing what the characters are and how they interact with each other. What makes Jekyll’s interactions with Lucy, different with Hyde’s interactions with Lucy. Then I did the same thing with Liz. Having that kind of table discussion about what these characters are, helped a lot in preparing for each side.”

Avent described the roles of Jekyll and Hyde as “tough, but fun,” and touched on coming to the revelation that he was definitely more Jekyll than Hyde.

Matravius Avent
“Doing things in the way Jekyll would do, is much more easy for me. So, the way I would sit, or the way I would walk around come easy. I didn’t have to spend as much time focusing on Jekyll in that way, but for Hyde, everything is so much more unnatural. The way he would slouch in a chair,”
Avent grinned as he slid down his chair back, splaying his legs out before popping back up, “or the way he would grab something is just very different. He has complete disregard for feelings and space, whereas Jekyll is very, kind of, type A. Everything belongs in its spot. That’s kind of how I am as well, but Hyde just doesn’t care. Everything is kind of his way or the highway.”

As Avent described the physicalities of Jekyll and Hyde, he was incredibly joyful as he stomped, slouched and pantomimed to demonstrate his take on Hyde. Avent shows a clear love for the roles he is in, something which the audience will immediately pick up on in the form of a passionate and captivating performance.

Specifically, he mentioned, without giving anything away, of course, that at the end of the show, there is a scene which truly captures the duality and depravity of Jekyll and Hyde, saying “Hyde has done a lot of terrible things up until this point in the show and Jekyll has really had just as much as he could. At that moment there is a lot of back and forth between Jekyll and Hyde. I think that’s going to be the moment that shows their duality the most in the quickest amount of time.”

Avent also stated that despite Jekyll and Hyde’s themes of danger and depravity, as depicted in the actions of Hyde in the show, that he hopes the audience leaves contemplating “how they think about things. It would be cool if people would notice those crazy thoughts every once in a while and really try to figure out why they are having them. A little bit of self reflection, I guess.”

Jekyll and Hyde might be a story of depravity, lust and danger, but the time I spent speaking with Avent was truly delightful. Avent is a charming, talented, and passionate actor and speaking with him makes you excited to see the wonderful work that he and the rest of the Jekyll and Hyde cast and crew are putting so much time and effort into creating.

CLICK HERE for more information on this production, which runs from September 28th to October 7th

Friday, September 21, 2018

Sunday, September 9, 2018

a conversation with Arizona Regional Theatre's Kayla Etheridge and Kimberly Sheperd

Kayla Etheridge, Co-Artistic Director of Arizona Regional Theatre
by Gil Benbrook

From Phoenix Theatre, who is about to celebrate their 100th anniversary, to Mesa Encore Theatre, who has been presenting productions in the Valley for decades, Phoenix is known for having dozens of theatre companies that have been around for many years.

So when a new theatre company comes along with a rich assortment of productions planned for their inaugural season, and not just one or two classic shows that are constantly produced each year, you take notice.

Such is the case with Arizona Regional Theatre, or, cutely, and smartly, A.R.T. for short.

The impetus of Kayla Etheridge and Kimberly Sheperd, who both went to school in town and met each other when they performed in a show together, Arizona Regional Theatre kicks off their premiere season in just a few weeks on September 28th with the Broadway smash musical Jekyll & Hyde. Other offerings this year include the Pulitzer Prize winning musical Next to Normal, the crowd pleasing Little Shop of Horrors and the hilarious, yet rarely seen, satirical comedy As Bees in Honey Drown.

I had the chance to ask Kayla and Kimberly, Co-Artistic Directors of A.R.T., some questions about how they formed the company, their plans for the future, and also how their experience working on stage and behind the scenes on numerous past productions will help in their ability to contribute to theatre in the Valley

Kayla, what was the impetus to start your own theatre company?

"We both worked in theatre all our lives and knew that it was in the cards at some point. It was a dream of both of ours to do this and the timing was finally right. We felt that we as young women had a unique perspective as business owners. We also saw that the number of talented people in the valley was disproportionate to the number of roles available. There is so much talent here and the work can be scarce, so we saw that as an opportunity to employ more actors and showcase more of the Valley’s talent."

What is the mission of A.R.T.?

"Arizona Regional Theatre is committed to creating opportunities for local talent and fostering relationships within Arizona’s growing theatre community. We are committed to professionalizing theatre in our community and providing opportunities, not just in performance, but in the technical and creative aspects of theatre as well. Most creative people have interests in more than one aspect of their craft. Many actors want to direct, dancers want to choreograph or maybe even build a set, who knows? We want to foster these artists’ growth by allowing them opportunities outside their usual repertoire."

I know that you both went to school here in Phoenix, and that you each have experience in a range of theatrical roles. Where did you and Kimberly meet and what aspects from your background and / or experience are you finding is most important in running your own theatre company? 

"We met while performing in a local production. We find our experience as performers, specifically female performers, is vital to our ability to run a theatre company. We have been through the auditions, the callbacks, the rehearsal processes and we have taken from those experiences many things we want to emulate and some things we want to improve upon. We know what things can be frustrating for actors and are doing our best to anticipate those things and correct them before they happen."

Your inaugural season includes a wide range of shows. What can you tell us about what was behind your decision in picking each one?

"This season we stuck to shows that we personally liked but also that we didn’t feel were overdone. We also tried to keep a healthy balance of popular shows and shows that aren’t as mainstream. We asked the actors of the community which shows they wanted to do that they hadn’t had the chance to. This is a process we plan to continue each year by inviting everyone who was involved creatively in our past seasons to pitch ideas for shows they are passionate about."

Kimberly, I know that for Next to Normal you have plans around providing education for the mental health components of that show and also working with behavioral health organizations in town. What can you tell us about your plans?

"We are working with a number of different organizations to host talkbacks after several of the performances, which will feature interviews with mental health professionals and those living personally with their own challenges. We have an author who will be signing copies of her book and giving a talk, as well as organizations setting up take home bags with information and educational resources. These organizations will be speaking with the cast about their character studies and the cast will be involved in talkbacks and seminars discussing what it is like for them to dig into these characters. Overall, we’re excited that our director, Chris Chavez, is so passionate about this show and the world of mental health that he’s pioneering our charge in creating a piece of beautiful theatre that will positively impact and provide valuable resources to the community."

Kimberly Sheperd,
Co-Artistic Director of Arizona Regional Theatre
How do you think you can contribute to the theatre community in the Valley?

"We can contribute to the community by offering artists in the valley another place to share their talents, while trying to foster a more inclusive, less competitive community amongst the theaters in town. We don’t see more theaters as being more competition, but as a way for all of us who are so passionate about the arts to do what we love, and hopefully start making a living doing it. As a theatre, we’re also looking at our season lineups from a few different perspectives. What do audience members want to see, that hasn’t been done recently? What shows are the actors, directors, choreographers, technical/creative designers in the community passionate about? When the people creating the show are passionate about what they’re creating, the audience can tell."

What long term goals do you have for your company, or what do you see happening in the next five years for A.R.T.?

"Our five-year plan is to build our own state-of-the-art theater that we will design and outfit as we see fit. Also, improving actor compensation and the ability to offer EMC points are in the future. We would like to offer more equity contracts and see more people eligible to join the union. We would love to help in providing the large acting community a way to make a living and have great benefits while doing what they love to do!"

CLICK HERE for more information on Arizona Regional Theatre

Tuesday, July 17, 2018

JEKYLL & HYDE - Arizona Regional Theatre - September 28-October 7, 2018


by Frank Wildhorn and Steve Cuden,
Music by Wildhorn, a book by Leslie Bricusse and lyrics by Wildhorn, Bricusse, and Cuden.

Jekyll & Hyde is a classic tale of good and evil loosely based on the novella The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Lewis Stevenson.

Dr. Henry Jekyll/Edward Hyde – Matravius Avent
Lucy Harris – Jackie Brecker
Emma Carew – Elizabeth Grace
Gabriel John Utterson – Zac Bushman
Sir Danvers Carew – Bill Bennett
Simon Stride – Nick Fortune
Lady Beaconsfield/Nellie – Katie Lambert
Bishop of Basingstoke – Max Reed
General Lord Glossop – Aaron Burton
Sir Archibald Proops/Ensemble – Patrick McMullen
Lord Savage/Ensemble – Nicholas John Gearing
Poole – Dan Stroud
Spider/Ensemble – Cherokee Ray

Ensemble:
Ryan Malikowski
Nicholas Hambruch
Deserae McCall
Shelby Jensen
Alexa Maez
Ashley Riecken
Grace Napoletano
Alicia Ferrin

Director: Kayla Etheridge
Music Director: Lincoln Wright
Choreographer: Kimberly Sheperd

Friday & Saturday Evenings at 7:30 pm
Saturday and Sunday Matinee at 2:30 pm

3rd Street Theater at Phoenix Center for the Arts

CLICK HERE for more information and to purchase tickets

Friday, July 6, 2018

audition notice - SONGS FOR A NEW WORLD - Arizona Regional Theatre - October 21


Arizona Regional Theater Announces Auditions for Jason Robert Brown's Songs for a New World

To sign up, please select your preferred time-slot. Plan to arrive at least 15 minutes prior to your selected time-slot.

Information and Audition forms can be found on the Arizona Regional Theatre website HERE

Come prepared with:
Small cutting of a song that best showcases your voice and
Ability to tell a story
Headshot and Resume
Completed Audition Form

Address:
Arizona Regional Theatre
712 S. Hacienda Dr. Suite 5
Tempe, AZ, 85281

CLICK HERE to Sign Up for an audition slot!

Sunday, July 1, 2018

audition notice - JEKYLL & HYDE - Arizona Regional Theatre - July 9 & 10


Auditions for Jekyll & Hyde are July 9 & 10 from 6-10pm. Callbacks are July 14th. 

CLICK HERE to sign up for an audition slot

Auditions will be held at Arizona Regional Theatre:
712 S. Hacienda Dr. Suite 5
Tempe, AZ 85281

Please prepare one 32-bar cutting of a ballad or song that fits the show. An accompanist will be provided. Please bring sheet music marked in the correct key. No CDs or Acappella. Headshot & Resume required.

Character Breakdown:
(All roles are currently open)

Henry Jekyll/Edward Hyde:
Actor must portray both the gentle doctor and his insane counterpart. Strong acting and vocals required.
Gender: Male Age: 30-45 Vocal Range: Bass/Bari-tenor (Bb2-A4)

Emma Carew:
Daughter of Chairman Danvers Carew and Jekyll's beloved fiance, who is refined and desired by all of the socialite men.
Gender: Female Age: 20-25 Vocal Range: Soprano (A3-C6)

Lucy Harris:
Gorgeous "main attraction" at a local Gentleman's Club. Strong singer/dancer.
Gender: Female Age: 20-30 Vocal Range: Mezzo/Alto (G#3-F#5)

Gabriel John Utterson:
Serves as Jekyll's lawyer and helpful friend.
Gender: Male Age: 30-45 Vocal Range: Bari-tenor (B2-F#4)

Sir Danvers Carew:
Emma's loving father and Chairman of the Board of Governors.
Gender: Male Age:60-70 Vocal Range: Baritone (C3-F#4)

Simon Stride:
Secretary of the Board of Governors and Jekyll's rival for Emma's affection.
Gender: Male Age: 30-40 Vocal Range: Baritone (A2-G4)

Lady Beaconsfield:
The only female member of the Board of Governors.
Gender: Female Age: Any Vocal Range: Mezzo

Bishop of Basingstoke:
Hypocritical, sadistic man of the cloth and a member of the Board of Governors.
Gender: Male Age: 40-60 Vocal Range: Baritone (C#3-G4)

Lord Savage:
A member of the Board of Governors.
Gender: Male Age: Any Vocal Range: Tenor

General Lord Glossop:
A pompous retired army man and member of the Board of Governors.
Gender: Male Age: 50-60 Vocal Range: Tenor (G#3-C4)

Sir Archibald Proops:
Member of the Board of Governors
Gender: Male Age: Any Vocal Range: Baritone

Ensemble:
Townspeople, Gentleman's club dancers and patrons, party guests. Strong singers Possible double as Board of Governors