Saturday, June 20, 2026

Auditions Submissions due by June 30 for HEAVEN UNDER SEIGE presented by Go & Shepherd Productions and NextGen Creatives


Heaven Under Siege© (Live Musical Stage Play)
Presented by Go & Shepherd Productions & NextGen Creatives Organization. 

Playwright: Kimberly Smith
Composers/ Lyricists include:
Angelique Dauvin, Billie Higgins, Kaylen Howard, Ian Elder, Nicole Larsen, and Eli Rolfe 

Production Overview
A high-energy, heart-stirring live musical stage play featuring 11 Broadway-caliber original songs, dynamic choreography, and powerful, emotionally rich storytelling. This is the first-ever live stage production from the creator of Heaven’s Adventures.

Overview
When a spirited 6-year-old pastor's kid falls asleep frustrated over a lost video game, she is plunged into a 1711 pirate dreamscape where she must choose between claiming a legendary buried treasure or sacrificing it to save her captured best friend.

The Story
The Catalyst: After losing her digital "treasure" in a video game, young Heaven is comforted by her father, who teaches her that true treasure is stored in the heart (Matthew 6:19–21). Unconvinced, Heaven drifts to sleep.
The Adventure: Heaven and her best friend Carlos awaken in a vivid 1711 dreamscape, sailing the high seas in search of buried treasure.
The Conflict: The notorious pirate Meanbeard and his crew hijack their ship and capture Carlos. Heaven is forced to face an ultimate choice: hold onto her hard-earned loot or surrender it to save her friend.
The Theme: A profound, family-friendly message about faith, friendship, sacrifice, and discovering where true treasure lies.

Submission Requirements & Guidelines

Who We Are Seeking

We are casting teen and young adult actors for all roles in this production. Seeking dynamic, high-energy performers with exceptional vocal ability and strong movement/choreography skills for a Broadway-caliber score.

Submission Requirements & Production Details

What to Submit

Please include the following materials in your digital submission packet:
Photo: recent photo.
Resume: Acting resume or a brief summary of your performance experience.
Video Introduction: A 30–60 second video introducing yourself.
Acting Clip: 1 short acting clip or a self-tape utilizing a side from our script.
Vocal Submission (For Musical Roles): 30–60 seconds of singing (contemporary musical theatre or inspirational pop preferred).
Availability: A list of any known scheduling conflicts during the rehearsal and performance windows.

Rehearsal & Performance Commitment

Performers must have open availability for the following dates and locations (Local hire only).
Rehearsals Begin: July 2026
o Frequency: Approximately 3 times per week, Tuesday, Thursday evenings and Saturdays (mid-morning), with additional mandatory rehearsals during tech week.
o Location: Tentatively at the Pyle Adult Recreation Center (655 E Southern Ave, Tempe, AZ 85282) but could potentially move elsewhere. 
Tech, Dress, & Performance Dates: September 21st  thru 24th. Show dates: September 25 thru 26, 2026
o Location: Third Street Theater (1202 N 3rd St, Phoenix, AZ 85004)
 Note: Please disclose all known scheduling conflicts at the exact time of your submission.

Compensation
This is a stipend-based community production.
Cast members will receive a guaranteed stipend.
Stipend amounts vary based on role size, rehearsal commitment, and performance responsibilities.
Exact stipend details will be discussed prior to final casting and formal actor agreements.

Media, Video, & Promotional Release

Because this production relies heavily on community support, sponsorship, and ticket sales, 
promotional media is a vital part of our process.

Promotional Participation: Cast members will be asked to participate in short, scheduled promotional videos throughout the rehearsal process (e.g., singing clips, character introductions, behind-the-scenes footage, and show invitations). All content will be edited with discretion to promote the show in a positive, family-friendly way.

The Fine Print: By submitting, the Actor grants the Producer permission to photograph, film, record, and capture the Actor’s image, voice, likeness, and performance. These materials may be used for promotional; marketing, fundraising, archival, social media, and press purposes related to the production without additional compensation.

Social Sharing: Cast members are highly encouraged (though not required) to share approved promotional content from the production’s official pages!
How to Submit
Please submit your complete audition packet via email. Incomplete submissions may not be reviewed.

Email Submissions To: info@heavenundersiege.com

Subject Line Format: Please use this exact format so your submission is categorized correctly:
[Your Full Name] – Heaven Under Siege Submission – [Role of Interest/Ensemble]

Submission Deadline: June 30, by 5:00 PM MST.

Submission Checklist
Ensure your email includes the following 6 items:
1.  Photo: Attached headshot or recent clear photo (JPEG or PDF).
2.  Resume: Attached theater resume or a brief summary of your experience (PDF).
3.  Video Intro: A link to your 30–60 second video introduction.
4.  Acting Clip: A link to your short acting clip or script self-tape.
5.  Vocal Clip (If applicable): A link to your 30–60 second singing clip.
6.  Conflicts: List any known scheduling conflicts between July 18th and September 26, 2026, directly in the body of the email.

Note on Videos: Please upload your video files to YouTube or Vimeo and provide the links in your email. Ensure video permissions are set to "Unlisted" or "Public" so our casting team can view them.
 

Character Breakdown

Important Casting Note: All roles in this production—including the characters of 6-year-old children—will be played by experienced teens and adult actors.
 
An asterisk (*) indicates the role has solo or featured sung lines.

The Leads

*HEAVEN | Female | African American | Stage Age: 6
The Character: A whirlwind of energy, brains, and fearlessness. She is obsessed with video games, adventurous, and completely undaunted by adversity. Think *"Dora the Explorer" meets "Indiana Jones."*Always moving, striking "heroic" poses, and pointing with her sword.
Performance Note: The actor must play the stakes as 100% real. To Heaven, losing a video game feels like the absolute end of the world, which makes her ultimate sacrifice of the real treasure in Scene 7 incredibly powerful.

*DAD / BARNACLE BOB | Male | African American | Stage Age: Adult
The Character: Heaven’s caring father and the ultimate anchor of the show. Calm, warm, and deeply musical. (Will double as Barnacle Bob in the pirate ensemble).
Performance Note: He shouldn't sound like he's lecturing; he should sound like he's sharing a wonderful secret. His featured song needs to feel like a warm hug for the audience.

*CARLOS | Male | Hispanic | Stage Age: 6
The Character: Heaven’s loyal, adventurous, and slightly more grounded best friend—the "Watson" to her "Sherlock." He provides brilliant comedy as the "voice of reason" who gets swept up in Heaven's chaos.
Language Requirement: Must be bilingual (English/Spanish). His bilingualism shouldn't feel like a lesson; it should feel like his natural reaction when he’s excited or scared.
Key Physicality: Expressive "scared" faces; clutches the treasure map like it’s a security blanket.

 The "Pirate Scum" Crew: Comedy & Threat
The ensemble drives the high-energy "volume" of the show. When a song is happening, the crew is actively "living" in the world—swabbing decks, playing dice, or reacting to Meanbeard's antics.

*MEANBEARD (Captain) | Male | Caucasian | Stage Age: Adult
The Character: A grumpy, loud, bossy, sneaky, and fiercely greedy pirate captain with a serious flatulence problem. He struts like he owns the ocean with a wide, swaggering "pirate" walk.
The Vibe: A comically "gross" villain. Think a mix of Captain Hook and a grumpy bulldog.
Performance Note: Needs an over-the-top voice and massive energy. Regarding his trademark flatulence: he should act like he doesn't even notice he's doing it or be unashamedly proud of it. Requires dramatic reactions to his own digestive issues.

THE DYNAMIC DUO (Greasy & Pennylickin)
The classic comedic pair (tall/thin and short/round trope). They finish each other's sentences and bicker constantly.

GREASY | Male | Any Ethnicity | Stage Age: Adult
o The Character: Lanky, sloppy, clumsy, often confused, and talks with a slow, sleepy drawl.
o Key Physicality: A "sleepy" physicality. Everything he touches should "get greasy" in the audience's imagination.

PENNYLICKIN | Male | Any Ethnicity | Stage Age: Adult
o The Character: Small, twitchy, high-strung, and constantly hungry. He tries to avoid work but always ends up doing the most. He secretly dreams of starting a bakery.
o Key Physicality: Highly twitchy, constantly "tasting" and licking the scenery or props.

PEG-LEG PETE | Male | Any Ethnicity | Stage Age: Adult
o The Character: Meanbeard’s right-hand man. Bold, scrappy, rough around the edges, with a permanent scowl. He slams his wooden leg with authority whether it's needed or not.
o Performance Note: His "prancing" backstory gives the actor a fantastic opportunity for brief, hilarious dance moves.

MAD-EYE MILLIE (The Mystic) | Female | Any Ethnicity | Stage Age: Adult
o The Character: A wild-eyed, eccentric, and mysterious pirate who is a master of maps and riddles.
o Performance Note: She is the only pirate who seems to "know" they are in a dream/play. Speaks in a slightly different rhythm than the others, providing a magical "bridge" between the audience and the story.

SCURVY SUE (The Enforcer) | Female | Any Ethnicity | Stage Age: Adult
o The Character: Sharp eye, sharper tongue, and watches absolutely everything. She is the best sword fighter in the group, keeping the men in line with sharp movements and a stern glare. Requires strong movement/dance skills.

TOOTHLESS TIM | Male | Any Ethnicity | Stage Age: Young Adult / Adult
o The Character: A young pirate wearing an eye patch who is always munching on candy. He grins widely despite missing a few teeth. He adds a layer of humor and slight unpredictability by loudly laughing at all the wrong moments—especially when things get dangerous.


Wednesday, June 17, 2026

New Artistic Leadership Team announced for Musical Theatre Alliance of Arizona


 
As Musical Theatre Alliance of Arizona continues to grow, we're excited to introduce the Artistic Leadership Team (ALT), the group responsible for helping guide the organization's artistic vision. The ALT brings together three leaders whose involvement with MTAA spans nearly its entire history. Each first joined the organization as a participant before taking on expanded artistic and volunteer leadership responsibilities over time. Together, they have contributed as performers, conductors, directors, educators, collaborators, and advocates—helping shape not only what happens on stage, but the culture and community behind it.

Leading the team as Artistic & Music Director is Dylan Suehiro. Dylan's MTAA journey began with a casual sing-through before joining the orchestra for Titanic. Since then, he has served as a conductor, board member, Communications Director, and organizational leader, helping guide MTAA through a period of significant growth and transition.




Joining him as Vocal Director is Robyn Pitman, who first became involved with MTAA through its inaugural audience production, Sweeney Todd, and has since contributed as a performer and music leader across nearly every chapter of the organization's history. Robyn is passionate about helping singers create meaningful musical work in an environment that values both artistry and belonging.

Serving as Staging Director is Kerri Christie, who has been part of MTAA since the organization's very first meeting. As a performer, director, committee member, and enthusiastic advocate, Kerri has helped build the welcoming and collaborative culture that defines the MTAA experience.

Together, the Artistic Leadership Team reflects a simple idea: the people who help build MTAA should help shape its future. We invite you to learn more about Dylan, Robyn, Kerri, and the Artistic Leadership Team by visiting TheatricallyAZ.org.


Auditions for THE PROM, PIPPIN, MIRACLE ON 34TH STREET and MY FAIR LADY at Arizona Broadway Theatre announced for June 29


Arizona Broadway Theatre is holding a local in-person audition call on MONDAY, JUNE 29, 2026 for various roles in our upcoming productions of The Prom, Pippin, Miracle on 34th Street, and My Fair Lady. Only non-Equity actors will be considered.

We will be scheduling vocal appointments on Monday, June 29th between 5:00p – 9:00p. No dance call will be held at this time.

The Prom: Rehearsals begin July 31, 2026. Runs from August 21 through September 13, 2026.

Pippin: Rehearsals begin September 12, 2026. Runs from October 2 through November 8, 2026.

Miracle on 34th Street: Rehearsals begin Oct. 31, 2026. Runs from Nov. 20 through Dec. 27, 2026.

My Fair Lady: Rehearsals begin December 27, 2026. Runs from January 15 through February 21, 2027.

Audition Details:
Date: Monday, June 29th, 2026
Time: 5:00p – 9:00p (by appointment only)
Location:
Arizona Broadway Theatre
7701 W. Paradise Lane
Peoria, AZ  85382

The typical production schedule includes daytime rehearsals Tuesday through Sunday. Mondays are dark days. Tech rehearsals include two 10/12-hour days the weekend before opening. Tech week shifts to afternoon and evening rehearsals. Shows generally perform up to 8 shows per week, usually with at least one weekday matinee per week.

To apply for an audition appointment, please submit your headshot and resume directly to auditions@azbroadway.org and be sure to put your name and LOCAL AUDITION in the subject line.

If selected, you will be contacted to schedule an appointment time for that evening. You will need to prepare two (2) contrasting vocal selections (16 bars each) and have sheet music prepared for the accompanist. No a capella auditions will be allowed. Please be prepared to list any conflicts for the time frames listed above.

Your first look at SHREK at Valley Youth Theatre











photos by Jenny Kaufman

Tuesday, June 16, 2026

Auditions for FIDDLER ON THE ROOF at Showtune Productions/Chandler Center for the Arts announced for August 2 and free audition workshop on July 27


Showtune Productions announces auditions for its 2027 musical production of Fiddler on the Roof.

Showtune Productions and Chandler Center for the Arts will present an ethnically diverse, fully staged production of Fiddler on the Roof, with performances at Chandler Center for the Arts on Friday, March 12; Saturday, March 13; and Sunday, March 14. Adult auditions for this production will be held on Sunday, August 2, from 2 p.m. to 7 p.m. at the Chandler Community Center, 125 E. Commonwealth Ave., Downtown Chandler. 

Auditionees, who must be over 18, should memorize 16 bars of a song from Fiddler on the Roof or any Broadway classic (excluding pop or rock) and bring sheet music or iPad music in their key, along with a professional headshot and resume. 

Fiddler on the Roof will be a fully staged production featuring a live onstage orchestra, scenic projections, costumes, and choreography. All performers will be paid and must be available for all evening and full-day weekend rehearsals January 2-4, 2027, and February 27-March 11, 2027, with three performances on March 12-14, 2027.


There is also a free Audition Worshop on July 27 where they'll also offer free actor headshots by Tim Trumble Photography for the attendees of the workshop.   CLICK HERE for more information on the free auditions workshop

Your first look at CATS at Arizona Broadway Theatre

 


















Photos by Alexxis Grant, Timeless Present Photos

Review Highlights: DEAR EVAN HANSEN - The Phoenix Theatre Company

Mason Ballard
Photo by Brennen Russell

highlights from local critics reviews - (click link at bottom of each review to read complete review)

Click here for more information on this production that runs through August 2

"After so many seasons of jukebox musicals and stage adaptations of films, it's refreshing when a new original musical comes along, especially one like Dear Evan Hansen which has a powerful score and a story filled with passion and emotion. Focusing on themes of loneliness and the desire for connection, and centering on mental health struggles, Dear Evan Hansen is a show infused with raw emotional depth. The Phoenix Theatre Company's production of this Tony-winning Best Musical features a fantastic cast, featuring Mason Ballard and Elyse Wolf providing phenomenal performances as Evan and his mother, and succinct direction that combine to create an emotionally resonating production."   - Gil Benbrook, TalkinBroadway.com (click here to read the complete review)

"Michelle Chin’s stellar staging is presented in the much smaller Hormel Theatre where you feel part of the show and gain its insightful impact.  The small musical – it only has eight characters – is perfectly suited to the theater’s intimate confines.  And the impeccable cast further brings the enlightening show to moving life.  At TPTC, local audiences can finally see why this musical is so trend-setting.    -Chris Curcio, Curtain Up Phoenix (click here to read the complete review)

"The great ache at the center of DEAR EVAN HANSEN is the simple, shattering idea that no one really knows what their children are going through. The musical says it out loud, over and over. It’s a world where one teen after another insists that their parents have no idea who they are. And yet the adults who are busy, flawed, but trying, keep believing that they do. It’s this gap between the ages, the space between the public face and the inner monologue, that gives the show its tremble. This production presented by The Phoenix Theatre Company and directed and choreographed with sensitivity by Michelle Chin gently underlines that tremor."   - David Appleford, Broadway World (click here to read the complete review)