highlights from local critics reviews - (click link at bottom of each review to read complete review)
Click here for more information on this production that runs through August 2
"After so many seasons of jukebox musicals and stage adaptations of films, it's refreshing when a new original musical comes along, especially one like Dear Evan Hansen which has a powerful score and a story filled with passion and emotion. Focusing on themes of loneliness and the desire for connection, and centering on mental health struggles, Dear Evan Hansen is a show infused with raw emotional depth. The Phoenix Theatre Company's production of this Tony-winning Best Musical features a fantastic cast, featuring Mason Ballard and Elyse Wolf providing phenomenal performances as Evan and his mother, and succinct direction that combine to create an emotionally resonating production." - Gil Benbrook, TalkinBroadway.com (click here to read the complete review)
"Michelle Chin’s stellar staging is presented in the much smaller Hormel Theatre where you feel part of the show and gain its insightful impact. The small musical – it only has eight characters – is perfectly suited to the theater’s intimate confines. And the impeccable cast further brings the enlightening show to moving life. At TPTC, local audiences can finally see why this musical is so trend-setting. -Chris Curcio, Curtain Up Phoenix (click here to read the complete review)
"The great ache at the center of DEAR EVAN HANSEN is the simple, shattering idea that no one really knows what their children are going through. The musical says it out loud, over and over. It’s a world where one teen after another insists that their parents have no idea who they are. And yet the adults who are busy, flawed, but trying, keep believing that they do. It’s this gap between the ages, the space between the public face and the inner monologue, that gives the show its tremble. This production presented by The Phoenix Theatre Company and directed and choreographed with sensitivity by Michelle Chin gently underlines that tremor." - David Appleford, Broadway World (click here to read the complete review)










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