Wednesday, February 25, 2026

Space 55 and Ronin Theatre Collaborative seek Actors for their 24-Hour Theatre Project + 48-Hour Film Challenge



Space 55 & Ronin Theatre Collaborative Present 3rd Annual MIDNIGHT OIL 
A 24-Hour Theatre Project + 48-Hour Film Challenge 
 
Space 55 and Ronin Theatre Collaborative present the 3rd Annual MIDNIGHT OIL, a collaborative fundraiser uniting a 24-Hour Theatre Project and a 48-Hour Film Challenge. The event invites actors and filmmakers to create original work under tight deadlines, culminating in a public showcase on March 21 at Metropolitan Arts Institute in downtown Phoenix.
 
Actors are sought for the 24-hour theatre portion and must be available all day Saturday, March 21 for a morning kickoff, rehearsals and technical run during the day, and an evening performance of newly written 10-minute plays. 
 
Filmmakers (individuals or crews) will receive prompts on Friday, March 13, complete their films within 48 hours, and submit the evening of Sunday, March 15. Please submit registration forms (below) by Friday, February 27.
 
All completed films and theatre pieces will be presented Saturday, March 21 at 7:00 PM at Metropolitan Arts Institute. 
 
Actor Registration: 
 
Film Challenge Registration: 
 
Contacts: 
Theatre: John Perovich — midnightoilphx@gmail.com
Film: BJ Garrett — bj@space55.org

Tuesday, February 24, 2026

Auditions for THE MYSTERY OF THE BLUE TRAIN at Fountain Hills Theater announced for March 7 and 8



THE MYSTERY OF THE BLUE TRAIN

Audition Dates: Saturday, March 7 at 12pm and Sunday, March 8 at 6pm
Callbacks (if required) Tuesday, March 10 at 7pm
Rehearsals Begin: March 15 at 1pm
Production Dates: April 17 – May 3, 2026

Arizona Musicfest seeks Assistant Stage Managers for their upcoming production of RAGTIME


AZ Musicfest is currently seeking 1–2 volunteer Assistant Stage Managers for their upcoming production of Ragtime

This is an unpaid position and a wonderful opportunity for college students who are serious about pursuing professional stage management as you'll get to work with professional actors, directors and a full orchestra.

The production will rehearse at AZ Musicfest's offices in North Scottsdale and perform at the Herberger Theater Center in April. This is a fast-paced, professional environment and an exciting short run.

WHO YOU ARE
• A college student interested in professional stage management
• Organized, detail oriented, and proactive
• Calm under pressure and comfortable working backstage
• Available for the majority of rehearsals and all tech and performance dates
• Eager to learn and ready to jump in wherever needed

WHAT YOU’LL GET OUT OF THIS EXPERIENCE
• Hands-on experience working alongside a professional stage manager
• Exposure to a professional rehearsal process, equity rules, and tech week
• Backstage experience at the Herberger Theatre Center
• Resume credit and professional mentorship
• Networking opportunities with cast, creatives, and production staff

This is a very fast run and low time-commitment. Rehearsals begin April 6, with evening rehearsals April 6–18, followed by some daytime rehearsals, technical rehearsals, and performances April 20–24. Tech week and performances include daytime and evening calls, so strong availability during that last week is essential. (We're very happy to work around pre-arranged conflicts).

If you’re interested, please email your resume along with a short note about why this opportunity interests you to rebeccadweinstein@gmail.com.

The Bridge Initiative's Spring 2026 shows at Tempe Center for the Arts


Women’s Place in the World Examined in Three Plays 
Creatives Announced for The Bridge Initiative at Tempe Center for the Arts

The Bridge Initiative (TBI) brings Stop Kiss by Diana Son, Single Black Female by Lisa B. Thompson, and Shakespeare’s Sirens by Hannah Johnson to Tempe Center for the Arts, March 6-15. The theme of TBI’s tenth season is “valuable and powerful,” and all three plays center female characters in both beautiful and challenging relationship to each other and external forces. TBI looks to interrogate identity and belonging at a time when both are under scrunity.

Stop Kiss explores love, identity, and violence. When Callie meets Sara, she never expects to fall in love but their first kiss in a public park provokes a life-changing violent attack. The cast features Thommi A’mal, Natalie Andrews, Phillip Beaupre, Mitchell Glass, Kate Haas, Paul Perkins and Understudy Erin Leigh Beale with stage and intimacy direction by Maren Maclean Mascarelli and Assistant Director Jackie Horn with Cultural Consultant Elaine “E.E.” Moe. All three productions feature Stage Manager Courtney Kenyon and designers Cheryl Briley (Scenic and Technical Director), Justus Burkitt (Lighting), Clayton Caufman (Sound), Mickey Courtney (Costumes), and Dolores E. Mendoza (Props).

Both Single Black Female and Shakespeare’s Sirens were first produced by Flagstaff Shakespeare Festival and TBI is honored to bring them to the Valley. Single Black Female is a rapid-fire series of comic vignettes featuring women searching for love, clothes, and dignity in a world that presents a parade of stereotypical images. Cynnita Agent and Racquel Mackenzie* star in this production originally staged by Bray Lawrence. 

Writer/performer Hannah Johnson and guitarist Jacob Johnson come to the Valley for one night only to share their internationally touring production of Shakespeare’s Sirens. The short, engaging one-woman play asks why Shakespeare’s women always sing, suffer, then die. 

TBI Artistic Director Amie Bjorklund states, “I am proud to bring this work to Tempe. The Bridge Initiative is stronger than ever after ten years and I encourage everyone to join us for our most ambitious season yet!”

These productions are made possible and partially funded by a City of Tempe – Community Arts Grant. TBI’s season projects are supported in part by a CCG grant for general operations from the Arizona Commission on the Arts, which receives support from the State of Arizona and the National Endowment for the Arts. Various performance times March 6-15, 2025, at Tempe Center for the Arts, 700 W. Rio Salado, Tempe, AZ 85281. Tickets available in person at the box office, online at tempecenterforthearts.com, or by calling 480.350.2822 - $34.50 general admission; $24.15 students/seniors/artists/educators/veterans (fees included). Discounts announced at each event for the others. More info at bridgeinit.org. Content transparency: Stop Kiss explores themes of anti-LGBTQ+ violence. The play includes graphic description of a hate crime, which is not depicted onstage; adult language and situations, homophobia and homophobic slurs, and sexism. Single Black Female uses strong language and discusses sensitive adult topics including dating experiences and medical exams.

Stop Kiss is presented by special arrangement with Broadway Licensing, LLC, servicing the Dramatists Play Service collection. www.dramatists.com. SINGLE BLACK FEMALE is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com. *Racquel Mackenzie appears through the courtesy of Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States. 

Cast announced for PIPPIN at Mesa Encore Theatre





Review Highlights: AIN'T MISBEHAVIN - Arizona Theatre Company

The Cast
Photo by Tim Fuller


highlights from local critics reviews - (click link at bottom of each review to read complete review)

Click here for more information on this production that runs through March 8

"a swinging, vibrantly alive tribute to the wonderfully jazzy Thomas Wright “Fats” Waller music he wrote between the mid ‘20’s and early ‘40’s.  His tunes were popular with the public and shine beautifully in the jazzy Arizona Theatre Company (ATC) production that explodes all over the Tempe Center’s stage.  The winningly rich ATC production is one of the company’s best musical homages and they’ve done their share of these extravaganzas over the years."    -Chris Curcio, Curtain Up Phoenix (click here to read the complete review)

"ATC’s revival of the show that once jolted Broadway awake doesn’t so much exhume a hit as reanimate a spirit. What rises here is not nostalgia, but the sly, barrelhouse soul of a great Black artist reclaiming the room on his own terms. As shaped by the assured hand of director and choreographer Dell Howlett, the production’s success is its refusal to lacquer the evening with extra showbiz gloss." 

Auditions for EXIT, PURSUED BY A BEAR at Main Street Creative Arts Center announced for March 23


Nan has decided to teach her abusive husband Kyle a lesson. With the help of her friend Simon (acting as her emotional, and actual, cheerleader), a sex worker named Sweetheart, and the words of William Shakespeare, she tapes Kyle to a chair and forces him to watch as they reenact scenes from their painful past. In the piece de resistance, they plan to cover the room in meat and honey so Kyle will be mauled by a bear. Through this night of emotional trials and ridiculous theatrics, Nan and Kyle are both freed from their past in this smart, wonderfully dark yet hopeful revenge comedy. This comedy from award-winning playwright Lauren Gunderson, one of our best and sharpest voices in contemporary American theatre, is set in North Georgia. Watch how Shakespearean-inspired revenge plays out against a backdrop of strippers, venison, and a LOT of honey.

Written by Lauren Gunderson

Directed by: Van Rockwell

Auditions:
Auditions will be held Monday, March 23, 2026, from 6-10 pm. Online submissions are encouraged ONLY for anyone who cannot attend the audition.

 Arrive early for paperwork.

 Callbacks will be by invitation Tuesday, March 24, 2026, if required.

 First rehearsal will be Monday, March 30, 2026.

 Auditions will consist of cold reads from the script. PDFs of audition sides will be available for download on the sign-up page.

 Please bring a resume of theatrical experience and a headshot.

 All online submissions should be sent to hello@mainstcenter.com, with headshot and resume attached. If the submission is a link to an online platform, please make sure permission to view has been granted. The director will be the only one to see your submission.

 Looking for performers with comedic timing, big facial expressions, humility, and looking to have fun (despite the serious subject matter).

 Bring a list of all conflicts for rehearsal; there will be no understudies, if you are not available for all performances, we cannot consider you for casting in this production.

 For additional information or questions, please contact the Director at vanjrockwell@gmail.com (Subject: Exit, Pursued by a Bear).

 Our goal is to cast the very best actors for each role; we are committed to racial, cultural and artistic diversity. Artists of all ethnicities, genders, and abilities are welcome and warmly encouraged to audition.

Compensation:
Performers will receive a $100 rehearsal honorarium to help with transportation costs, as well as a $15 honorarium per performance. This is a non-union production.

Rehearsals & Performance Dates:

 Rehearsal schedule will potentially be Tuesdays, Wednesdays, and Thursdays from 6:30 – 10 pm: and one weekend day based on cast availability. This schedule could increase (2) weeks prior to opening.

 There will be no weekend rehearsals April 4 and 5 in observance of Easter.

 Rehearsal dates may be added, if required.

 Rehearsal start time will be based on availability of cast.

 Performances are Fridays at 7 pm, Saturdays at 2 AND 7 pm, and Sundays at 2 pm from May 8, 2026 - May 17, 2026.

Main Street Creative Arts Center is committed to inclusivity, and encourages ALL members of our community to submit, particularly members of communities who have historically been excluded or underrepresented — including but not limited to artists of color, Native American and Indigenous artists, women, non-binary and gender non-conforming artists, LGBTQ+ artists, and artists with disabilities.

Primary Characters:

Nan Carter:
Age: 25-35
Ethnicity: Any
Line Load: Lead (Heavy)

Characteristics: Female-identifying housewife, who is quick, like a deer. She has an apologetic, emotional sense of self. Loves Kyle and Jimmy Carter and believes the world should be fair and beautiful. She has been pushed to her limits.

Kyle Carter
Age: 25-40
Ethnicity: Any
Line Load: Lead (Heavy)

Characteristics: Male-identifying, big, messy boy – like a dumb, dirty dog. Fights so he doesn’t have to deal with his emotions or take responsibility for his actions. Believes Nan is too good for him. Will spend a lot of the play duct taped to a chair… literally.

Sweetheart/Peaches/SuperKyle:
Age: 20-35
Ethnicity: Any
Line Load: Supporting (Heavy)

Characteristics: Female-identifying stripper. She has big dreams and an honest, fierce admiration for Nan. She plays Kyle in the re-enactments, and she’s quite good. Will be dressed as an ‘incredibly hot versionof Kyle’ but nothing revealing or scanty.

Simon Beaufort:
Age: 25-35
Ethnicity: Any
Line Load: Supporting (Heavy)

Characteristics: Male-identifying, good-looking, strong and a bit of a bitch. He is extremely protective of Nan and has never liked Kyle. He will do whatever is necessary to help give Nan a happy ending. He will be wearing a cheerleading outfit with a skirt.

* There is a song/karaoke number at the end of the play. You do NOT need to be a strong singer to be considered for a role. No need to bring in a cutting of a song either. *

If you need any specific accommodations to audition, please don’t hesitate to reach out to (email) to make your request. Examples of accommodations made in the past are: wheelchair accessible audition space, large print materials, prompters in the audition room, and volunteers to help fill out for

Cast announced for UNCLE VANYA at Theatre Artists Studio


Astrov: Aaron Seever
Serebryakov: Al Benneian
Yelena: Lauren Isherwood
Sonya: Ashley Faulkner
Mariya: Patti Suarez
Uncle Vanya: Ben Rojek
Telegin: Scott Sims
Nana: Judy Rollings

Review Highlights: GUYS AND DOLLS - Hale Centre Theatre

The Cast
Photos by Nick Woodward-Shaw
 
highlights from local critics reviews - (click link at bottom of each review to read complete review)

Click here for more information on this production that runs through March 28

"A fantastic cast, vibrant creative elements, and confident direction and choreography combine to make an absolutely fantastic production of Guys and Dolls at Hale Centre Theatre that bursts with charm, humor, and energy. This beloved classic musical feels fresh and alive thanks to performers who fully inhabit these iconic roles and a creative team who embrace the show's heart, humor, and show-stopping nature"   - Gil Benbrook, TalkinBroadway.com (click here to read the complete review)

"There’s something almost miraculous about GUYS AND DOLLS, a musical that clicks like a well-oiled roulette wheel and sings with the slangy poetry of a New York that never quite existed but one you’re sure probably did. That this American musical comedy is still cracking wise after all these years is no surprise; that it's doing it with this much panache is the real fun...directed and choreographed with brassy verve by Cambrian James"   - David Appleford, Broadway World (click here to read the complete review)

Monday, February 23, 2026

Auditions for ISLAND SONG at Phoenix College announced for March 2 & 3

 
Words by Sam Carner, Music by Derek Gregor, Story by Sam Carner, Derek Gregor & Marlo Hunter
Director: Christina Marín
Music Director: Karl Schindler
Rehearsals Begin: March 5, 2026
Run: April 23, 2026 – April 26, 2026

The energy and passions of New York City explode with a percussive, soaring pop score in Island Song. An ambitious set of 20- and 30-somethings navigate the promises and perils of big city life: Cooper is an actor giving himself a year to get his first big break. Caroline is figuring out her independent life after a messy breakup. Will, an architect, and Jordan, a high-powered executive, are discovering how their personal ambitions fit with a relationship. Shoshana is finding herself amidst a flurry of New York City romance. As the city spins around them and their peers, they get lost, fight back, fall in love, face setbacks, and, most importantly, come alive with the strength that comes with conquering the Big Apple.

Character Breakdown
CAROLINE – (Alto – G3-D5) Early 20s. A free-spirited woman low on ambition in the traditional sense, she’s on a journey of self-exploration, eager to take it all in – which looks a lot like aimlessness amid the bustle of the city. Smart, well-read, her style is almost-alternative, boasting the requisite accoutrements, without being fully committed.

COOPER – (Baritone – B2-A4) An aspiring actor in his early 20s. Earnest and driven, he’s left his small Midwestern town to pursue his acting dream. A bit of a loner, unpolished, but a true romantic. (Cooper could read straight or gay, but either way, his sexual identity is not central to his conflict.)

JORDAN – (Mezzo Soprano – G3-E5) A high-powered, sexy business woman in her early 30s. She works and hard and plays hard and is trying desperately to balance her fear of missing out with the demands of her relationship.

SHOSHANA – (Soprano – G3-C6) A woman in her “Late-early” 30s. Independently financially secure, she is driven by a need to fill the empty space of life and a deep desire to connect, but she can’t seem to get out of her own way. A real Carol Burnett type. Lonely. A New York native and amateur singer. She speaks quickly.

WILL – (Bass-Baritone – A2-G4) An Architect in his early 30s. Smart and skilled, his ambition lies more in having a family and making a comfortable life for them, rather than the high-flying city existence. A domestic suburbanite at heart.

HIPSTERS – STOSH, TIMO, and WALLENDIA, who may also play other ensemble roles. Tragically “hip” in a carefully crafted Williamsburg way. They are aggressively apathetic.

Email christina.marin@phoenixcollege.edu for more information

WEEK AT A GLANCE: February 23-March 1, 2026

Click on any show title to get more information on that production





OPENING:









STILL PLAYING:





















THE WIZARD OF OZ - Hidden Cactus - March 5-7, 2026


Tickets can also be purchased at www.hctaz.com and click “Buy Tickets” 

Friday, February 20, 2026

Cast announced for MADAGASCAR, JR at Greaseapaint Youth Theatre

 
Cast

Alex the Lion: Riley Gerkin
Marty the Zebra: Ella Silver
Gloria the Hippo: Khalia Fagan
Melman the Giraffe: Aiden Haren
King Julien: Beckett Buelna
Maurice: Ellie Evans
Mort: Michael O’Leary
Skipper: Connor Gerkin 
Kowalski: Blair Yaron
Private: Pierce Seidenberg
Rico: Charlotte Mikalsky 
Lynn: Suvi Neilson
Candy Hammersmith: Shiloh McDonough
Zookeeper Zoe & Lew: Eleonora O’Leary
Zookeeper Zeke: Alfie Christie 
Mason: Avery Miller

Featured Ensemble:
Nina de la Chevrotiere
Emberli DaSilva
Jozette Fagan
Grant Gerkin
Rachel Hananya
Siena Hardy
Sadie Lawson
Nola Lawson
Alexa Schwartz
Oakley Smith