Friday, July 5, 2019

BLK BOX PHX's 2019 / 2020 Season!


BLK BOX PHX is proud to announce its second season. Where theatre and art intersects.

THE BURN
by Philip Dawkins

Oct. 25 - Nov. 10, 2019

When a high school production of THE CRUCIBLE forces students together, tensions escalate into acts of bullying—both online and in real life. THE BURN explores what happens to a teacher and his students when a classroom conflict turns into an online witch hunt. Featuring snippets from the Arthur Miller classic THE CRUCIBLE (1953), THE BURN is about bullying, but so much more than that. The demonization of the 'Other', which is increasing in our society as well as around the world. The play was originally presented at Steppenwolf Theatre Company in Chicago (2018).


BAUER
by Lauren Gunderson

Nov. 22 - Dec. 8, 2019

Love. Art. Defiance. The visceral and visual true story of forgotten modern artist Rudolf Bauer, struggling with his fading place in the history of art. It’s a story of an artist as a broken man. Set in 1953 at the New Jersey mansion, BAUER imagines a meeting between the painter and his one time close friend, champion & the curator of the Guggenheim Museum, Hilla von Rebay. Bauer hasn’t painted in more than a dozen years, but watch as passion and vengence become front and center in this story.


THE TRUTH ABOUT SANTA (AN APOCOLYPTIC HOLIDAY TALE)
by Greg Kotis

Dec. 20 - Dec. 23, 2019

Santa Claus is tired of the lies. Like the gods of old, he, too, has his mortal mistresses. This Christmas Eve he will bring Mary, his favorite earthly consort, and Luke and Freya, their illegitimate, semi-divine children, back to his North Pole compound to live with him—forever! Not surprisingly, Mrs. Claus resists. Many people think they know the truth about Santa, but they are wrong. Santa has some shocking unadvertised powers, a couple of half-mortal offspring his wife hasn’t found out about yet, and a lot on his mind. He’s tired of those singing elves. He’s tired of the lies. This is the Christmas Santa will reveal his true self. And it's definitely not for kids who believe in Santa.

RED
by John Logan

May. 8 - May. 17, 2020

It is the late 1950s and Mark Rothko, the Master Abstract Expressionist painter, is at a crossroads in his career. Rothko has just landed the biggest commission in the history of modern art, a series of murals for New York’s famed Four Seasons Restaurant inside the Seagram’s Building. The play takes place in Rothko’s studio on the Bowery, where he works feverishly with the help of a smart, young assistant Ken. But when Ken gains the confidence to challenge him, Rothko faces the agonizing possibility that his biggest achievement could also become his undoing. Will his paintings survive in a place that represents everything—greed, commercialism, bourgeois comfort—he detests?

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THE JUDITH HARDES THEATRE AT PHOENIX THEATRE
1825 N Central Ave, Phoenix, AZ 85004

Want to speak to our Box Office? Give us a call at 602.734.5734 Monday-Friday 12:00 - 5:00 p.m.

CLICK HERE to order season tickets now!

After you purchase a season ticket subscription, a BLK BOX PHX sales representative will contact you to assist in booking your performances.

Additional information will be posted soon at www.blkboxphx.com

ticket discount - THE WEDDING SINGER & THE DIXIE SWIM CLUB - Scottsdale Desert Stages Theatre


from our friends at DST:

Our 4th of July Flash Dale was so popular we are EXTENDING it!
For shows performing this weekend 7/5-7/7 only~
$10 tickets for The Wedding Singer use code FIREWORKS
$15 tickets for The Dixie Swim Club use code FOURTH

Purchase your tickets at desertstages.org

or to avoid online fees stop by or call the box office at 480-483-1664!

Box Office Hours
Friday & Saturday 12pm-8pm
Sunday 12pm-5pm

audition notice - 4 WEDDINGS AND AN ELVIS - Starlight Community Theatre - July 27


Starlight Community Theatre is holding open auditions for ages 16+ for the upcoming production of 4 Weddings and an Elvis, directed by Van Rockwell. This is the perfect part-time theatre opportunity, with limited rehearsals up until tech and and performances.

Auditions will be Saturday, July 27 @ 9:00 am. Please sign up via link: https://www.signupgenius.com/go/20f044faaaa2faaf49-auditions2.

Additional auditions may be added for Monday night from 6-10 pm upon request.

There is nothing to prepare. Auditions will consist of cold reads from the script.  Please bring your personal calendar, audition form, theater resume (optional), and head-shot (optional).

CHARACTER BREAKDOWN (7m / 4f):

Sandy - The wedding chapel owner (40-60)

THE THREE COUPLES:
[Bev & Stan: The Payback]

BEV - The angry bride. Naïve and romantic. (20-30)
STAN - The angry groom. (30-40) / Doubles as the PRODUCER in Act IV.
JOHN - The Elvis minister, can play Elvis at the drop of a hat. Sensitive and non-cynical. (30-60)

[Vanessa & Brice: The Comeback]

VANESSA - An older bride, a fading actress. (40-50)
BRYCE - An older groom, a fading actor. A one-time pretty boy. (40-50)
LOU - The minister, a bit off. (60-70)

[Fiona & Marvin: The Real Thing]

FIONA - The bride, a tough ex-con recently paroled. (30-40)
MARVIN - The groom; very, very gentle. (30-40)
FIST - Scary friend of Fiona, a tough, muscular, and intimidating felon. (30-50)

KEN - appears in the final wedding with a hilarious twist

MUST BE COMFORTABLE WITH ON-STAGE KISSING!

All males auditioning – please prepare your best Elvis impersonation and/or impression. IT DOES NOT HAVE TO BE PERFECT OR SPOT-ON. In fact, the more off it is, the better.

Everyone except Sandy will have flexible rehearsals/scheduling.

Storyline Info Here: https://www.samuelfrench.com/p/612/four-weddings-and-an-elvis/

promo photo - CHITTY CHITTY BANG BANG - Hale Centre Theatre


CLICK HERE for more information on this production, which runs through August 17

audition notice - FALL TBA SHOW - Act One Youth Theatre - August 8


FALL PRODUCTION: Title to be officially announced Aug 1. There are no participation fees and costumes will be provided free of charge.

OPTIONAL WORKSHOPS: Aug 3

AUDITIONS: Aug 8

CALLBACKS: Aug 10

Please note: This is the full version of the production and not a JR version.

Open for actors age 8-18 and an appointment is required to audition.

Please visit our website for more info and to sign up to audition www.ActOneYouthTheater.org

AUDITION REQUIREMENTS

Actors will be asked to perform 16-32 bars of an up-beat song or ballad from a musical theater piece. Or for younger actors, they will be allowed to sing "Happy Birthday". Need some suggestions of songs? Visit our Audition Tips page.

 They can either bring in an instrumental version on CD or Ipod, or they can bring in sheet music. Acapella will not be allowed. If Actors are using sheet music, we request it be contained in a 3-ring binder, noting the section they will be performing for their audition.

ADDITIONAL INFO

MAIN CHARACTERS will be required to attend rehearsals 4x week.

There will also be two ensemble groups.

-->Ensemble A: Will require more in-depth choreography and will be required to attend rehearsals 2-3x week. They will be featured on stage throughout the entire performance.

-->Ensemble B: Will have rehearsals on Saturdays only from 10:00am-1:00pm. They will be featured on stage during the large ensemble numbers only.


REHEARSALS AND PERFORMANCE

VENUE FOR AUDITIONS & REHEARSALS AUG 12 - OCT 2, 2019:

Scottsdale Neighborhood Arts Place (SNAP)  - 4425 N Granite Reef Rd Scottsdale, AZ 85251


VENUE FOR PERFORMANCES OCTOBER 3-6, 2019:

 Phoenix Center for the Arts 3rd Street Theater - 1202 N 3rd St, Phoenix, AZ 85004


CREATIVE TEAM:

Director: Lauri Hunter

Music Director: Michael Snyder

Choreographer: Oaklee Wilkinson

Thursday, July 4, 2019

audition notice - THE TROJAN WOMEN - Space 55 - July 20 & 21



The Trojan Women Auditions

When: July 20th; 10am-6pm (Lunch 1-2); July 21st 10am-6pm (Lunch 12:30-4)

What to prepare: A 1-minute monologue (Classical is preferred not mandatory); be prepared for cold reads

Where: Space 55 Theatre; 1524 N 18th Ave, Phoenix, AZ 85007

Director: Jason White (jasonrwhit3@gmail.com)

Sign-up at: https://www.signupgenius.com/go/5080b4baaa62caaff2-thetrojan

About the Show

The Trojan Women follows the fates of Hecuba, Andromache, Cassandra and the other women of Troy after their city has been sacked, their husbands killed, and their remaining families about to be taken away as slaves. It is often considered one of Euripides’ greatest works, and among the best anti-war plays ever written.

We will be using the original text by Euripides as a base of creating an original adaptation of the play utilizing Tectonic Theatre Project's devising method called "Moment Work."

Rehearsals start July 30th (Subject to change). Run of the show is 9/13-9/29

Characters

Athena: The Greek goddess of wisdom and war.

Hecuba: The former Queen of Troy. She is arguably the play’s protagonist

Andromache: A Trojan woman, the wife of Hector, mother of Astyanax, and daughter-in-law of Hecuba.

Cassandra: A Trojan woman, the daughter of Hecuba and Priam.

Helen of Troy: Formerly of Sparta and wife of the warrior King Menelaus. Helen was stolen from Sparta by the prince of Troy, Paris

Poseidon: The Greek god of the ocean, earthquakes, and horses. Poseidon built the city of Troy together with the god Apollo and therefore remained on the Trojans’ side in their fight against the Greeks.

Talthybius: A Greek soldier, who acts as a herald and a messenger. He is one of only two mortal men in the play.

Menelaus: The King of Sparta and the former husband of Helen, who he has fought the Trojan War for.

Astyanax: The young son of Andromache and Hector. He is murdered by the Greeks for fear that he could grow up to become their enemy.

cast announcement - MAMMA MIA! - Fountain Hills Theater


CLICK HERE for more information on this production, which runs from September 6-22

Donna: Britt Boyse
Rosie: Mary Frances Coleman
Tanya: Janine Smith
Sophie: Frenki Hykollari
Ali: Dani Topel
Lisa: Cristianna Crognale
Sam: Scot Claus
Harry Bright: Adam Guinn
Bill Austin: Darryl Poenisch
Sky: Jacob Morales
Pepper: Zackary Pepe
Eddie: Anthony Reyna
Father: Dan Marburger
Female Ensemble: Savannah Grottenthaler, Sophia Vanella, Katie Carter, Lisa Barnes
Male Ensemble: Ben Alker, Roy Thielen

Black Theatre Troupe's 2019 / 2020 Season







blacktheatretroupe.org

audition notice - HELLO DOLLY!, ALWAYS....PATSY CLINE and GUYS AND DOLLS - Hale Centre Theatre - July 22


Hale Centre Theatre has announced they will hold auditions on July 22nd for three of their upcoming shows:

Hello, Dolly! (Oct 10, 2019 – Nov 23, 2019; Wed through Sat nights, with Sat matinees & some Fri matinees at 4pm)

Always... Patsy Cline (Jan 14, 2020 – Apr 14, 2020; Mon and Tue nights, with Tue matinees at 4pm)

Guys and Dolls (Feb 13, 2020 – Mar 28, 2020; Wed through Sat nights, with Sat matinees, some Fri matinees at 4pm & a 12pm Saturday Matinee on select weeks).

The shows are produced by David and Corrin Dietlein. The shows are directed and choreographed by Cambrian James and music directed by Lincoln Wright. The casting directors are David and Corrin Dietlein.

A video audition may be submitted in lieu of an in-person audition. Please prepare 16 bars of music and submit your video audition through Casting Manager prior to the audition date (July 22nd).

Actor Pay
Hello, Dolly!: Dolly, Cornelius, Irene, & Horace  - Leads: $75 per performance / $300-$450 a week*
All other roles: $50 per performance / $200-$300 a week*
Lead roles will receive an est. pay of $2925.00; other adult actors will receive an est. pay of $1950.00 for the show.

Always... Patsy Cline: Patsy Cline and Louise Seger - Leads: $75 per performance / $150-$225 a week*
Lead roles will receive an est. pay of $2250.00 for the show.

Guys and Dolls: Sky, Sarah, Nathan, and Adelaide - Leads: $75 per performance / $450-$525 a week*
All other roles: $50 per performance / $300-$350 a week*
Lead roles will receive an est. pay of $3300.00; other adult actors will receive an est. pay of $2200.00 for the show.

*Actors for all shows will receive free meals between matinee & evening performances & 6 complimentary tickets.

*Estimated payment may differ if performances are added or removed.


HELLO, DOLLY!:The show is about Dolly Levi, a New York based matchmaker who merrily arranges things...like furniture, daffodils, and lives. A widow, she finds herself in love with a “half-a-millionaire” Yonkers merchant. She proceeds to weave a web of romantic complications involving him, his clerks, a pretty shopkeeper, and her assistant.

ALWAYS... PATSY CLINE:Always... Patsy Cline is based on a true story about Cline’s friendship with a fan from Houston named Louise Seger, who befriended the star in a Texas honky-tonk in 1961. The musical play, complete with down home country humor, true emotion, and even some audience participation, includes many of Patsy’s unforgettable hits such as “Crazy,” “I Fall to Pieces,” “Sweet Dreams” and “Walking After Midnight”…27 songs in all!

GUYS AND DOLLS:Set against the fast-moving high lights and low lives of New York City in the 1940’s, this bigger than life Broadway musical returns triumphantly to our stage! Odds are 10 to 1 that you’re going to love our energetic, colorful, romantic, and highly entertaining production of this enduring classic. With classic songs like “Luck Be a Lady,” “Take Back Your Mink,” and “Sit Down, You’re Rockin’ the Boat.”


Audition Information
● Monday, July 22nd beginning at 5:00 PM
What to Prepare
● Be prepared to sing 16 bars of music.
● Bring your own sheet music; an accompanist will be provided.
● The casting directors use Casting Manager during the casting process. Please post your head
shot and resume to your Casting Manager profile.
● Please review the Conflict Calendar found under the "Registration Form" tab and mark your
conflicts on Casting Manager accordingly. Hale Theatre does not use understudies. Actors with
show conflicts will not be considered.

Call Backs

Call backs for Hello, Dolly! will be held Saturday, July 27th at 10:00 AM (at the Hale Theatre) with the first read through scheduled for Monday, August 26th at 7:00 PM .

Call backs for Always... Patsy Cline will be held Saturday, August 17th at 10:00 AM (at the Hale
Theatre) with the first read through TBD .

Call backs for Guys and Dolls will be held Saturday, September 7th at 10:00 AM (at the Hale Theatre) with the first read through scheduled for Monday, January 6th at 7:00 PM .

Audition Location
Auditions will be held at the Hale Theatre located at 50 West Page Avenue, Gilbert, AZ 85233 .

How to make an appointment
You can sign up an appointments by going to
http://castingmanager.com/audition/info/AvugEqfKDjcnEIQ. Walk-ins are also welcome.

Other Notes
Runtime: Approximately 2 hours and 30 minutes.

Any questions may be emailed to Jessica Ottley at auditions@haletheatrearizona.com .

CHARACTER BREAKDOWN

Hello, Dolly! Character Breakdown

DOLLY GALLAGHER LEVI : (LEAD; 40-55; Female; Alto-Soprano) an indefatigable meddling
matchmaker; a widow in her middle years.

IRENE MOLLOY : (LEAD; 25-35; Female; Soprano) a millineress with a hat shop near 14th Street in New York City. Dolly has introduced her to Horace Vandegelder but she yearns for romance. Must dance.

CORNELIUS HACKL : (LEAD ; 25-35; Male; Baritone) Vandergelder’s chief clerk, 33 years old. Must dance.

HORACE VANDERGELDER : (LEAD; 35-55; Male; Baritone) proprietor of a hay and feed store in
Yonkers, NY and a client of Dolly Levi’s. A widower of some means.

MINNIE FAY : (17-25; Female; Mezzo-Soprano) Irene’s assistant, naive, straight-laced, fresh, follower. Must dance.

ERNESTINA MONEY : (25-40; Female; Must sing) a heavy-set girl in need of Mrs. Levi’s services. Will double in the ensemble. Also plays Mrs Rose.

ERMENGARDE : (18-25; Female; Must sing) the 17-year-old niece of Horace Vandergelder. Must
dance.

BARNABY TUCKER : (18-30; Male; Baritone) an assistant to Cornelius, 17 years old. Must dance.

AMBROSE KEMPER : (25-35; Male; Tenor) a young artist seeking to marry Ermengarde. Must dance.

MRS. ROSE : (25-40; Female; Must Sing) sells vegetables from a street cart, a friend of Mrs. Levi’s
from years before. Actress that plays Ernestina will play this role also.

RUDOLPH REISENWEBER : (35-60; Male; Bass) the Prussian major-domo of the Harmonia Gardens Restaurant. Will double in the ensemble.

ENSEMBLE : (20-40; Male & Female; Must sing and dance) Townspeople of New York, Yonkers Band, Lodge Members, Feed Store Customers, Harmonia Gardens Cooks, Waiters (Fritz, Harry, Louie, Danny, Manny and Hank) & Customers, Polka Contest Contestants, 14th Street Parade Ensemble, Coachman, Horse, Judge, Policemen, Court Clerk, Paper Hanger.

Always... Patsy Cline Character Breakdown

PATSY CLINE : (LEAD; 24-35; Female; Contralto) dynamic and passionate actress who can embody
Patsy Cline in voice and spirit; ability to mimic her unique vocal sound is imperative. Would consider
Equity if unable to cast non-union.

LOUISE SEGER : (LEAD; 40-55; Female) strong storyteller with a big heart. Devoted fan of Patsy Cline who establishes a friendship with her through letter correspondence and finally meets her; a typical strong-willed, funny Texan woman; she has a great deal of interaction with the audience as she relates the relationship she develops with Patsy; strong comedic sense needed for this role.

Guys and Dolls Character Breakdown
SKY MASTERSON : (LEAD; 35-45; Male; B3-E5) A high-stakes gambler whose luck never seems to run out, and a wild card who surprises himself when he falls in love with the unlikeliest of women. Suave, smart, handsome.

SARAH BROWN : (LEAD; 20-30; Female; B3-G5) A pretty, bright-eyed woman who serves as Sergeant of the local Mission. She fully believes in her worthy cause and wishes to convert the gambling sinners to saints. Falls unexpectedly in love with Sky along the way. She is prudish and uptight, but eventually lets go.

NATHAN DETROIT : ( LEAD; 35-45; Male; D4-F5 ) A good-hearted gambler and craps game organizer who could never hit the bigtime. He loves Adelaide, but cannot quit his gambling ways. A broke schemer with unwitting ways.

MISS ADELAIDE : (LEAD; 25-35; Female; A3-E5) Nathan's fiancé and a lead performer at the Hot Box nightclub. She loves Nathan more than anything in the world and desperately wants to get married. Pretty, outspoken, stubborn.

NICELY-NICELY JOHNSON : (30-45; Male; D4-B5) Just like his name suggests, he is the nicest and cheeriest of the gambling crooks. High-spirited and a bit naïve, but sincere and genuine. Nathan's
loyal friend and lackey.

BENNY SOUTHSTREET : (30-45; Male; D4-G5) Nathan's right-hand man and a gambler himself.
Smart, slick, always moving and shaking, but with what he thinks are Nathan's best interest at heart.

ARVIDE ABERNATHY : (50-60; Male; D4-F5) The bass drum and cymbal player in the Mission band, he is Sarah's loving grandfather. Wise and sweet, he wants nothing but the best for her.

HARRY THE HORSE : (35-55; Male; F3-G5) A crook and gambler. He is a tough guy with dollar signs as his bottom line. Brings Big Jule into Nathan's craps game and backs his cheating, but is also a man of his word in the gambling community.

BIG JULE : (30-50; Male; F3-G5 ) A big time craps player from Chicago who uses a gun and his own pair of rigged dice to bully his way into never losing. Tough looking. A bit of an oaf.

LIEUTENANT BRANNIGAN : (40-55; Male) A New York police officer who is on to Nathan's illegal craps games and is dead-set on catching him. A tough, no-nonsense character.

GENERAL MATILDA B. CARTWRIGHT : (40-60; Mezzo-Soprano; Female) The regional director of the Save-a-Soul mission, Matilda is authoritative through necessity but motivated by charity. She cuts loose in the song “Sit Down Your Rockin’ the Boat”.

ENSEMBLE : (18-30; Female; Must sing and Dance) Sightseers, Mission Band (Agatha, Calvin,
Martha), Crap Shooters (Liver Lips Louie, Angie The Ox, Rusty Charlie), Hot Box Girls, Waiters, Cuban Dancers

Hale Centre Theatre
50 West Page Avenue, Gilbert, AZ 85233

CLICK HERE for more information and to schedule an audition

Wednesday, July 3, 2019

cast announcement - DISNEY'S FROZEN, JR - Starlight Community Theatre


CLICK HERE for more information on this production, which runs August 23-September 7

audition notice - DISNEY'S THE LION KING, JR - Scottsdale Desert Stages Theatre - July 27 & 28


Dance Class:
July 22, 23 & 25, 2019
Monday, Tuesday, Thursday
4:00-5:30pm
Tuition for 3-class session: $60
Tuition for 1-class session: $30

Get ready to shine at auditions with this class that
teaches the audition dance required for all roles.
Participation in this class does not guarantee casting

Friends of Desert Stages Auditions:
9am-3pm • 9am - 2pm SOLOS • 2-3PM GROUPS
Ages: 9 and older for solos
For your solo song: Prepare 1-2 min of a song
Music only - no vocals or backup vocals.
Bring CD accompaniment or iPad, iPhone,
phone to play it on. No pianist provided.
To become a FRIEND contact
friends@desertstages.org

General Auditions:
Sunday, July 28 at 6pm
Check in begins at 5pm
Auditioners will be taught song and dance.

FOR BOTH AUDITIONS THERE WILL BE A DANCE COMPONENT
Please Wear dance shoes or sneakers.

Please pre-register online at www.desertstages.org/youth-actors/

If you have a resume and head shot, we would love to see it - but not required!
NO EXPERIENCE NECESSARY, JUST BRING A SMILE!

cast announcement - GUESS WHO'S COMING TO DINNER - Don Bluth Front Row Theatre


CLICK HERE for more information on this production, which runs August 22-September 28

MATT DRAYTON – Lee Cooley
CHRISTINA DRAYTON  – Toni Kallen
JOANNA DRAYTON – Rachael Kaplan
DR. JOHN PRENTICE  – Justin Hosten
JOHN PRENTICE SR. – Nathan Alfred
MARY PRENTICE  – Larissa Brewington
MATILDA BINKS  – Tenea Hudson
HILLARY ST. GEORGE  – Janis Webb
MONSIGNOR RYAN  – Malcolm Hooper

Tuesday, July 2, 2019

Desert Foothills Theater's 2019 / 2020 Season!



The Pirates of Penzance Jr
Sep 27, 2019 - Oct 6, 2019

Frederic, who has spent his formative years as a junior pirate, plans to mark his 21st birthday by breaking free from the Pirate King and begin his courtship of Mabel. But because he was born on Feb.29, a date that only arrives every four years, Frederic isn't technically 21, and the Pirate King is still his master. Frederic will soon be on a collision course with the Pirate King's new nemesis: Mabel's father.



Annie Get Your Gun
November 8-24, 2019

Annie Oakley is a poor, but spirited and happy, country girl who lives by her native sharp-shooting quickly makes her the star of Buffalo Bill's Wild West Show where she meets and falls in love with expert rifleman Frank Butler. Unfortunately, the tough, outspoken Annie is not Frank's idea of what a wife should be and the two remain at competitive odds. Then Annie is initiated into an Indian tribe whose Chief, Sitting Bull, gives her some advice: only by deliberately, but discreetly, losing a shooting contest can she win Frank.



And Then There Were None
January 17-26, 2020 

Ten strangers, apparently with little in common, are lured to an island mansion off the coast of Devon by the mysterious U.N.Owen. Over dinner, a record begins to play, and the voice of an unseen host accuses each person of hiding a guilty secret. That evening, former reckless driver Tony Marston is found murdered by a deadly dose of cyanide. The tension escalates as the survivors realize the killer is not only among them but is preparing to strike again… and again...



Honk Jr
February 14-23, 2020 

Based on Hans Christian Andersen's The Ugly Duckling, Honk! tells the story of an odd looking baby duck, Ugly, and his quest to find his mother. Soon after Ugly is born, he is seduced away by a wily Cat who wants to eat Ugly for dinner.


Steel Magnolias
March 27, 2020 - April 5, 2020

M'Lynn is the mother of bride-to-be Shelby, and as friend Truvy fixes the women's hair for the ceremony, they welcome a helping hand from aspiring beautician Annelle. Diabetic Shelby has a health scare, which is averted but doesn't bode well for her hopes of having children. Time passes, and the women and their friends encounter tragedy and good fortune, growing stronger and closer in the process.


Godspell
May 8-17, 2020

At the behest of John the Baptist, young men and women forsake their jobs and take up the mantle of Jesus Christ - becoming his disciples - in  a musical retelling of the Gospel of Matthew set in a modern-day big city. Using song and dance, the apostles traverse the city, spreading Christ's message of love and tolerance as the time moves ever closer to his betrayal at the hands of Judas and, ultimately, his crucifixion.

--

review - JASPER IN DEADLAND - Brelby Theatre Company

Jack Taylor and Falin Ossipinsky
photo by Shelby Maticic
by Carolyn Thomas

If Scott Pilgrim and Beetlejuice had a musical spawn, it would absolutely be Brelby Theatre Company's Jasper in Deadland. With a bold visual theme and ambitious score, Jasper in Deadland is a monster of a show to put on. Brelby's production more than excels in concept, though narrowly misses the mark in execution.

Loosely based on the myth of Orpheus and Eurydice, Hunter Foster and Ryan Scott Oliver's Jasper in Deadland follows Jasper, a troubled teen at a low point. Everything in his life seems to be going to hell, except for his best friend Agnes, but when she disappears with only a note leading him to their cliff, he follows her into the waters below, into Deadland.

Jasper in Deadland features many familiar figures to those with a love of mythos, including Loki, Hel, Persephone, and more. The musical's comedy relies quite heavily on stereotypes, unfortunately. The story doesn't truly take off until the second act, it almost feels as if the two acts were written by different people. It's a fast-paced musical with dozens of different characters played primarily by ensemble members, and there's a bit of audience whiplash in trying to keep up with the different names and faces. The musical is greatly aided by Brelby's electric, graphic-novel-inspired look, which helps each character truly stand out, even if they're only seen briefly.

Jack Taylor as the lead, Jasper, excels best in the second act when he has a chance to show his comedic chops, though the musical range proves a bit of a challenge, Taylor nails the essence of angsty-teenaged-boy on the head. He's charming and quite hilarious in his deadpan delivery. Falin Ossipinsky brings a very Ramona-Flowers-esque flavor to Gretchen/Agnes, playing the perfect picture of the 'cool girl'.

With the standard boy/girl lead characters written quite to formula, there's much more room for flavor and personality in the minor characters, and Brelby has several standouts in the ensemble worth applauding. Kevin Fenderson plays the eccentric Mr. Lethe with fantastic flair, portraying him as the ultimate showman, oozing with dastardly charm. Eric Evans also excels as Virgil/Hathaway, bringing such a unique touch to every character that if not for the program, I wouldn't have realized it was the same person behind both Virgil and Hathaway. He's pure camp and delight as the latter, and a joy on stage. Jesse Pike as Eurydice/Cerberus is an absolute powerhouse with impressive skills and an expressiveness that constantly draws the eye, even when she's not in the spotlight. Allison Foulk as Little Lu is vibrant, dynamic, and devilishly hilarious. Josh Pike as Dante is an absolute showstopper, and his head of Cerberus is equally entertaining. The actors that make up Cerberus all together function in a way that's simply mesmerizing, the final head not yet mentioned being played by Leigh Hager. Hager has serious chops that get only a few moments to shine during Jasper in Deadland, but I sincerely hope to see more of her in the future. Hanna Grossenbacher showcases great personality and character work in Beatrix, another actor and character we get to see very little of, but are left wanting so much more.

Functioning as Director, Choreographer, and Costume Designer, Shelby Elise Maticic's concepts are a perfect compliment to the heart of Jasper in Deadland. The bold graphic novel style applied to visual aspects of the show bring it all together in a way that makes me wonder why the original productions didn't think to use it to begin with. It feels like it ought to have been done this way all along. The musical is challenging musically, with quick-changing, complex harmonies, so Maticic's decision to keep choreography simple and crisp is a smart one. It's an ambitious show, and with all of the other elements going on, her sharp and punchy choreography is a hit, particularly with fun touches like hand-puppets as the voices of the dead in the beginning. The conceptual elements all come together quite beautifully, with the exception of some of the execution.

Music Director Helen Morris has a challenge in Jasper in Deadland, and while most of the musical elements come together well, there are weak moments in the harmonies and quick-moving melodies that prove to be a bit challenging for the cast. Paired with some sound balance issues, at the performance I attended, there were several times where it was nearly impossible to make out what was being sung. Sound Designer Cody Caple's effects and musical backdrop paint a fitting picture for the show, however the balance could use some improvement.

Scenic Designer Brian Maticic keeps the show moving at an appropriately brisk pace with simple but emotive set pieces that quickly set each scene as Jasper moves through life and Deadland, with a brilliant finale of swimming fabric that takes the audience underwater. Wig and Makeup Designer Shelby Huston has many great successes with the graphic novel feel of her characters, most of which look as if they walked out of a Borderlands or The Wolf Among Us video game. Her wig designs are most stunning for the characters of Cerberus, Loki, Eurydice, Little Lu, Gretchen and Jasper, but several others fall short in execution. Prop Designer Rebecca Ulbrich keeps designs simple and flat, appropriate to the graphic novel visual theme. Lighting Designer Tim McCandless gets his best chance to show off in the underwater scenes, which are truly the most beautiful of the show.

While the musical itself has some drawbacks, and there are some technical weaknesses, Brelby brings something new and exciting to the table with Jasper in Deadland. For anyone with a taste for mythos, angsty teenagers, and playful macabre, Brelby's Jasper in Deadland is living the dream.

CLICK HERE for more information on this production, which run through July 7

Scottsdale Desert Stages Theatre's 2019 / 2020 Youth Shows!


Disney’s The Lion King Jr. 
September 14 - September 22, 2019
Directed by Lisa Barton-Figueroa

The African savannah comes to life on your stage with Simba, Rafiki and an unforgettable cast of characters as they journey from Pride Rock to the jungle... and back again, in this inspiring, coming-of-age tale.

Disney’s The Lion King Jr. is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com



The Wizard of Oz 
October 26 - November 3, 2019
Directed by Kristin Alba and Erin Tarkington

Based upon the books by L. Frank Baum and the classic 1939 film, the Wizard of Oz comes to life on stage! When a tornado rips through Kansas, Dorothy and her dog, Toto, are whisked away in their house to the magical land of Oz. They follow the Yellow Brick Road toward the Emerald City to meet the Wizard, and on the way they meet a Scarecrow that needs a brain, a Tin Man missing a heart, and a Cowardly Lion who wants courage. The wizard asks the group to bring him the broom of the Wicked Witch of the West to earn his help.

The Wizard of Oz is presented by arrangement with Tams-Witmark, A Concord Theatricals Company www.tamswitmark.com



James and the Giant Peach Jr
February 25 - March 9, 2020
Directed by Kristin Alba and Erin Tarkington

When James is sent by his conniving aunts to chop down their old fruit tree, he discovers a magic potion that grows a tremendous peach, rolls into the ocean and launches a journey of enormous proportions. James befriends a collection of singing insects that ride the giant piece of fruit across the ocean, facing hunger, sharks and plenty of disagreements along the way.


James & The Giant Peach Jr is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com



Pinkalious 
March 21 - March 29, 2020
Directed by Kristin Alba and Erin Tarkington

Pinkalicious loves pink and wants everything in her life to be pink. Her dream is to radiate pink. After over indulging in pink cupcakes, she wakes up pink. She is thrilled to be pink and have her dream come true. Her parents take her to the doctor, and she is diagnosed with pinkititis. On the way home, Pinkalicious plays at the playground but is attacked by birds and bees when she is mistaken for a pink flower. Her best friend doesn’t even recognize her as she is camouflaged in the garden. At home, she eats another cupcake, and the next morning she wakes up red and develops pink eye pinkititis whereby she can only see the color pink. Now she must do something to fix her predicament. She bravely follows the doctor’s order to eat green food. Due to her new resolve, Pinkalicious is transformed back to normal. Pinkalicious has learned self-control and to be careful for what you wish for. Her brother, on the other hand, has eaten the last cupcake, turns pink, and shouts with glee: Pink-A-Boo!

PINKALICIOUS The Musical is presented through special arrangement with Theatrical Rights Worldwide



Madagascar Jr 
April 17 - May 17, 2020
Directed by Lisa Barton-Figueroa

Alex the lion is the king of the urban jungle, the main attraction at New York's Central Park Zoo. He and his best friends — Marty the zebra, Melman the giraffe and Gloria the hippo — have spent their whole lives in blissful captivity before an admiring public and with regular meals provided for them. Not content to leave well enough alone, Marty lets his curiosity get the better of him and makes his escape — with the help of some prodigious penguins — to explore the world.

Madagascar Jr. is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com

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CLICK HERE for more information on these productions, and to purchase tickets when available

Monday, July 1, 2019

THE GREAT GATSBY- Zao Theatre - August 9-24, 2019


adapted by Simon Levy from the novel by F. Scott Fitzgerald

Jay Gatsby, a self-made millionaire, passionately pursues the elusive Daisy Buchanan. Nick Carraway, a young newcomer to Long Island, is drawn into their world of obsession, greed and danger. The breathtaking glamour and decadent excess of the Jazz Age come to the stage in F. Scott Fitzgerald's classic novel, and in Simon Levy's adaptation, approved by the Fitzgerald Estate.

Fridays and Saturdays at 7:30pm, Saturdays at 2pm

TICKETS:
Adult  $25 (13+), Student $15 (6-12)
No children under 6 years permitted,  including babes in arms.

To purchase visit zaotheatre.com

DISNEY'S BEAUTY AND THE BEAST - Zao Theatre - November 1-23, 2019


Music by Alan Menken
Lyrics by Howard Ashman and Tim Rice
Book by Linda Woolverton

The classic story tells of Belle, a young woman in a provincial town, and the Beast, who is really a young prince trapped under the spell of an enchantress. If the Beast can learn to love and be loved, the curse will end and he will be transformed into his former self. But time is running out. If the Beast does not learn his lesson soon, he and his household will be doomed for all eternity.

Fridays and Saturdays at 7:30pm, Saturdays at 2pm

TICKETS:
Adult  $25 (13+), Student $15 (6-12)
No children under 6 years permitted,  including babes in arms.

To purchase visit zaotheatre.com

SEUSSICAL - Zao Theatre - February 21-March 7, 2020


Book by Lynn Ahrens and Stephen Flaherty
Music by Stephen Flaherty , Lyrics by Lynn Ahrens
Co-Conceived by Eric Idle , Based on the works of Dr. Seuss

The Cat in the Hat tells the story of Horton, an elephant who discovers a speck of dust that contains the Whos, including Jojo, a Who child sent off to military school for thinking too many "thinks." Horton faces a double challenge: not only must he protect the Whos from a world of naysayers and dangers, but he must guard an abandoned egg, left in his care by the irresponsible Mayzie La Bird. Although Horton faces ridicule, danger, kidnapping and a trial, the intrepid Gertrude McFuzz never loses faith in him. Ultimately, the powers of friendship, loyalty, family and community are challenged and emerge triumphant.

Fridays and Saturdays at 7:30pm, Saturdays at 2pm

TICKETS:
Adult  $25 (13+), Student $15 (6-12)
No children under 6 years permitted,  including babes in arms.

To purchase visit zaotheatre.com

LITTLE SHOP OF HORRORS - Zao Theatre - April 24-May 9, 2020



Book & Lyrics by Howard Ashman
Music by Alan Menken

April 24-May 9, 2020

The meek floral assistant Seymour Krelborn stumbles across a new breed of plant he names "Audrey II" - after his coworker crush. This foul-mouthed, R&B-singing carnivore promises unending fame and fortune to the down and out Krelborn as long as he keeps feeding it, BLOOD. Over time, though, Seymour discovers Audrey II's out of this world origins and intent towards global domination!

Fridays and Saturdays at 7:30pm, Saturdays at 2pm

TICKETS:
Adult  $25 (13+), Student $15 (6-12)
No children under 6 years permitted,  including babes in arms.

To purchase visit zaotheatre.com

WEEK AT A GLANCE: July 1-July 7

Click on any show title to get more information on that production