Tuesday, February 10, 2015

PHX STAGES Q/A: Angelica Howland

photo by Paige Craig
Mom, wife, food blogger, playwright and, oh yeah, actress, Angelica Howland wears a lot of hats. As one of Phoenix's most gifted actresses she has also starred in an almost non-stop string of plays in the Valley over the past 20 years.  Her recent stage credits, in a span of just 9 months, found her appearing in four comedies: The 39 Steps at Phoenix Theatre, All New People with Stray Cat, and the summer comedy duo of The Cottage and The Book Club Play at Actors Theatre as well as having her play The Nothing Place featured in last year's Hormel Festival's 24 Hour Theatre Project.  Her latest play Forward is receiving a full staged reading in the Festival this year, with three performances.  Having worked for most of the major theatre companies in town, this ariZoni winner for In the Next Room (or The Vibrator Play) is also a skilled dramatic actress and is one of the directors for the upcoming one night only benefit production of The Vagina Monologues this Saturday at the Pressroom.

Name:  Angelica Howland

Where you were born and or raised?  I was born in Taipei, Taiwan and moved to Manila, Philippines when I was still a baby.  When I was five years old, we moved to Utah.  I lived in several Utah towns until we moved to Mesa, Arizona when I was sixteen.  I moved to Phoenix, Arizona when I was twenty-six.  I consider Phoenix my home.  I always end up happily back here.

What made you decide to stay in Arizona?  I lived in LA for a bit and my little family went back to Utah for a short while but, I love the desert and I hate to be cold.  I also love the sunshine.  The smell of the desert after the rain is one of my favorite smells.  And my family is here.  My husband, my son, our dogs, two of my brothers and my urban family of choice.  Phoenix is the definition of what home is to me.  It is where I am most comfortable in my own skin.  Anytime I’ve been away for a significant time and I come home, as the plane hits the tarmac or I drive into Phoenix, I find myself taking a deep, happy breath.

What your parents did/do for a living:  My dad was in the Air Force, worked for Job Service, and became a Land Surveyor in Utah, a job that moved us to Mesa, Arizona where he became a Land Engineer with SRP.  He is now retired and living in Utah.  My mom was a paralegal.  She’s retired now too and back in Utah with my dad.

Siblings:  I am the oldest of five children and the only girl.      

Family/Children:  I have been married to Brian Howland for sixteen years and we have a nine year old son named, Harrison.  He is the love of my life.  Brian’s a-okay too… *chuckle.  We also have two West Highland Terriers named, Charlotte and Hansel.  Charlotte for Charlotte’s Web and Hansel for Owen Wilson’s character in Zoolander.  Hansel’s full name actually is, Hansel He’s So Hot Right Now.  Charlotte’s is, Charlotte 8080.  8080 is after the IMSAI 8080 which was an early microcomputer based on the Intel 8080.  FYI:  You’ve just discovered that I am a huge nerd.  An aside… I’m not really a fan of new technology, just the history of it.  I actually have a hard time wrapping my brain around a new phone or computer as I am a creature of comforts. 

Day job/part time job (if not acting full time):  I am a full time mom and homemaker when I am not acting.  I also have a food blog called Scrumptious Angel (scrumptiousangel.com).  I ran a small bakery and catering service out of my home for a couple of years, also called Scrumptious Angel but, the food biz is challenging and I found I couldn’t keep up with supply and demand.  I’m cool with it.  I still play in my kitchen often and create recipes which, I share on my website when I am not too busy working in the theatre or entwined in writing a new story or play.   I’ve recently started sharing my plays.  I love to write and have written my entire life.  Poems, stories.  I shared a play in public for the first time last year at The Hormel Festival of New Plays and Musicals at Phoenix Theatre.  Every year they have the 24 Hour Theatre Project where a handful of playwrights, directors and actors get together and put up a brand new ten to twenty minute play in twenty four hours.  It is a kick in the pants.  I wrote a piece for it called The Nothing Place.  I’ve never been so nervous in my life but, it was well received.  This year one of my plays, Forward, has been selected for the Second Draft Series and will get a public reading in March.  Whoa… I just got butterflies.

First show you ever saw:  A touring company came to my elementary school in Utah when I was ten years old.  They did a production of a strange version of Snow White and the Dwarfs that a member of the company had written.  There were far more than seven dwarfs.  Then they held a little acting class and had an audition so that the students could perform the play too.  I got cast as Echo.  She was a dwarf who repeated herself whenever she spoke.  ‘Hello!  Hello!  I’m Echo!  I’m Echo!’  When I look back on that experience, the only word that comes to my mind is, ‘bizarre’.  But, my dwarf hat was cute.  I wish I had a picture.

Doubt - Actors Theatre, 2008
Moment you knew you wanted to perform for a living:  I don’t really know.  I wanted to be a dancer but, I got badly injured at twenty three and couldn’t dance anymore.  Truth be told – I wasn’t a great dancer so, it was best in the long run.  I turned my focus to acting after that.  I’ve always been interested in telling stories and had taken a couple of theatre classes in high school and college and had been in a few plays but, after I healed from that injury, I jumped into acting with both feet.  I tend to do that.  I’m an all or nothing sort.  I started auditioning for things and taking acting classes.  I got an agent (Ford Robert Black) and I eventually found a private studio called D & D & Company in Phoenix.  Donna DeCarl stripped away everything I thought I knew about acting up to that point and I started over again.  I studied with the artists at D & D for an intense seven years, auditioning and working all the while.  I credit Donna and her daughters, Dawn and Dana Reilly for the solid base from which I create a character.

The one performance you attended that you will never forget:  There are so many.  I truly love to attend the theatre.  Um… forgive my ramble:  The Hasty Heart at Mesa Community Theatre, they are called Mesa Encore Theatre now.  A Prelude to a Kiss at Phoenix Theatre.  Maria Amarocho blew me away.  I wanted to be just like her.  West Side Story at Valley Youth Theatre.  All the performers were finally the actual ages of the characters in the story.  Nick Cartell.  Wow.  The Whale at Stray Cat Theatre.  Edward Tulane at Childsplay.  There is not just one.  I really could go on and on and on.

First stage kiss:  Meh.  He put his tongue in my mouth.  Unnecessary.  I now have a little, prepared speech every time kissing in a scene is involved.  ‘Do what is necessary to the storytelling but, please don’t put your tongue in my mouth unless the script says, ‘He puts his tongue in her mouth.’  It makes me uncomfortable.’  I also ask, ‘I’m going to mack on you now.  Is that alright?  The safe word is…’  It is usually raspberry or blueberry, pineapple or some other silliness.  Relieves the pressure.  So does laughter.  My last stage kisses were with Joseph Kremer and Tyler Eglen during the Summer Season at Actors Theatre.  Sometimes we would just giggle, shrug our shoulders and soldier on.

Angelica Howland  and Erica Connell in
In the Next Room (or The Vibrator Play) - Actors Theatre - 2010
 Photo: John Groseclose
Best stage experience you’ve had so far:  In the Next Room (or The Vibrator Play) with Actors Theatre.  I absolutely adored telling that story.  It is set in the late 1800’s during the dawn of electricity and is about how nothing can replace the intimacy between two people.  Sarah Ruhl is one of my favorite playwrights.  She can really capture the strangeness that happens between humans.  And I was working with Francis Jue, whom I adore. 

What has been the most fun or fulfilling aspect of your current/ most recent show?  I have not worked since the closing of the Summer Season at Actors Theatre in August 2014.  I needed a break after that.  Both for my family and for myself.  I was wiped out and I missed my men.  I was supposed to go back to work in February on Stage Kiss and then direct The Year of Magical Thinking at Actors Theatre but, they have closed.  I’m very sad about it.  I considered Actors Theatre my home theatre and I feel a bit orphaned now.  I am directing a few pieces for the V-Day Phoenix 2015 Vagina Monologues + One Billion Rising event on February 14, 2015 benefitting the Arizona Coalition to End Sexual and Domestic Violence.  And, as I mentioned before, I will be participating in The Hormel Festival of New Plays and Musicals at Phoenix Theatre in March.  Other than that, I am jobless.  I plan to be a wife and mom, do a lot of kitchen experiments, write and see what else comes along.

with Michael Kary in The 39 Steps, Phoenix Theatre 2013
Most challenging role you have played onstage:  The three women in The 39 Steps at Phoenix Theatre.  It may surprise others to know that I do not think I’m funny but, I find myself cast in mostly comedies.  And farce is not in my wheelhouse.  Or, I didn’t think it was.  I also find dialects quite challenging and having to do three different dialects in the same show made me feel a little insane.  Especially the Scottish.  I spent the summer of 2013 studying dialects like a whirling dervish.  Thank god for David Vining, Matthew Weiner, Michael Kary, Toby Yatso and Pasha Yamotahari.  Also, our incredible designers, coaches and crew.  I learned a lot about myself during that project.  A silly side note: When I am doing a dialect for a show, it often slips into my daily conversations.  That summer and into the fall and winter, I did not just the three dialects for 39 Steps but, also Mancunian for All New People at Stray Cat Theatre.  My husband, Brian would start chuckling and I’d be like, ‘What?’  He would reply, ‘You just asked about breakfast like a Brit.’.          

Leading role you've been dying to play:  I really want to do some Pinter.  Specifically, Betrayal.  I’m itching to do a drama.       

Leading role of the opposite sex you wish you could play:  Othello.  

Pre-show rituals or warm-ups:  I speed read the play the morning of a performance.  I try to take an hour for yoga and meditation the afternoon of a performance.  I like to be at the theatre an hour and a half before curtain.  I have a Dressing Room playlist that changes according to the era and themes in the play I am doing and I listen to that as I get into hair, makeup and costume.  And I have a cup of tea.  Mint is my favorite.  I make up my lips last so that I can brush my teeth as close to curtain as possible.  I like to be backstage 10 minutes before curtain.  I speed run my longest speech in a whisper.  And I tell myself to breathe because at that moment, a wave of crippling stage fright usually engulfs me and I want to run and hide.  I’ve been doing this for twenty years and I still get so frightened.

 Angelica Howland, Michael Peck, Kim Richard and Joseph Kremer in
 All New People - Stray Cat Theatre -2013
(Photo, John Groseclose).
Worst flubbed line/missed cue/onstage mishap:  During All New People I was dealing with an injury.  Onstage during a performance, I shifted on it in a weird way and an electric shock of pain seemed to run through my brain.  I blanked on my lines.  I could feel Louis Farber, the director, in the audience.  His focus was trained on me.  I drew from that strength and got back on track.  My character, Emma, was drunk and stoned so, I tried to play it off.  Louis said it strangely worked... if you didn’t know the play.  Hah!  Live theatre is truly an adventure. 

Worst costume ever:  When I was doing Pterodactyls at In Mixed Company years and years ago, I wore this completely hilarious and amazing bright green wedding dress.  When I sat down, the crinolines were so voluminous that they hid me completely except for my legs.  I loved that dress but, it ITCHED something awful.  I got rashes from it.  Paul S. Wilson, the costume designer, tried several ways to line it and relieve my discomfort but, in the end, I just lived with it.  And used a lot of Aveeno.

Best costume ever: It is a tie between The Vibrator Play and The 39 Steps.  I dig being costumed by Connie Furr-Soloman.  She is brilliant and always makes me feel gorgeous.    

Your go to audition monologue/song:  I do not do musicals but, if I am asked to sing, my go to song is, I’m Beginning to See the Light, by Duke Ellington.  I read a lot of new plays so, I rarely do the same monologue twice.  However, if I am caught off guard and asked for something else, I usually turn to Chekhov, Simon or Shakespeare.

Worst audition experience:  I’m dorky and uncomfortable until I get to know a person well.  And I get quite tongue twisted in a crowd of strangers.  I’ve done several goofy things during an audition.  Mostly as myself.  Once I’m able to get to the audition piece, I’m a little better.  And I have gotten much more able to cover my nervousness as the years have gone by.  I do remember once, very early in my career, I came in for a general audition for Phoenix Theatre, Arizona Jewish Theatre, Childsplay and Actors Theatre.  Oh my god!  That room was so full of directors!  I thought I was going to pass out.  I did my monologues and thought, ‘Oh, good!  That was okay!’  And then one of them asked me a question.  I froze, babbled something stupid and ran out of the room.  I forgot my water bottle. 

If you could go back in time and catch any performer or show, what would they/it be?  I would have loved to have been around New York for Arthur Miller’s heyday.   

Famous past stage or screen star(s) you would have loved to have performed with:  Bette Davis and Gregory Peck.

Actor/actress in the Phoenix area you'd love to perform with:  Louis Farber.  And I’d love to share the stage with Katie McFadzen and Joe Kremer again.

Your personal acting idols:  Bette Davis, Cate Blanchett, Emma Thompson, Steve Martin and Gregory Peck.

Performer you would drop everything to go see:  Frederic Chopin.

Current/recent show other than one of your own you have been recommending to friends:  I cannot wait to see Pluto at Stray Cat Theatre and Buyer & Cellar at Phoenix Theatre.     

Favorite play(s):  The Cherry Orchard by Anton Chekhov.  I’d really like to be in it someday but, I’m a little too old to play my favorite character, Varya.  Dunyasha or Charlotta Ivanovna would be fun though. 

Favorite musical(s):  I like Avenue Q.  It makes me laugh.  And I really enjoy a good laugh.  
    
Yolanda London, Toby Yatso, Cale Epps and Angelica Howland
in Hunter Gatherers - Actors Theatre
Some favorite modern plays/musicals:  My favorite plays list is long.  Maybe I should just name some of my current favorite modern/contemporary playwrights?  The aforementioned Sarah Ruhl, Steve Yockey, Stefanie Zadravec, David Lindsey-Abaire, Annie Baker…

Favorite showtune(s) of all time:  The Street Where You Live from My Fair Lady, The Sound of Music from The Sound of Music, The Life That You Wished For from Chaplin: The Musical and finally, Art Imitating Life from Enter the Guardsman.  And nothing is better than Rusty Ferracane singing it.  I absolutely adore his voice and Craig Bohmler’s music.  I can easily drown myself in both for hours.  Craig has a western opera he’s composing now.  I cannot wait to see it on its feet.

Most listened song/music on your iPod/Phone?  I am addicted to Pandora.  Right now my top stations are: Zedd, Glenn Gould, Paloma Faith, Pink Martini and Morphine.

First CD/Tape/LP you owned:  Michael Jackson’s Thriller.    

Last good book you read:  Gone Girl by Gillian Flynn and My Perfect Pantry by Geoffrey Zakarian.

Must-see TV show(s):  I love cooking competitions, Top Chef is my favorite.  I also like crime dramas.  I will try any of them for three episodes.  Sometimes I get hooked, sometimes I don’t.  I really like Major Crimes which is The Closer spin off.  I loved The Closer.  And The Big Bang Theory.

Guilty pleasure binge watching TV show:  Law & Order SVU; The Office, both the BBC and the American.  I have a serious soft spot for the American version, though.  BBC’s Sherlock.  And 30 Rock.

Last good movie you saw:  Gone Girl was so much fun.  Rosamund Pike was twisted brilliance.

Favorite movie:  Again, I have several.  Top five of all time: All About Eve, Amelie, The Quiet Man, Impromptu and What’s Eating Gilbert Grape.

Music/book/movie that makes you cry:  Music: The Life That You Wished For always makes me weepy.  Book: She’s Come Undone by Wally Lamb.  Movie: Roman Holiday.  I always cry when Gregory Peck stands in the emptying hall looking at the place where Audrey Hepburn once stood.  It is a perfect moment.

Favorite restaurant in the Valley:  Durant’s and Cibo.

Favorite cities:  Phoenix and San Francisco.  Seattle is a distant third.  I also really like New Orleans.

Sports teams you root for:  Harrison’s soccer team, Man United.

Something about you that might surprise people:  I read cookbooks like novels.  I’ve always got one out and about on my bed stand and tables around the house.  They are dog-eared and porcupine like with bookmarks.  And my favorite numbers are 3 and 69.  My car’s air is set at 69 degrees because it makes me laugh and because I am a 15 year old boy somewhere inside this very female body.  Plus 69 is a vertical palindrome.  And 3 is a prime number and one of the factors of 69.  3 is also a prime factor of 69.  I find all this number talk deliciously complicated.  It fascinates me mostly because I do not understand numbers well at all.

Special skills:  I love to bake and cook.  And I’m pretty good at it.  I also love to throw a party.  It really turns me on.  And I am quite good at it too.  You will never leave my home hungry.     
Tyler Eglen, Angelica Howland, Joseph Kremer and
Maren Maclean in The Cottage, Actors Theatre-2014
(Photo by John Groseclose)

Career you would want if not a performer:  Film Editor   

Worst non-theatre job you've had:  I had a telemarketing job once.  I had to sell portrait packages.  I got fired because I couldn’t lie to people and tell them the pictures were great.  They weren’t.  They were cheesy.

Best non-theatre job you've had:  Being a mother.

Three things you can't live without: My boys.  Also my closest friends.  I consider the two my number one, ‘cannot live out’.  Laughter.  And coconut oil with a little lavender essential oil mixed in.  

Words of advice for aspiring performers:  Study.  Read plays.  Go to as much theatre as you can afford to see.  See movies.  Watch the actors you relate to over and over and over again.  When you are working, be prepared.  And, the most important: Be nice!  Be respectful!  To everyone.  Always.  Nothing is more unprofessional than bad manners, bitchiness and an arrogant attitude.  Do your best to leave your personal life at the rehearsal hall door and off the boards. 

What you love most about theatre in Phoenix:  The comradery.

What you think needs to be changed/improved/different about theatre in Phoenix:  The closing of Actors Theatre has left a huge gap.  Our community has little now to fill the space between what Stray Cat Theatre does with style and aplomb and the classic, beautifully produced theatre Arizona Theatre Company and Phoenix Theatre do.  Especially if one is a professional actor and one for whom acting is not a second job.  It hurts my heart that the financial needs to produce the kind of theatre Actors Theatre sought to do with integrity was not fully supported in this city.  And it was not that many, many did not do everything they could to keep the theatre alive.  It just wasn’t enough and that makes me so sad.  My hope would be that the closing of Actor’s Theatre, and Arizona Jewish Theatre before it, will ignite some fire.  Great theatre does not just happen.  It takes the passion, initiative and dedication of many.  If you love theatre… love to go to it, love to work in it, and want to see it thrive, understand that it takes not just the desire to create or to see theatre but, also, behind the scenes support.  Then, take a giant leap and jump into the fray.   I also ache to see more classic modern playwrights professionally produced here.  I’d love to act in and see some Arthur Miller, Sam Shepard, Lillian Hellman, Eugene O’Neil and Henrik Ibsen here in Phoenix soon.  Anton Chekhov is another playwright I want to see more of.  Southwest Shakespeare is doing Uncle Vanya in March.  I’m very happy about that.  And I’ve already mentioned Pinter… Oh!  And I’ll add Stoppard and Strindberg to that list too.   

And, the “Inside the Actors Studio” 10 questions:

1. What is your favorite word?  Serendipity.

2. What is your least favorite word?  Bundt.  Why would something so potentially delicious have such an ugly name?

3. What turns you on?  A handsome dork. Sweet intelligence.  I also cannot resist a good looking ear lobe.

4. What turns you off?  Arrogance.  A lack of good manners.  Stupidity.  Bad breath.

5. What sound do you love?  The sound of my son reading to my husband.  And their laughter.

6. What sound do you hate?  Any motor revving over and over.  And when someone’s being an ass it really can start to sound like a motor revving over and over and over.

7. What is your favorite curse word?  Fudge!  Hah!  Just kidding.  I have a potty mouth.  I like ALL the curse words.  Fucker Face is my current favorite.

8. What profession other than yours would you like to attempt?  Medical Examiner

9. What profession would you not like to do?  The President of the United States

10. If heaven exists, what would you like to hear God say when you arrive at the pearly gates?  ‘Angelica!  You’re here!  What would you like for dinner?’  By the by?  I’d want Spaghetti Carbonara, a green salad, simply dressed and a nice Chardonnay.  Crème Brulee and a cappuccino for dessert.  Followed by a finger of good whiskey, while nestled in a comfortable chair in front of a roaring fire. 

Monday, February 9, 2015

Arizona Broadway Theatre Announced their 2015-2016 Season!

ABT announced their 11th season line up tonight - and we've got all the shows here for you.

Click here for more information

Opening October 16, 2015
Opening November 27, 2015

Opening January 15, 2016

Opening February 26, 2016

Opening April 15, 2016

Opening May 27, 2016

Opening July 15, 2016

Opening August 26, 2016

WEEK AT A GLANCE - Feb. 9 - Feb. 15

Click on any show title to get more information on that production

And Click Here for a complete day by day calendar of what shows are playing.


CONCERTS/ LIMITED RUN:

THE VAGINA MONOLOGUES
VDAY 2015 - The Press Room
February 14, 2015

CLOSING:


OKLAHOMA!
Don Bluth Front Row Theatre
January 15 - February 21, 2015

HOW I LEARNED TO DRIVE
Class 6 Theatre
February 5 - 21, 2015

FIVE PRESIDENTS
Arizona Theatre Company
February 5 - 22, 2015

FIFTY SHADES OF FELT
All Puppet Players
Feb. 6 - 21, 2015

SYLVIA
Class 6 Theatre
February 4 - 22, 2015

CONVICTION
Black Theatre Troupe
February 6 - 22, 2015

THE EMPEROR'S NEW CLOTHES
Valley Youth Theatre
February 6 - 22, 2015

FOOLS
Brelby Theatre Company
February 6 - 28, 2015

CANNOLI, LATKES & GUILT...THE THERAPY CONTINUES
Herberger Center Theatre
Feb. 4 - March 1, 2015

THE BOY WHO LOVED MONSTERS AND THE GIRL WHO LOVED PEAS
Childsplay
February 8 - March 8, 2015

reviews - FIVE PRESIDENTS - Arizona Theatre Company

Brit Whittle, Mark Jacoby, Steve Sheridan, Martin L’Herault and Jeff Steitzer
(photo: Tim Fuller)
For more information on this production, that runs through February 22nd, click here.

 "When five living presidents meet at the Nixon Library in Yorba Linda, California – they’re there, waiting to start the funeral of Richard Nixon – one can only imagine what was discussed behind closed doors by the surviving members of the most exclusive club in the world.  In the new Arizona Theatre Company production written by Rick Cleveland called Five Presidents, that’s exactly what happens.   Safely knowing that no one can hear them, the five men seize this once-in-a-lifetime opportunity to talk openly and honestly about whatever springs to mind. It’s not so much that the lines are anywhere close to, say, a Neil Simon zinger, it’s just that being aware of the names being dropped, their history and who it is saying the line, somehow the laughs come louder. But conversations turn darker, particularly when the world leaders talk of the blood on their hands and the men who died when obeying their president’s difficult commands. Under Mark Clements’ direction, Rick Cleveland’s new play is a good one, but not a great one.  There’s an undeniable sense of fascination watching these famous and powerful men discuss world matters on a private, human level even if they’re all the words of a writer’s imagination.  What is said in that conference room stays in that conference room, but what is said isn’t necessarily a great reveal – you don’t leave the theatre pondering on something you’ve never thought of before – but there’s pleasure to be had while speculating for ninety entertaining minutes what might be discussed in the company of men whose guards, for once in their lives, are fully down." -David Appleford, Valley Screen and Stage (click here to read the complete review)

"Emmy winner Rick Cleveland has made a career of writing intense TV dramas centered on politics. His experience definitely prepared him to write the superb Five Presidents... has a crackerjack cast and assured direction that make for an exceptionally entertaining 90 minutes of high powered drama peppered with a fine share of comic moments.  Cleveland has crafted a witty, humorous, emotional, and exceptional piece of drama.  The cast is outstanding, with each man echoing the idea and presence of each famous president without resorting to full on impressions. Cleveland captures the cadence, tone and language of each man in his script, and, along with director Mark Clements providing skilled direction, the five men display gestures and movements to bring these famous people to vibrant life.  While the play is mainly an ensemble piece, the role of Ford is at the center, as Cleveland uses the idea of Ford deciding not to deliver Nixon's eulogy as the main plot device and discussion topic throughout the meeting of the five men. Jeff Steitzer is extremely confident and direct in his portrayal of Ford. Mark Jacoby and Brit Whittle as Bush and Clinton get most of the heated exchanges in the play, with Jacoby expertly portraying the man who is still seething from his loss to Clinton in the last election.  Martin L'Herault gives Carter a gentle, quiet demeanor, with Cleveland using him as one of the main keepers of peace in the room; but when Carter and Bush go at it, over Carter writing letters to the heads of the coalition members in his opposition to Bush and Desert Storm, L'Herault has no problem holding his own when the fireworks fly. At this time in his life Ronald Reagan was experiencing the early signs of Alzheimer's and Steve Sheridan does a fine job of showing us the confusion and frustration that Reagan experienced. While there are plenty of heated debates and comical touches, Cleveland also interjects the deep sense of care, respect, and compassion that the men have for each other. Clements' direction allows the play to unfold naturally over real time. His pacing lets the serious moments resonate while the comic ones give an appropriate break in the action.   Five Presidents allows us to be the fly on the wall at a meeting of five of the most important men in the world. With multi-layered and nuanced performances and sure-footed direction combined with Cleveland's excellent dialogue, ATC's production is an eye-opening experience." -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

"Eavesdropping on five American presidents is an interesting goal of anyone enamored of U. S. history or who marvels at Presidential power.  And that’s exactly what you do in Five Presidents, Arizona Theatre Company’s exemplary world premiere production of Rick Cleveland’s fascinating new play.  The meeting provides a fascinating discussion that allows us to discover something of each man’s unique personality and character, how they handle a group situation, and insights into the intellectual capacity of each president. It provides perspectives on these men who led our nation, how some of their decisions were based on political expediency as opposed to knowledge, and how these men have the same prejudices many Americans possess.  The discussion is like one any group of Americans might enter into when they are with friends or associates.  We learn that these men didn’t necessarily like each other and we also learn some little known facts about each chief executive.  For example, it wasn’t just Bill Clinton who indulged in extra martial relations.  Much of the success of a play like Five Presidents rests with the actors playing the historical figures we know from television news footage.  And the five actors ATC found are marvelous.  Each captures the verbal and physical characteristics of the president they portray.  Mark Jacoby seems just a bit inhibited as George H. W. Bush, Martin L’Heraultis’ is a short and scrappy Carter, Steve Sheridan is a confident Reagan, Jeff Steitzer is a commanding Ford who leads this group of presidents effectively, and Brit Whittle is a relaxed Clinton. Five Presidents leaves you with new insights into how things occurred in each of these presidential terms and you’ll gain insights into each of these presidents’ personalities." -Chris Curcio, KBAQ (click here to read the complete review)

"Five Presidents, technically is a fantasy, in that it imagines a conversation that never took place. But (Rick) Cleveland's aim is to capture the essence of his subjects as they were. It doesn't exactly add up to epic drama, nor does it offer provocative commentary on American politics. There are moments when the play borders on the pious in its praise of public service, and there are others when it resembles a Wikipedia data-dump as the five presidents unconvincingly tick off facts for the benefit of the audience rather than the characters, who would all be perfectly well aware of the history.  For the most part, however, Cleveland delivers what he sets out to: an entertaining illusion of fly-on-the-wall access to a very exclusive club, a sort of presidential locker room where political titans spar, curse, toss back whisky and maybe, just maybe, reveal something of their souls. The most convincing impersonation is L'Herault's Carter, but all the actors succeed in re-creating familiar personas, from Reagan's cartoonish charm to Clinton's smarmy egotism. More importantly, each performer finds moments of fragility that let the audience into their circle of shared humanity.  It may be a fantasy, but in the current historical moment of strident division, it's a healthy and affirming one." -Kerry Lengel, Arizona Republic (click here to read the complete review)

"In the case of Rick Cleveland's ingenious Five Presidents,... it's a delicious concept ~ to imagine their interactions ~ brought to life by the splendid performances of Jeff Steitzer as Gerald Ford, Martin L'Herault as Jimmy Carter, Steve Sheridan as Ronald Reagan, Mark Jacoby as George H. W. Bush, and Brit Whittle as the incumbent Bill Clinton. Originally commissioned by the Milwaukee Repertory Theater, the one-act play, directed by Mark Clements, is being presented as a co-production with Arizona Theatre Company, and it is an undeniable hit.  Mr. Cleveland's extensive and meticulous research of the historical records has flowered into a script that delivers insights and revelations about each man and casts them, when all is said and done, as mere mortals vaulted for a brief moment in time to the most powerful position in the world. What haunts this room is the indelible imprint of the man whom no one wishes to eulogize but who has left an indelible imprint on the Presidency.  The performances of the five are not impersonations; they are not intended to be. Thankfully, they manage to convey the more notable attributes of their characters, enhanced by Lauren Wilde's splendid make-up design, while avoiding caricature." -Herbert Paine, Broadway World (click here to read the complete review)



ticket discount - Les 7 doigts de la main: Sequence 8 - Scottsdale Center for the Performing Arts- Feb. 13 & 14

Special $15 ticket offer for Les 7 doigts de la main: Sequence 8 at SCPA this Friday and Saturday.

Les 7 doigts de la main co-founder Gypsy Snider co-choreographed the recent Broadway revival of Pippin, so if you've seen that production you know their unique combination of movement, dance and circus themes presents some amazing visuals.

Click here to order your $15 ‘C’ price tickets using promo code CIRCUS15.



cast announcement THE HISTORY OF THE DEVIL - Nearly Naked Theatre

For more information on this production, that runs April 10 - 25, click here.

From our friends at Nearly Naked Theatre -

The Cast of THE HISTORY OF THE DEVIL:

THE DEVIL – David Nelson

MALE TRACK 1 – Andy Cahoon
ACTOR/CHRIST/LILITH

MALE TRACK 2 – Nathan Delatorre
SAM KYLE/CALLIMACHUS/MENDOZA/GEORG

MALE TRACK 3 – Jimmy Asimenios
NICHOLAS VIDAL/BELIAL/MACREADY

MALE TRACK 4 – Austin Morris
YAPSHI KANISHKA/JACK EASTER/ACTOR 2/DANTE/PROCELL

FEMALE TRACK 1 – Vanessa Kiernan
VERRIER/ULLA SHIM/ALETTE VIDAL/ISOBEL NIDER

FEMALE TRACK 2 – Hillary Low
NANCY KYLE/MILO MILO/MADELEINE VIDAL/MRS. MENDOZA

FEMALE TRACK 3 – Krystal Pope
JANE BECK/PIA SHIM/POLYXENE/DUKE OF YORK

FEMALE TRACK 4 – Tracy Payne Black
CATHERINE LAMB/ BARBARA & THERESE/MARY ANN CLARKE

JUDGE FELIX POPPER – Douglas Loynd

Sunday, February 8, 2015

photos - THE EMPEROR'S NEW CLOTHES- Valley Youth Theatre

For more information on this production that runs through February 22nd, click here.









photos courtesy of Valley Youth Theatre

new Vocal Technique & Audition Prep Class at Musical Theatre of Anthem

MTA is excited to announce their weekly Vocal Technique & Audition Prep Class which are open to all ages!

Taught by MTA Vocal Director, Karen Blanzy

Tuesdays 6:00 P.M - 7:00 P.M.

This class, taught by the amazing Karen Blanzy, will consist of group Musical Theatre singing with harmony, dynamics, diaphragmatic breathing, and more. There will also be one-on-one coaching time so the participants can all learn from each other and prepare for their MTA Auditions!

You can buy a punch card with 10 classes (does not need to be consecutive) for just $75 or drop in for $10/class!

There will be no vocal classes on Feb. 17, Mar. 3, Mar. 31, Apr. 28, May 19

Click here to buy your punch card

Saturday, February 7, 2015

Desert Stages 10th Annual LOOK INTO YOUR HEART Gala!

From our friends at Desert Stages:

BE OUR GUEST on Saturday, February 28th at our 10th annual Look Into Your Heart Gala, celebrating 20 years in Scottsdale. It will be an evening filled with entertainment, cocktails, dinner, dancing, silent and live auctions and much, much more!!

The Gala will be held at the Doubletree Resort - Paradise Valley/Scottsdale. Tickets are $100 per person.

There will also be a Kid's Gala (ages 4-13) at Desert Stages the same evening - PJ party theme.

Saturday, February 28, 2015
5:30 pm - 10 pm

We are also looking for Sponsors for the Event as well as any items that can be sold in our silent auction. Your donation is tax deductible.

For more information, click here.

Friday, February 6, 2015

Arizona Broadway Theatre's Second Annual BROADWAY BALL, Saturday February 21, 2015

from our friends at Arizona Broadway Theatre:


Join ABT for the fundraising event of the season! Proceeds benefit the artistic, educational and charitable programs at the Arizona Broadway Theatre.

THE BROADWAY BALL 2015

Saturday, February 21, 2015 - 6PM

  • Cocktail Hour
  • Silent and Live Auction
  • Raffle
  • Special Entertainment
  • Dinner
  • The Popular “Gift Card Frenzy”
  • New This YEAR! "The Broadway Ball Wine Pull!”
  • And Dancing to the AZ Swing Kings Orchestra!

BLACK TIE EVENT $150 Per Person
Call 623.776.8400 to Reserve Your Tickets Today
Bus Transportation available - Call for details!