photos by Mark Gluckman
Thursday, March 20, 2025
Cast announced for LADY DAY AT EMERSON'S BAR & GRILL at Black Theatre Troupe
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Arizona Theatre Company's 2025-2026 Season!
Arizona Theatre Company unveils its 58th season, a dynamic and diverse lineup featuring gripping dramas, thrilling mysteries, and high-energy musical entertainment. With a commitment to thought-provoking storytelling and theatrical experiences, ATC continues to bring world-class productions to Arizona audiences.
“This is an adventurous, mystery-filled journey throughout the season, packed with humor, friendship and lots of fun” says ATC Kasser Family Artistic Director Matt August. “These plays and musical will offer a place for people to laugh, to love, to remember, to unite and to find community. As a major cultural institution, ATC will continue to be an agent of civic pride and conversation for Arizonans statewide.”
The 2025/2026 season will open with Deceived, adapted from Patrick Hamilton’s 1938 play Gaslight by Johnna Wright and Patty Jamieson (Three Musketeers). As a young woman begins to question her reality, she fights to find the truth amid the illusions that surround her.
Next up is the U.S. Premiere of Heist by Arun Lakra. In the style of great caper films like Ocean’s Eleven, The Italian Job, and The Sting, this show delivers thrills and intrigue to live audiences. Heist is a high-stakes adventure that will keep the audience on the edge of their seats until the very end.
To kick off 2026, ATC opens Ain’t Misbehavin', a Tony Award-winning musical revue highlighting the great hits of Fats Walter. With songs like The Joint is Jumpin’, I Can’t Give You Anything but Love, The Jitterbug Waltz and more, this show is a rhythm-driven ride through legendary jazz jams.
The season continues with The Roommate by Jen Silverman. One of the funniest plays from Broadway last season, The Roommate is a clever and unexpected comedy that explores the power of reinvention and second chances when two women find themselves living together for “Chapter Three” of their lives.
Finally, Dracula: A Comedy of Terrors by Gordon Greenberg and Steve Rosen brings the season to a bloody fun close in a fast-paced, laugh-out-loud, Monty Python-meets-Mel Brooks spin of Bram Stoker’s legendary vampire tale. This zany comedy delivers a whirlwind of slapstick humor and witty wordplay. Packed with jokes, surprises and irreverent fun, it’s a side-splitting take on the horror classic that will keep audiences hooooowl-ing with laughter.
Subscriptions, including Season Tickets and Flex Passes that allow patrons to choose the shows that fit their schedules, are available now and can be purchased online at atc.org, or by calling the ATC box office at 833-ATC-SEAT (833-282-7328). Single tickets will go on sale in late July 2025.
ATC’s 2025/2026 58th Season Includes
Deceived
Adapted by Johnna Wright and Patty Jamieson
From Gaslight by Patrick Hamilton
Tucson: 9/28/25 - 10/18/25
Phoenix: 10/25/25 -11/9/25
This new adaptation of the 1938 psychological thriller Gaslight follows a young wife as she struggles to make sense of strange occurrences in her home. Is she losing her grip on reason, or is someone loosening it for her? In an atmosphere of paranoia, manipulation, and secrets, she fights to discover the truth. With shocking plot-twists-and-turns, you don’t want to miss this new take on an old classic.
Heist
US Premiere
By Arun Lakra
Tucson: 11/30/25 - 12/20/25
Phoenix: 1/10/26 - 1/25/26
Inspired by caper films like Ocean’s Eleven, The Italian Job and The Sting, Heist is a fast-paced, high-stakes thriller packed with double-crosses, disguises, and daring escapes. When a team of professional thieves assemble to steal the world’s rarest jewels, the plan seems foolproof—until it goes spectacularly wrong. Tensions rise, betrayals mount, and Heist becomes a rollercoaster of adrenaline that will keep you guessing far beyond the final curtain.
Ain’t Misbehavin'
Created and Originally Directed by Richard Maltby Jr.
Conceived by Richard Maltby Jr. and Murray Horwitz
Tucson: 1/25/26 - 2/14/26
Phoenix: 2/21/26 - 3/8/26
A vibrant tribute to the Harlem Renaissance and the genius of jazz legend Fats Waller, Aint Misbehavin features beloved hits like Honeysuckle Rose, The Joint is Jumpin’, and I Can’t Give You Anything But Love. This energetic celebration of swing, rhythm, and blues will have you humming, tapping, and dancing in your seat!
The Roommate
By Jen Silverman
Tucson: 3/15/26 - 4/4/26
Phoenix: 4/11/26 - 4/26/26
This comedy follows an empty-nesting Midwestern woman who takes on a lodger to help with expenses. But when the East Coast stranger arrives with a past shrouded in mystery, their unlikely friendship turns into a hilarious journey of reinvention, risk, and unexpected discoveries. The Roommate is a wickedly funny and deeply moving story about second chances and self-realization.
Dracula: A Comedy of Terrors
By Gordon Greenberg and Steve Rosen
Tucson: 4/26/26 - 5/16/26
Phoenix: 5/23/26 - 6/7/26
Bram Stoker’s legendary vampire gets a side-splitting makeover in this fast-paced, madcap reimagining of Dracula. Five actors take on dozens of roles in a whirlwind of quick wit and quick changes. Part Mel Brooks, part Monty Python, and Completely Outrageous, Dracula: A Comedy of Terrors is a crazy spin on the classic horror tale that will have you howling with laughter. Content Warning: Contains Blood...!!
Tucson performances occur at the Temple of Music and Art, 330 S. Scott Ave., and
Phoenix performances occur at Tempe Center for the Arts, 700 W. Rio Salado Parkway, Tempe.
About Arizona Theatre Company
Arizona Theatre Company’s performances bring Arizonans together to experience essential stories, from reimagined classics to contemporary plays, original works, and first-class musicals, fostering joy, laughter and continued conversation beyond the theatre walls. Founded in 1966 and celebrating its 57th season, ATC is a nonprofit led by Kasser Family Artistic Director Matt August and Executive Director Geri Wright. Recognized as the Official Arizona State Theatre, ATC is the preeminent professional theatre in Arizona and is the only League of Resident Theatres (LORT) member in Arizona. ATC is also the only LORT theatre of over 80 theatre companies nationwide to operate in two cities: Tucson and the metro Tempe/Phoenix metro area at the Tempe Center for the Arts. More information at www.ATC.org
Joey Whelan named the new Artistic Director of B3 Theater
Arizona’s indepent theatre community is set to see an exciting new chapter as kongtime B3 member and Showcase Commuity Theatre founder, Joey Whelan, has been appointed as the new Artistic Director of B3, following the leadership of Eliana Burns and Ilana Lydia, who previously lead B3.
B3 Theater has been a creative home for Whelan for several years, initially joining the organization under the leadership of Ilana Lydia and Board President Gabe Escudero. Serving as both Treasurer and Secretary in the past, Whelan has played a key role in shaping the vision and future of the company. Now, with the foundation started by Lydia, the new leadership team is eager to continue building and expanding B3’s presence in the Arizona theatre scene.
As part of this transition, the dedicated team behind Showcase Community Theatre—including Kelly Jones, William Buckley, MJ Beckett, Lex Cobb, and Garrad Perry—will be joining the B3 Board of Directors. They will collaborate alongside existing board members Gabe Escudero, Angelica Saario, Christine Cavazos, Erin Buvala Benites, Logan Martin, Carlin Thomas, and former B3 Artisitic Director Eliana Burns, who will remain involved remotely. While Showcase Community Theatre takes its final bow, its legacy and spirit will live on through B3’s continued mission of bold and innovative theatre-making.
"I couldn’t be prouder to be leading this talented group of brilliant minds," said Whelan. "The love and support for Showcase has meant the world to me, and I am thrilled to see our team transition into this new venture. We look forward to honoring the legacy of what we’ve built while forging a bright future for B3. Stay tuned for exciting announcements as we continue B3’s already stellar season. Cheers to the future of Arizona theatre!"
For more information on B3 Theater and upcoming productions, visit http://b3theater.com/
Wednesday, March 19, 2025
Registration and Auditions now open for Musical Theatre East's 2025 Summer Camp: ROALD DAHL'S CHARLIE AND THE CHOCOLATE FACTORY
Golden tickets are here!
Summer registration is OPEN for Roald Dahl’s Charlie & The Chocolate Factory! All registered will receive a role in the show.
This fun musical is the newest adaptation of the beloved classic, and we can’t wait to bring it to the MTE stage!
Ages 11-19
Auditions will be held May 29th from 5:00 to 9:00PM. All registered participants will receive a role in the show. Auditions are used to determine specific roles.
Secure your spot today—spots will go faster than a Wonka Bar! musicaltheatreeast.com/summer-2025
Tuesday, March 18, 2025
Talking to Broadway star Casey Likes about directing and starring in SPRING AWAKENING at Scottsdale Community Players
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| Casey Likes in Back to the Future: The Musical Photo by Matthew Murphy and Evan Zimmerman |
by Gil Benbrook
The past two years have been a whirlwind for actor and Phoenix native Casey Likes. From making his Broadway debut in the musical Almost Famous, playing Marty McFly for a year and a half in the Broadway musical adaptation of Back to the Future, and collaborating with Lin-Manuel Miranda on the concept album for his new musical The Warriors, Likes has been busy making a name for himself in the Broadway theatre world. But even with all of his success in New York, he has remained connected to his Arizona roots, recently taking part in a New York based reading for the upcoming play Bob & Jean: A Love Story for Arizona Theatre Company that they're presenting next month. Now, he’s stepping into a new challenge—both directing and starring as Melchior Gabor in a production of Spring Awakening for Scottsdale Community Players in April
Despite his growing Broadway career, Likes has maintained strong ties to his home state where he co-directed and co-starred in Rent at Scottsdale Community Players last year during his Back to the Future vacation. Now, he’s taking things even further with his upcoming production of Spring Awakening, a project that not only showcases his skills as a performer but also marks his directorial debut on a major scale.
While in the middle of planning for the upcoming production, and all of the other things Likes has on his plate, he took a few minutes to sit down to reflect on the past year—his lengthy Back to the Future run, his experience working with Lin-Manuel Miranda, and his excitement for what’s to come. He also shares his insights on directing Spring Awakening, how he became friends with the show’s book writer and lyricist Steven Sater, and why this show is so meaningful to him.
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| Casey Likes with Roger Bart and EH Petropolus backstage at Back to the Future: The Musical photo by Michael Kushner |
You just came off a year and a half run playing Marty McFly in Back to the Future on Broadway. What was it like stepping into such an iconic role, and how did you balance paying homage to Michael J. Fox’s performance while making the character your own?
Likes: "Yes I did, and it was the experience of a lifetime. Honestly the whole past 3 years of Almost Famous and Back to the Future has been really unbelievable. But specifically getting to be Marty for so much of that was surreal, getting to meet kids at the stage door who reminded me of me, and were dressed as Marty and they would tell me that I was their first Marty. To just try to make them feel the way that Michael made me feel was really the whole goal. There were some things you just know you have to do to do that, certain inflections, voice traits, but otherwise it was special to get to combine myself with Michael and what Marty is on the page and to see how those same kids (and adults) reacted to the show."
The production of Back to the Future features incredible special effects and requires non-stop high energy. What were some of the most challenging or exciting parts of performing in a show with such a high level of technical wizardry and demanding physical requirements?
"The whole show was truly a huge marker in the sand for me in terms of pretty much showcasing the absolute most amount of physical exertion possible. It was absolutely thrilling to prove to myself that I could get my body and mind to keep up with running, punching, diving, dancing, driving (wink wink), all while singing and keeping up with Roger Bart. It felt like my Running Man some days but the product and the magic it was I thought made it all worth it."
You recently worked with Lin-Manuel Miranda on the studio recording of his musical adaptation of The Warriors. What was that experience like, and what can you tell us about the music and your role in the project?
"Aw man I’m so glad you asked. This project is really just so special and funny to me because what I have put online about it truly is true, he just Dm’d me one day and I was in a studio with him a couple days later to record it. And the bonus part is months later it came out! I play “Jesse” who is a member of the rival new york gang “The Orphans” and I get to sing this song with Utkarsh Ambudkar opposite Jasmine Jones and Phillipa Soo. It’s a concept album, which means he and Eisa Davis got crazy names like Coleman Domingo and Nas on it but so far that's what it is…"
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| Casey Likes and cast in Back to the Future: The Musical photo by Matt Petosa |
Last Fall you also took part in a reading of a world premiere play for Arizona Theatre Company that they are presenting this spring, Bob & Jean: A Love Story. What was that experience like?
"Another really special project! I just thought it was so exciting to work on something Arizona bred in New York after all this time. The piece is a really personal and such a sweet story and I was so happy to be in the room with the great playwright Robert Shenkkan and Matt August. Really looking forward to watching that show's journey."
Now you’re taking on a new challenge by directing and starring as Melchior in Spring Awakening. What drew you to this project, and how do you balance being both the director and the lead actor?
"Spring Awakening is in my top 3 favorite musicals of all time. From a very young age I was affected by the music and the way the words the characters used were the words I needed and hey, still need as a young person. I’ve been closing in on a way to involve myself with it in any way, but I never quite realized the way I’d eventually have to do it was in EVERY way. I always have had an idea of what Spring Awakening should look like and feel like, if you don’t know the show takes place in 1891 Germany, and to reimagine a show that I thought was great wasn’t something I imagined doing, until eventually I realized a vision for this show that I knew I had to take full responsibility for, and I had to to do it now, and now we are here. I am thrilled, the whole show feels like an artistic release of pretty much everything I have to offer right now as an actor, singer, dancer, director, filmmaker, producer, and more."
Spring Awakening is such a raw and emotional show. What aspects of the story or themes are you most excited to explore in your production?
"When I was first introduced to the show the themes of forbidden love and exploration and the rebellious nature of Melchior always resonated strongly with me. As I’ve grown older I have begun to really recognize the themes of oppression, generational, and situational divide within the show. Also I am just so excited to explore those themes with powerhouse actors and singers who can examine every nook of that material."
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| Casey Likes and Steven Sater photo courtesy Casey Likes |
You’ve become friends with the show's book writer and lyricist Steven Sater. How did that relationship come about, and has he given you any advice or insight that has influenced your approach to the show?
"I actually became friends with Steven as he asked me to be a part of a reading of his new show Murder at the Gates, which we quickly recognized an artistic understanding in each other as well as just generally laughing and getting along. Then we started doing Tik toks together because he's quite successful on it, and our videos started doing really well, so we kept doing them. So finally by the time that Spring came up, his blessing and excitement was so meaningful to me. In terms of his involvement with my approach, I made sure I ran a few ideas across him to make sure I was on the right track and not interfering with his vision as well for his piece. It’s been so key to my process but beyond that I didn't want to spoil too much in case he ever sees the production. "
I know you'll be including a short video introduction by Sater for this production, but as the show's director, what other themes in the play resonate with you the most and are there any other fresh ideas you hope to bring to the production to make it your own?
"Well Gil, you know how I am about secrets. What I will say is that I have been directing this show in my head for years really but have especially focused on this production since last summer. This is a BIG and BOLD and MODERN musical revival with a big starry broadway and tv filled cast and a rocking band, and how often does that happen?"
Spring Awakening has had a huge impact on audiences since it premiered. What do you hope your production will bring to both longtime fans and those experiencing it for the first time?
"I hope to do something with Spring Awakening that my favorite musical revivals have done, make a version that respects and does not try to improve on the original, but do something completely different and also completely valid. I hope this production affects me the same way the original Spring Awakening affected me; in a deep, rock and roll, sometimes sexy, fun, and real way."
You’ve had such an exciting career so far, from Broadway to films, recording projects and directing. What’s next on your horizon after Spring Awakening. and is there a dream role or project you’d love to take on in the future?
"A million Gil. But overall, I hope AZ and NYC keep taking me back to tell my stories along the way."
The Phoenix Theatre Company's 2025 / 2026 Season!
The Phoenix Theatre Company Announces 106th Season, Featuring Broadway Hits, New Works, and a Bold New Chapter
The Phoenix Theatre Company’s 106th season delivers a compelling mix of Broadway hits, new works, and beloved classics. The season features the Tony Award-winning Come From Away, the sweeping regional premiere musical The Roads to Loch Lomond, and the enchanting Ever After, a fresh take on the hit film. Audiences will also experience the deeply personal Looking Over the President’s Shoulder and the timeless holiday tradition A Christmas Carol.
"The stories we’ve selected reflect the power we each have to carve the path we were meant to live. They encourage us to stand up for what we believe in and show humanity to those around us,” said Producing Artistic Director, Michael Barnard.
“Each production embraces the human spirit in a way that allows us to celebrate all people for who they are—and, in doing so, reminds us that joy, love, and hope still exist in this often angry world."
This landmark season is not only defined by the compelling stories on stage but also by a monumental moment in the company’s history—the opening of the state-of-the-art Dr. Stacie J. and Richard J Stephenson Theatre, a 500-seat Broadway-style venue that allows for bigger productions, cutting-edge technical design, and expanded creative possibilities.
With this expansion, The Phoenix Theatre Company is positioned to produce more ambitious, visually stunning productions than ever before.
"This theatre features an orchestra pit, expanded staging, and cutting-edge technology, giving audiences the chance to experience live music the way it was meant to be heard.
With the ability to fly in massive scenic pieces, utilize trap doors, and create Broadway-level effects, we can now reimagine classic works in entirely new and exciting ways,” Barnard said.
“And, for the first time, we have a venue that’s fully equipped to support pre-Broadway show development, putting The Phoenix Theatre Company on the national stage for new musical theatre."
Additionally, a special engagement show will mark the grand opening of the new Dr. Stacie J. and Richard J Stephenson Theatre, serving as a milestone celebration before the start of the official season. This inaugural production, to be announced soon, will be a separately ticketed event that offers audiences the first opportunity to experience the grandeur of this state-of-the-art venue. While not included in subscription packages, current subscribers will enjoy an exclusive presale opportunity to purchase tickets before they go on sale to the general public. This highly anticipated event promises to set the stage for an exciting future at The Phoenix Theatre Company.
The 2025/26 season features an unforgettable mix of Broadway-caliber productions, world premieres, and beloved classics, including:
The Roads to Loch Lomond
October 8 – November 2, 2025
Hormel Theatre
Inspired by the timeless Scottish ballad, this regional premiere musical blends history and myth into a breathtaking tale of love, sacrifice, and rebellion. As two brothers fight for their homeland, they must choose between honor, family, and a future that may never come.
Looking Over the President’s Shoulder
October 29 – December 14, 2025
Hardes Theatre
This intimate play captures the poignant tale of a man whose dreams of opera gave way to an unexpected calling as the Chief Butler at the White House. Serving four U.S. presidents, Fields' unique perspective on leadership and loyalty reveals the heart behind the history, and the personal sacrifices entwined with public service.
A Christmas Carol
November 19, 2025 – January 4, 2026
Dr. Stacie J. and Richard J Stephenson Theatre
With a masterful score by our late musical director, Alan Ruch, and inspired by the beloved Actors Theatre production that touched thousands, A Christmas Carol is a spectacular musical spectacle that shines with the magic of the holidays, the power of redemption, and the beauty of tradition.
Million Dollar Quartet
December 17 – March 8, 2026
Hormel Theatre
Watch the electrifying night in 1956 when Elvis Presley, Johnny Cash, Carl Perkins, and Jerry Lee Lewis unexpectedly converged at Sun Studio. This Tony Award-winning jukebox musical showcases the spontaneous energy and raw talent of these icons whose collaboration would leave an indelible mark on the music world.
Come From Away
January 28 – April 5, 2026
Dr. Stacie J. and Richard J Stephenson Theatre
This Tony Award-winning musical tells the extraordinary true story of 7,000 stranded passengers and the small town in Newfoundland that welcomed them in the aftermath of 9/11. Through an uplifting score and a deeply moving narrative, it captures the resilience, kindness, and connections formed in the face of adversity.
Tenderly
March 4 – May 3, 2026
Hardes Theatre
An intimate and deeply moving musical that explores the life of Rosemary Clooney, offering a glimpse into the life of one of music’s most cherished voices. With just two performers, one actor embodies a host of key figures—from Frank Sinatra to Bing Crosby—while Clooney reflects on her journey through therapy sessions and beloved songs like “Come On-a My House,” “Hey There,” and “Tenderly.”
Daddy Long Legs
April 1 – 26, 2026
Hormel Theatre
When an anonymous benefactor sends a young, orphaned woman to college, her world expands beyond anything she imagined, leading to a journey of discovery, independence, and a love story she never saw coming.
Ever After
May 6 – June 21, 2026
Dr. Stacie J. and Richard J Stephenson Theatre
This bold reimagining of a classic fairy tale blends adventure, romance, and resilience as a heroine defies expectations to carve out her own destiny. Inspired by the beloved film Ever After, starring Drew Barrymore, this musical celebrates a timeless story of courage and love.
Dear Evan Hansen
June 10 – August 9, 2026
Hormel Theatre
A poignant exploration of loneliness, hope, and self-discovery, this groundbreaking musical follows a teenager struggling to find his place in the world. When a misunderstanding turns into something bigger than himself, he must navigate the consequences and discover the true meaning of connection and honesty.
Hairspray
July 15 – August 30, 2026
Dr. Stacie J. and Richard J Stephenson Theatre
Big dreams, bigger hair, and even bigger heart—this electrifying musical follows Tracy Turnblad, a teen determined to dance her way to stardom while championing change in 1960s Baltimore. Featuring a Tony Award-winning score and an uplifting message of acceptance, the show is a joyful celebration of self-expression and unity.
At its core, this season is about connection. Connection between audiences and the stories on stage. Between artists and their craft. Between people who come together, even just for a few hours, to experience something unforgettable.
"We hope audiences take away hope and acceptance of others but more than that, we want them to feel at home,” Barnard said.
“From the moment you step into our theatre whether in the lobby, at the box office, in our restaurant, or even in the parking lot, you are welcome here. Theatre should be easy, fun, and inviting. We love what we do, and we want you to love it too."
Alongside a dynamic season of productions, The Phoenix Theatre Company proudly presents the 28th annual Festival of New American Theatre January 9 – 25, 2026. A cornerstone of the company’s commitment to fostering emerging talent and expanding the American theatrical landscape, this festival is the Southwest’s premier showcase for new works. Audiences have the rare opportunity to witness the creative journey from script to stage.
As Arizona’s largest regional theatre, The Phoenix Theatre Company produces each show entirely in-house, with a dedicated team of artisans and experts shaping every aspect of the production. From set construction to costume design, this hands-on approach allows for bold creative interpretation and immersive storytelling.
Current subscribers can renew their season tickets starting March 18, while new season ticket packages for the 2025/26 season will be available to the public beginning April 2. Single tickets go on sale June 3. For details, visit www.phoenixtheatre.com.
ABOUT THE PHOENIX THEATRE COMPANY
The Phoenix Theatre Company is not only the largest professional regional theatre company in the state, with over 600 performances each year on multiple stages, but it’s also the first arts organization in Arizona and a founding member of the Central Arts District. Committed to advancing the performing arts in the Valley, The Phoenix Theatre Company’s mission is to create exceptional theatrical experiences that inspire hope and understanding. For more information about our upcoming shows, outreach programs, and more, visit www.phoenixtheatre.com.
Your first look at THE ONE ACT PLAY THAT GOES WRONG at Desert Foothills Theater
photos courtesy Desert Foothills Theater
Monday, March 17, 2025
Your first look at BEAUTY AND THE BEAST, JR at Hidden Cactus Theatre
photos by Jeanette Brown “In the light Photography”
Auditions for ROALD DAHL'S CHARLIE AND THE CHOCOLATE FACTORY at Starlight Community Theater announced for April 5
The world-famous Willy Wonka is opening the gates to his mysterious factory…but only to a lucky few. Young Charlie Bucket and four other golden ticket winners will embark on a life-changing journey through Wonka’s world of pure imagination including chocolate waterfalls, nutty squirrels and the great glass elevator, all to be revealed by Wonka's army of curious Oompa-Loompas.
We will be casting 20+ all-ages performers, ages 8 through adult
AUDITION TIMES for in-person auditions. Please sign up for one 5-minute slot on Saturday, April 5th between 9am and 12:00pm. This time is for your vocal audition.
MUSIC: Actors should prepare 2 contrasting songs of 16-32 bars or 30-60 seconds, each.
Please have recorded accompaniment loaded to play on your phone/tablet. No acapella.
Please send your theater resume & headshot (optional) to info@starlightcommunitytheater.com
Video Audition Submissions will be accepted until 8:00 pm on Friday, April 4th, 2024.
Submissions after this date/time will not be considered.
Please note that IN-PERSON auditions are preferred.
Please send a video to info@starlightcommunitytheater.com
If video is too large to email, send a link for a google drive or you tube. Make the link public since multiple people need to review.
Your video should include a slate of your name and the name of the song.
Two contrasting 16-32 bars or 30-60 seconds of music, each.
Please use a live or recorded accompaniment. No acapella.
We will still need an audition form and resume/headshot (optional)
CALLBACKS by invitation will be in person on Sunday, April 6th, starting at 5:00pm. Choreography will be taught at this time. All Actors will be notified by April 5th at 11:59pm by email if they are needed for callbacks.
PERFORMANCES and REHEARSALS will be in person at Starlight Community Theater, 1611 W. Whispering Wind Dr. Suite #9, Phoenix, AZ 85085. Some rehearsals will be held on Zoom. A tentative rehearsal schedule is on the Starlight webpage calendar (https://www.starlightcommunitytheater.com/calendar).
Rehearsals begin April 15th. Performances are June 6-22, 2025.
THE CHARACTERS: Performers of ALL ethnicities, physical abilities, and gender identities are encouraged to audition. All ages are “stage ages” and flexible.
Willy Wonka: The sly, charming star of the show. Lithe, eccentric. His larger than life persona can go from charming and comical, to magically mysterious and dark.
Charlie Bucket: Sweet, smart, hopeful and loving. A boy with wonderful innocence and vulnerability.
Grandpa Joe: Impish. He is Charlie's imaginative, fun, kind and loving grandfather. After many years being confined to a bed, his childish energy returns when Charlie finds the Golden Ticket.
Mrs. Bucket: Charlie's warm and kind-hearted mother. Worrier. Generous and loving.
Grandma Josephine and Grandma Georgina and Grandpa George: Bed-ridden caring grandparents. Will have singing roles.
Mrs. Gloop: Augustus's German, moronic, Wagnerian mother. Mirthlessly smiles as though it were affixed to the front of her face.
Augustus Gloop: Rampantly over-active.
Mr. Salt: Veruca's goofy, eccentric, distracted, hilarious father. Finds it impossible to say no, giving in to every ridiculous demand his daughter makes.
Veruca Salt: Vicious and determined. Strong ballet dancer needed.
Mr. Beauregarde: Violet's ineffectual father. Ignores his back-talking, insult-hurling daughter.
Violet Beauregarde: Confident, forward, and full of attitude. Strong dancer needed
Mike Teavee: A fireplug with a ridiculous amount of energy.
Mrs. Teavee: She needs amphetamines to get through the day and deal with her outrageous son. Tense, extreme, and hilarious.
Mrs. Green, Jerry and Cherry: Character actors and ability to move.
Ensemble
WEEK AT A GLANCE: March 17-March 23, 2025
Click on any show title to get more information on that production
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