Adam Cantrell and Wes John photo by John Groseclose |
At first
glance, the answer seems obvious. Adam
Cantrell, who plays the creature in
Theater Works' stunning production of the play based on Mary Shelley's Frankenstein
is, of course, the scarred and stitched together monster. The more Cantrell
visited with PHX Stages about the show, however, the more cause there was to
wonder.
"This
production is not completely about the creature being a monster but more
specifically, he's an unwanted child. Abandoned essentially at birth, he's despised
by everyone," Cantrell began.
"His life is loss and loss and loss and rejection. It's eventually
about the anger that stems from that."
How the tragic character Cantrell describes comes to life on Peoria's stage is nothing short of astounding. In an imposing Gothic laboratory of galvanized steel, copper and incandescent light, it includes the creature's wooden gurney that's appointed with electrical ray guns of olde.
"The
assembly of the first lab scene has a huge electrical storm crashing in the
background," Cantrell said about all of the archaic gadgets that sputter
and whirr. "Huge amounts of light and sound technology are at work. The designers
put in an unreal amount of technical time and spent dozens of hours just working
out cues."
Like the
monster he plays, Cantrell is fresh and new to the Theater Works stage on
which he finds himself. After a twenty-six year theatre hiatus, he was
"astonished when, out of nowhere and with no recent experience" director Chris Hamby still offered him the role.
"I
do identify with the script on a lot of levels. I guess you could say I've had
lots of dealings with isolation and loneliness, though not to the creature's
extent," said Cantrell. "So, there is a little bit of me in there,
but mostly I keep it there with the creature. I don't know if that makes any
sense, but he has become his own being."
As he
discussed his character's relationship with creator Victor Frankenstein (Wes John),
Cantrell noted how two scenes in particular were juxtaposed. He seemed focused on the monstrous behavior
surrounding his character and on lives filled with rejection and pain.
So, from a contemplative
seat in the audience, the question was being re-framed. We need to ask again. Who is the monster? Like many moments
in the show, Cantrell's last words about the production's effect seem layered with meaning.
"When
I first come to life, I hear Victor push off as nonsense any humanity I might
have," Cantrell said, describing his creator's dismissive judgment.
"It mirrors the last scene in some ways as we are bringing the whole play
to a close? And it gives me chills just thinking about it."
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