Adam Pascal and the cast photo by Jeremy Daniel |
by Jennifer Haaland
Big Broadway name Adam Pascal is headed to ASU
Gammage next week as history's greatest bard in the national tour of the wildly
hilarious and popular musical comedy, Something Rotten!. The William Shakespeare
role he plays won actor Christian Borle a Tony Award in 2015, and Pascal shared
with Phx Stages how a famous guy playing an even more famous guy thrives on the
Broadway show's national tour circuit.
Based on the premise that two brothers, contemporaries
of Shakespeare's in 1595, can't get their own plays off the ground because The Bard
of Avon keeps knocking hit shows out of the amphitheatre. Something Rotten! foretells
the age of musical theatre. The brothers
set out to write the first play ever to include song and dance in an attempt to
crawl out from under Shakespeare's--in this case, Pascal's--omnipresent shadow.
on Shakespeare
"Actually, the good thing about playing
William Shakespeare is you have poetic license," Pascal began. "Nobody
really knows what his personality was like. You can kind of take it any
direction you want. In our show, he is an arrogant, obnoxious, but hopefully
likable, jerk."
Alongside playing Shakespeare as a "a kind
of likable bad guy that you hopefully love to hate," the role lets Pascal explore
his rock star wannabe roots. He is a huge fan of celebrities like Freddie
Mercury and David Lee Roth.
"I always wanted to be that kind of a
front man who held the audience in the palm of his hand because he was so
charismatic," said Pascal, who grew up playing in rock bands. "But I
was never like that. It just wasn't who I was. So, me getting to play this part
is sort of me getting to be that rock star. It's been such a huge joy to get to
do that, and to do it in a comedic atmosphere."
on Broadway
Having originated roles on Broadway (Roger in Rent,
Radames in Aida), Pascal now seems happily content to have stepped--with
his own signature boots--into this tried and true 'Rotten' role. In New York, he did likewise with aplomb in
shows like Cabaret, Memphis and Chicago.
"Quite frankly, taking over a role is much easier than starting from scratch. The process for creating an original role in a musical could take years. That's a huge commitment on the part of everybody involved," Pascal said. "It's my preference to take over for somebody who has already done all of the heavy lifting. As somebody who has a family, it's much more productive for me to get a job where I know the work will be for a specified amount of time. If you're in a new musical, you could open and close in a week."
Beyond the job logic, Pascal lobbies for taking over a role for a couple other reasons, too. An exciting pace and sheer enjoyment both play into the equation.
"I've never had more than two weeks to
prepare for taking over a role. You're talking about the difference between
potentially years and a couple of weeks to get a show ready," he said,
landing his preference squarely on the shorter time span. "I've also
always found it's kind of fun to watch somebody else and then from that, make
it my own thing."
Adam Pascal |
on Family
Returning his focus to his family, Pascal noted
that technology like FaceTime has made touring all the more feasible and
enjoyable for him. He talks to his family, two teens and his wife, every night
while he's on tour. Having moved them
all from New York to Los Angeles years ago, he appreciates the road scene even
more.
"If I'm going to see my family, it's
actually easier for me to be out on the road than it is for me to be in New
York City. On the road, I'm almost always closer to them. And the time zones
are better, too....whether I'm catching flights or just wanting to keep in
touch," Pascal said.
Those flights, or real face time opportunities,
especially with his wife are crucial, according to Pascal who said, "We
try to set a three week limit" on time without each other. For the stretches in between the family
visits, he's thankful for his decidedly un-rotten cast-mates.
"As a company of actors you form a
pseudo-family," said Pascal. "This is probably the tightest group of
people that I've ever worked with, in terms of everyone's affection for one
another."
"God, I Hate Shakespeare" will likely
be a favorite number blasting through Gammage's speakers come next week. All while choking with laughter, doting on
the tight-knit family feel and swooning over the Broadway vibe, we'll get to
love hating Pascal's rockin' Shakespeare, too.
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