Saturday, July 19, 2025

Review Highlights: ROALD DAHL'S CHARLIE AND THE CHOCOLATE FACTORY - Hale Centre Theatre

Nick Gunnell, Benicio "Beni" Bermudez, and Gary Pimentel
Photo by Nick Woodward-Shaw
 
highlights from local critics reviews - (click link at bottom of each review to read complete review)

Click here for more information on this production that runs through August 16

"Charlie and the Chocolate Factory is a fantastically fun and wildly imaginative musical that delights from start to finish. With a cast that is comically delicious and creative elements that are vivid and whimsical, Hale Centre Theatre's production is bursting with energy, humor and heart. It's a musical theatre treat for audiences of all ages, balancing zany spectacle with the timeless message of how kindness and imagination can triumph over greed....Charlie Bucket is played with heartwarming sincerity by Benicio "Beni" Bermudez (he alternates in the part with Griffin Avery). Bermudez's gentle voice and genuine charm make the character instantly lovable. Willy Wonka, brought to life by Nick Gunnell, is equal parts mischievous trickster and wise guide, with a twinkle in his eye, razor-sharp comic timing, and a singing voice that soars....a sweet, vibrant, and joyful confection that will most likely leave you grinning from ear to ear. While the crazy Oompa-Loompa antics and candy-filled chaos dazzle and delight, the musical and Hale's production, like Dahl's beloved children's book, always circles back to Charlie's simple goodness and the pure joy of imagination. It's a humorous life lesson that still resonates today."   - Gil Benbrook, TalkinBroadway.com (click here to read the complete review)

Auditions for IT'S A WONDERFUL LIFE at Don Bluth Front Row Theatre announced for August 3


Auditions for DBFRT's annual beloved holiday classic IT'S A WONDERFUL LIFE

Sunday, August 3 | 1-5 pm

Great Roles for Adult and Child Actors

Directed by the award-winning Cheryl Schaar

Be part of the DBFRT Holiday Magic!

Performance Run: Nov 13-Dec 23

DIRECT AUDITION LINK:

Friday, July 18, 2025

Diving into Friendship: The Cast of THE SWEET DELILAH SWIM CLUB at TheaterWorks Reflect on Laughter, Life, and Lasting Bonds

Amy Garland, Bridgette Martinez, Vanessa Nelson, Carrie Ellen Jones, and Stephanie Vlasich 
photo by Carly Weekley

by Gil Benbrook

The Sweet Delilah Swim Club is a heartfelt and humorous play that explores the enduring bond of friendship among five women who first met as members of a college swim team. Set over the course of several decades, the story follows their annual reunions at a North Carolina beach cottage, where they navigate life’s triumphs, heartbreaks, and unexpected turns together. Filled with warmth, wit, and poignancy, the play beautifully captures themes of lasting friendship, the passage of time, and the resilience of the human spirit.

To delve deeper into these themes and the process of bringing this touching story to life, we asked the cast of  TheaterWorks' production, which was just recently extended through August 10th, to sit down and answer some questions about the roles they play. From their answers, it's easy to see how each actress brings a unique perspective to her role, revealing the layers of humor, love, and vulnerability that make these characters feel so real and relatable. Their answers also provide insights into their characters’ journeys, how they relate to the strong bond portrayed on stage, and the ways the play resonates with their own lives.

We also asked the cast about the challenges they face in balancing the play’s comedic moments with its more emotional beats, as well as how they approached portraying characters over such a long span of time. Their reflections shed light on the collaborative process, the joys of working on an ensemble piece, and the rewarding experience of telling a story that celebrates friendship in all its messy, beautiful complexity.


Amy Garland
Amy Garland

What can you tell us about the character you play, and how you connected with her on a personal level?

"I play Dinah Grayson, who sort of runs on sarcasm and vodka. She is an accomplished lawyer, career driven, but prioritizes her time with these four women that she loves fiercely. Sarcasm is definitely my love language! I really connect with Dinah's ability to find the humor in a situation, to find the lighter side even in the midst of some enormous challenges."

This play explores the lifelong bond between five women- did you have any prior offstage relationships with your castmates that helped influence the onstage chemistry? 

"I have the great fortune of being friends with Carrie Ellen Jones, who plays Jeri Neal. Carrie and I became fast friends when we did a production of God of Carnage a few years ago and I could not be more grateful for having her in my life. Being friends and having worked onstage together gives us a kind of short hand that I feel enriches our characters. I also have to say that every single one of these women is an absolute rock star and they give everything they have every show. It's amazing to feel so safe and supported onstage."

What was the most challenging scene or moment for you to perform, and how did you prepare for it?

"I have a serious exchange in Act II with one of the characters and I really want it to feel genuine every single time. I don't have any real preparation, we're all sort of in a mad dash to change costumes and hair and makeup for most of the show. For me, this prevents getting too in my head. I just have to (literally) pull on my big girl pants and get onstage, then really listen to all the beautiful, hilarious stuff everyone is sending my way."

How did you approach balancing the humor and emotional depth that the play requires?

"When doing a show that has so many wild, funny moments, it can be challenging to trust that it's ok to slow down and let a scene breathe. The freedom I feel to do this is built on the talent and engagement of the other actresses - we're all taking this leap together."

What message or theme in the play resonates most with you, and why?

"This show for me is about the power of friendship, female friendship in particular. It really moves through different stages of these women's lives and presents them with honesty, humor and so much love. We have had a number of audience members tell us that they see themselves and their friends reflected onstage and for me that means we are really doing our jobs."

Do you have a favorite line or scene in the play that you feel really captures its spirit?

"Every entrance by Vernadette is my favorite moment. There's always a story behind it, it's always nutty, and there's always an element of 'this is why coming together every year for this sacred weekend is so important'. "

Carrie Ellen Jones

Carrie Ellen Jones

What can you tell us about the character you play, and how you connected with her on a personal level?
 
"I play Jeri Neal who became a nun right after college graduation. Jeri Neal is sweet and supportive. Though Sheree is the team captain, I find Jeri Neal to be its own little cheerleader. She is the peace seeker in the group and deeply devoted to the friendship. While Jeri Neal has a very different personality than I do :) I relate to her in her desire for peace between people and in her embracing of God's voice in her life and her ability to embrace change. "

This play explores the lifelong bond between five women- did you have any prior offstage relationships with your castmates that helped influence the onstage chemistry? 

"I did! I have worked with Virginia Olivieri, our director before as a director and stage partner in 2018... albeit in a VERY different role! Amy Garland, who plays Dinah, is one of my real-life off-stage besties! I became her fan after seeing her in a 2015 production. We officially met at an audition within a year and in 2018 did a show together. She's been stuck with me ever since! We are both really busy wives, moms, daughters, employees...all the things and very much wanted to do this summer show together. We did the journey of auditions and callbacks together, ultimately being excited to both be cast. I have enjoyed getting to meet the other amazing women in this show, but it has definitely been a special experience for me doing it with Amy. "

What was the most challenging scene or moment for you to perform, and how did you prepare for it?

"Bwahahahaha. Jeri Neal is full of surprises in this show! But...overall....just being Jeri Neal was a challenge for me. I typically play very dramatic, serious, and strong roles with long speeches and/or big devastations and tears. Jeri Neal is so sweet and innocent overall. She has a softer type of strength and is really different yet fun to play! I prepared for her by trying to dig into the most patient, most sweet parts of who I am and thinking about what I feel like around people who have similar personalities to Jeri Neal because those people are precious unicorns!"
 
How did you approach balancing the humor and emotional depth that the play requires?

"This part wasn't too hard for me. I think life is made up of ALL the moments. Laughter and tears, hate and love, trial and triumph....the two sides of the coin are always only a breath away from each other. Just embracing this reality helped to bring that to our Sweet Delilah story. "

What message or theme in the play resonates most with you, and why?

"This show reminds me of the beauty found in relationships with people who aren't just like you. If you have a shared core value or a shared bond, other differences should never break that. The way these women love each other for who they are, even in spite of who they are :) is really special. "

Do you have a favorite line or scene in the play that you feel really captures its spirit?

"I have two! One is my own Jeri Neal's line when she says "I look at you and see the 18 year olds I met at the pool that day in Winston Salem". It's so sweet how she returns to where their friendship began in a difficult moment and reminds them all of how they started and where this current relationship stemmed from. Sometimes we need to be reminded of our "roots" when the plant is shaking! 
 
The second is a line of Lexie's when she says near the end Oh my goodness! "If these walls could talk...." There is a sense of home in that cottage for these women. The walls hold a treasure trove of memories both shared there and created there. Sweet Delilah lets the audience hear the walls talk for four moments in time so that line resonates with me. "


Bridgette Martinez
Bridgette Martinez

What can you tell us about the character you play, and how you connected with her on a personal level?

"My character Vernadette is a (barely) walking disaster. Everyone loves Vernie and just wants the best for her. Unfortunately for her, every turn is one more unlucky catastrophe. Beyond the physical and emotional insanity, she always shows up for her friends. I connect with Vernie because I also tend to trip, spill, and cause chaos while maintaining intense loyalty to those I love."

This play explores the lifelong bond between five women- did you have any prior offstage relationships with your castmates that helped influence the onstage chemistry? 

"I did not know any of the women when I first auditioned, but within that audition room I knew they had to be the ones. Ever since we have laughed, cried, shopped, and screamed (there was a bug in my hair) together. "

What was the most challenging scene or moment for you to perform, and how did you prepare for it?

"The most challenging scene to prepare for was scene 3.  This scene has laughter, anger, dry wit, and quite a bit of lines to get through. It also happens to be the scene that I became most proud of in the end. I prepared with repetition, repetition, repetition."

How did you approach balancing the humor and emotional depth that the play requires?

"I love using physical humor and dry wit on a daily basis so the hard part was not the humor. The emotional depth took more practice, but these ladies made it easier than ever because of how real they are. I constantly feel like I’m on set of a sitcom/drama."

What message or theme in the play resonates most with you, and why?

"Friendship. I started the year off knowing I wanted to invest more in my friendships with women who I have common values with. This show gave me excellent girl friends and taught me the value of keeping those valuable friendships."

Do you have a favorite line or scene in the play that you feel really captures its spirit?

"My favorite line is a spoiler so I’ll keep that one to myself! Bring those tissues."

Vanessa Nelson
Vanessa Nelson

What can you tell us about the character you play, and how you connected with her on a personal level?

"My family will be the first to tell you that Sheree and I are very similar. We both love a plan, and organized fun. She is Type 'A' through and through and takes being a team captain to a whole new level. She loves to be needed and loves to do things for the people she loves. She can come off as intense but it is truly all out of love. As someone who has been called 'intense' on multiple occasions I instantly felt a kinship with Sheree. We can be a lot but we love fiercely and are the first to go to bat for the people we love. Selfishly, I think having these people in your life is not only a privilege but a necessity. "

This play explores the lifelong bond between five women- did you have any prior offstage relationships with your castmates that helped influence the onstage chemistry? 

"I am so lucky to have known our Lexie, Stephanie Vlasich, from one of my other favorite shows with five women, 5 Lesbians Eating a Quiche. Knowing Stephanie definitely helped our onstage chemistry. Lexie and Sheree have a crossroads in scene 2 and we were able to perform that scene with such honesty from the beginning. Me and Stephanie both also lost our fathers late last year and having someone going through something like that at the same time as you brings you together on another level. 

I was also so honored to have known our director, Virginia Olivieri, for over 10 years. This is actually the third, all-female show I have had the pleasure of doing with her. First, Love Loss and What I Wore, then 5 Lesbians Eating a Quiche, and now The Sweet Delilah Swim Club. There is a reason I have worked with Virginia so many times. As a person, she is amazing and a joy. As a director, Virginia is unmatched. The trust I can put in her, and the trust she puts in her actors leads to magic onstage."

What was the most challenging scene or moment for you to perform, and how did you prepare for it?

"Scene 4 for sure. It is the accumulation of a lifetime of friendship between these women. I think I can speak for everyone when I say we not only need, but want to do that justice. The best thing I can do before preparing for this scene is to sit and listen and really be in the moment, and not let my mind wander. Our incredible sound team set up waves that continue through the entire show to establish the beach house, the speaker is right where I enter so I stand and I listen to the sounds of the waves and let me mind settle, then I think about my friends and relationships that mean as much to me as these women do to each other. "

How did you approach balancing the humor and emotional depth that the play requires?

"I think this is something you learn just going through life, and as actors, we may just be more aware of it since we are so used to telling human stories. As I mentioned before, I lost my dad late last year, and I think my family and I did an excellent job honoring him and taking the time to be sad, but also laugh about everything he used to do that would make us laugh, or even drive us crazy. The emotional depth gives you the opportunity to see the humour. Its okay to laugh, and its necessary. Not to 'hide' your emotions, but just because it is human nature to feel conflicting emotions, even if they are opposite. "

What message or theme in the play resonates most with you, and why?

"Life has no schedule, the universe doesn't match your 'plan', but if you have the right people to go through life with you, you can get through anything. And to enjoy every moment, because it will be over before you know it."

Do you have a favorite line or scene in the play that you feel really captures its spirit?

"For me this is scene 2, we have people roaring with laughter and, without giving anything away, it comes to a head where we are all having an honest conversation about aging. I have seen audience members nodding in their seats and I even heard a woman finish my sentence at one point. That is what this show is about, telling real stories about five women, their friendship, and the thief of time. "

Stephanie Vlasich

What can you tell us about the character you play, and how you connected with her on a personal level?

"Lexie Richards is such an amazing character to play. She’s more complicated than she seems, and she is spicy and sweet at the same time. I connect with Lexie in that way - I am sweet and loving, but I can be a spicy pepper when I need to be!"

This play explores the lifelong bond between five women- did you have any prior offstage relationships with your castmates that helped influence the onstage chemistry? 

"Yes! Vanessa and I shared the stage in a previous TheaterWorks show, 5 Lesbians Eating a Quiche, and Virginia also directed that show. That was a cast of 5 women, too - so of course we all bonded. That bond with Vanessa is really what makes that on stage chemistry shine. 

Virginia and I met a little over 10 years ago when we did Wizard of Oz together and we have been best friends since. Virginia is part of my 1% crew - someone I can tell anything to without judgement. I know I can always count on her to be supportive, but also call me out on my BS. We already know that we are going to have a Golden Girls living situation when we are older, and I can’t wait!"

What was the most challenging scene or moment for you to perform, and how did you prepare for it?

"I struggle with the final scene. Without giving anything away, it’s a heartwarming and emotional moment. Preparing for that emotional/mental state comes easy to me as I am an emotional gal who loves hard."

How did you approach balancing the humor and emotional depth that the play requires?

"It’s always a fine balance between humor and deep emotion. I try to not be too serious and find the humor, even in the worst situations, so I try to bring that real life to the stage in this beautifully written production."

What message or theme in the play resonates most with you, and why?

"Value the time that you have with your loved ones. Hold them close, be there, show up, support and love them fiercely. Those are the ones who will always be there for you, no matter what."

Do you have a favorite line or scene in the play that you feel really captures its spirit?

"It’s so hard to pick one, but my favorite scene would have to be Act 1, Scene 2. The scene shows the real bond between friends who have known one another for decades. It shows that through ups and downs, friendships like theirs can never be torn apart."

Thursday, July 17, 2025

Your first look at THE WIZARD OF OZ at Fountain Hills Theater





















photos by Patty Torrilhon

Cast announced for MUCH ADO ABOUT NOTHING at B3 Theater



BENEDICK: Spencer Beckwith
BEATRICE: Alexandra Utpadel
CLAUDIO: Zachary Athanasakis
HERO: Lily Norton
LEONATO: Dan Brugger
DON PEDRO: Betsy Smith
DON JOAN: Giselle Torres
BORACHIO: Kayla A Cook
CONRADE: Ashleigh Brown
MARGARET / FIRST WATCHMAN: Lauren Miller
URSULA / SECOND WATCHMAN: Analiese Bloom
ANTONIA: Cindy Miesse
DOGBERRY: Max Muir
VERGES: Tony Spencer
FRIAR FRANCIS / MESSENGER: Z.A. Zuccotti

Auditions for BASKERVILLE: A SHERLOCK HOLMES MYSTERY at Ghostlight Theatre announced for August 9



Curses! The hounds are out and a mystery is afoot!  Comedic genius Ken Ludwig (Lend Me a Tenor, Moon Over Buffalo) transforms Arthur Conan Doyle’s classic The Hound of the Baskervilles into a murderously funny adventure. Sherlock Holmes is on the case. The male heirs of the Baskerville line are being dispatched one by one. To find their ingenious killer, Holmes and Watson must brave the desolate moors before a family curse dooms its newest heir. Watch as our intrepid investigators try to escape a dizzying web of clues, silly accents, disguises, and deceit as five actors deftly portray more than forty characters. The action is fast paced, as are costume changes, and strong comedic reflexes are required.  Does a wild hellhound prowl the moors of Devonshire? Can our heroes discover the truth in time? Join the fun and see how far from elementary the truth can be.

Auditions will consist of cold readings from the script along with some improv and other theater games. Please plan to attend the entire audition session (9:00am-12:00pm). Please bring the attached audition form along with a headshot and resume, if you have one. Copies of the audition form will be available to fill out the day of auditions if you do not have access to a printer. Typically, rehearsals are 3-4 times a week and are scheduled with the actors’ conflicts considered. Rehearsals begin September 8th.  Actors must be available for the entire tech week October 9-15 and for all performance dates October 16-26, NO EXPECTIONS.

The director will also be casting for two non-speaking roles as stage ninjas! These performers will use performative movement to take the characters from scene to scene including interacting with the scene in-between!

CHARACTERS: Performers of ALL ethnicities, physical abilities, and gender identities are encouraged to audition.  All ages are “stage ages” and flexible.   Two actors to portray Holmes and Watson.  Three additional actors portray all the remainder of characters in the story. 

SHERLOCK HOLMES: (Male identifying, 30s – 50s). Highly intelligent, energetic, confident, charismatic, moody, quick witted, obsessive. Thinks very highly of his close friend Watson. A sophisticated mind who likes the opera and savors adventure and an intriguing mystery.  Holmes has a manic gleam of mischief in his eyes and a mind that works overtime.

DOCTOR WATSON: (Male identifying, 30s - 50s). Smart, grounded, and full of heart and wonder. A learned physician and dependable comrade, Watson lives to have adventures but is forever unable to keep up with Holmes’ mind. Watson is the archetypal late Victorian/Edwardian gentleman. We see the play through his eyes. The heart and soul of the play. 

ACTOR ONE: (Male identifying, 20s – 50s) Great versatility and nimbleness physically and vocally (including multiple dialects). Multiple roles, including STAPLETON (seemingly geeky butterfly lover who conceals a psychopath within), BARRYMORE (mournful caretaker of Baskerville Hall), and DR. MORTIMER (A medical man who brings the case to HOLMES).

ACTOR TWO: (Male identifying, 20s - 50s). Great versatility and nimbleness physically and vocally (including multiple dialects). Multiple roles, including SIR HUGO BASKERVILLE (a brutal, cruel Cavalier), WILSON (exuberant, hearty head of messenger office), SIR HENRY BASKERVILLE (young Texan relation to Baskervilles, open-hearted, earnest, ready for adventure and to fall in love), LUCY (loving wife of WILSON), and INSPECTOR LESTRADE (cocky police inspector). 

ACTRESS ONE: (Female identifying, 20s-50s). Great versatility and nimbleness physically and vocally (including multiple dialects). Multiple roles, including MRS. BARRYMORE (severe, humorless Swedish caretaker of Baskerville Hall), MILKER (scrappy Dickensian urchin boy), LAURA LYONS (owner of a typing establishment; distraught and put upon, melodramatic), and DAISY (a maid with an odd laugh).

Link below to sign up!

Cast announced for ROALD DAHL'S CHARLIE AND THE CHOCOLATE FACTORY at Musical Theatre East

 
Cast:
Willy Wonka.......... Jace Brookman
Charlie Bucket.......... Maverick Ray
Grandpa Joe......... Gabe Watz
Mrs. Bucket.......... Lily Downer
Augustus Gloop.......... Gideon Monk
Mrs. Gloop.......... Abigail Osyczka
Veruca Salt.......... Hannah Diaz
Mr. Salt.......... Micah McDonald
Violet Beauregarde.......... Sola Brookman
Mr. Beauregarde.......... Cooper Hakes
Mike Teavee.......... Milo Casteel
Ms. Teavee.......... Freedom Abrenica
Grandma Josephine.......... Happy Descheenie
Grandpa George.......... Judah Puntigan
Grandma Georgina.......... Aveline Sampson
Jerry/Oompa Loompa.......... DeIan Descheenie
Cherry/Oompa Loompa.......... Kassy Hakes
Mrs. Green/Oompa Loompa.......... Vivian Kroll

Oompa Loompas/Townspeople.......... Arilynn Allen, Lily Berryman, Ella Bierlin, Pearl Eaton, Cedric Guido, Charly Hutchison, Kenzie Patten, Katie Roeth, Izzy Rosensteel, Brielle Sampson, Isa Smith, Hope Studer, Anthony Waikel

Dance Ensemble.......... Abigail Bedenkop, Olivia Berryman, Ivy Casteel, Selah Crouch, Yenbaah Descheenie, Rowena Guido, Charlee McDonald, Addie Patten, Naomi Puntigan, 
Hope Varadin

Auditions for Shine Theatre Company's ActingUp Competition Team announced for August 11 & 12



AUDITIONS – Shine Theatre Company’s ActingUp Competition Team

Dates: August 11–12

Grades: 4th–12th

Location: Highlands Church, Scottsdale, AZ

Students who are cast in ActingUp will spend the fall preparing high-energy musical theatre group numbers to compete at the Musical Theatre Competitions of America (MTCA) in Anaheim, CA, February 5–8, 2025.

They’ll also have the chance to compete in optional solo, duet, and monologue categories, receiving feedback from professional performers and directors working in the industry today.

Rehearsals begin in August and will take place weekly on Tuesdays, with additional Sunday rehearsals as the competition approaches.

Last year, our team competed with over 1,300 students from across the country- earning awards, building confidence, and developing their performance skills in a fun, challenging, and team-driven environment.

Spots are limited.

Register for auditions at: 


Tickets now on sale for Arizona Musicfest's 2025/2026 Season!

 

Childsplay's YETi Accepting Applications for Fall

 
Application closes: August 17th at 11:59 PM

If you are a teen who loves theatre and you'd like to learn to produce it, you are invited to apply for our teen theatre's 10th season!

Youth Ensemble Theatre Inc. or "YETi" is a teen theatre company that produces shows and events from the ground up. From show selection, to assistant directing, to playwrighting, to fundraising, costume design, social media marketing, event planning, and SO MUCH MORE.

All guided by theatre professionals who mentor young people through the process.

Techies and stage hands thrive in this environment as well as performers and leaders. Members of the ensemble get guaranteed casting in all shows and/or a guaranteed part of the production team.

Grow with other theatre lovers and be apart of a passionate community of young people, theatre makers, and future leaders in the field.

Additionally, we are hiring a new YETi Program Manager. We are looking for an adult theatre maker who is passionate about fostering the love for theatre to teens. Someone who is excited about growing and innovating this program and taking it to new heights. For more information about the position, please visit: Childsplayaz.org/employment

Questions? Email yeti@childsplayaz.org

We can't wait to meet you!

Wednesday, July 16, 2025

Your first look at THE SWEET DELILAH SWIM CLUB at TheaterWorks

Dwayne Hartford to Retire as Childsplay Artistic Director in 2026



Childsplay Artistic Director Dwayne Hartford has announced his plans to retire in September 2026 after 10 years of service. The Board of Trustees has formed a search committee to find his successor.
“Dwayne (Hartford) has taken Childsplay to new heights over the last decade of service,” said Board President Gaylord Gagnon. “We are so grateful for everything he’s done for Childsplay and the Arizona theatre community and are looking forward to continuing to collaborate in the future.”

Hartford led Childsplay through the creation of new works, a performance venue change, and a pandemic, further developed the Childsplay Academy, oversaw the creation of the company’s latest mission, as well as expanded access to Childsplay’s theatre programs in schools and on tour.

“My partnership with Dwayne (Hartford) over the past 10 years has been a true joy,” said Managing Director Steve Martin. “His commitment to Childsplay and the young people we serve has been nothing short of phenomenal. He believes in the capacity of our youth to tackle tough issues while experiencing the great joy of live theatre. While we’ll miss him after 35 years with the Childsplay Ensemble, we all wish him grand new adventures as well as a relaxing retirement.”

Hartford began his Childsplay career in 1990 when he was hired for a school touring production of “Just So Stories.” Since then, he has acted in more than 50 different Childsplay plays and musicals, including originating the role of Father in the world premiere of Founding Artistic Director David Saar’s “The Yellow Boat” in 1992.

In addition to acting, Hartford has directed more than 25 Childsplay productions and written several award-winning plays for the company, including “Eric and Elliot,” “The Color of Stars,” and “The Miraculous Journey of Edward Tulane,” among others. He was named Playwright-in-Residence in 2005.

In 2016, Hartford was named the second artistic director of Childsplay after Saar’s retirement.

Hartford led Childsplay’s transition from its former home, the Tempe Center for the Arts, to its current home, the Herberger Theater Center, during the 2016-17 season. During his tenure, Hartford championed the creation of over a dozen new and original plays that prioritized elevating the voices of BIPOC (Black, Indigenous, and People of Color) writers and actors, such as “Chato’s Kitchen” by Mark Valdez, “Selena Maria Sings” by Miriam Gonzalez, and “The Hula Hoopin’ Queen” by Gloria Bond Clunie.

During the 2020 pandemic, he transformed the way theatre was shared with Arizona’s young audiences by developing and producing one-person plays to be performed virtually as “drive-in theatres” in Maricopa County library parking lots and eventually in schools. His final work with the company as artistic director will be a reimagining of “The Miraculous Journey of Edward Tulane” as a musical, premiering in spring 2026.

Hartford was born and raised in rural central Maine. He earned his BFA in Musical Theatre Performance from the Boston Conservatory in 1983, continuing with graduate work in directing at Boston University. From 1985 to 1999, he was the artistic director of the music and theatre program at Quisisana, a summer resort in western Maine.

In the fall of 1989, Hartford moved to Phoenix and soon began working with Childsplay as an actor. During his time in the Valley, Hartford has received numerous awards, including the AriZoni Awards for directing, the American Association of Theatre & Education’s Distinguished Play Award (twice), and the 2015 National Society of Arts & Letters, Arizona Chapter Medallion of Merit.  

In addition to his work at Childsplay, Hartford has directed for Arkansas Children’s Theatre, The Phoenix Theatre Company, Greasepaint, Stagebrush, Valley Youth Theatre, Opera-tunity, and the Phoenix Symphony’s production of “Amahl and the Night Visitors” at the Orpheum.

Hartford plans to stay in Phoenix after retiring. His goals are more writing, directing, traveling, and, most importantly, hanging out with his dog, Larry.

Tuesday, July 15, 2025

Auditions for THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE at TheaterWorks announced for August 2 & 3




WEEK AT A GLANCE: July 14-July 20, 2025

Click on any show title to get more information on that production



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