"...Lea Salonga's recent concerts with the Phoenix Symphony Orchestra featured exceptional singing from Salonga and skilled playing from the PSO on excellent renditions of many songs associated with Salonga as well as numerous other hits from the Broadway and pop songbooks.
Lea Salonga won the Tony and Olivier Awards for her role of Kim in Miss Saigon and also sang for two Disney princesses, in the films Aladdin and Mulan. The passion she brings to songs from the musicals and films she has appeared in is just as strong when she sings songs for roles she didn't originate. She also makes sure that the meaning of every word she is singing is delivered with clarity. ...she still instills each word of the song with power...in "I'd Give My Life for You" from Miss Saigon, which is the passionate plea of a young mother that is also filled with pain and anger. "Reflection" from Mulan and "Burn" from Hamilton, while two very different songs, both focus on how a woman can become strong when faced with adversity and forced to stand alone without a man by her side. Three Stephen Sondheim songs, "Send in the Clowns" from A Little Night Music, "Another Hundred People" from Company, and "Something's Coming" from West Side Story (music by Leonard Bernstein), also were a testament to Salonga's ability to inflict nuance and complete understanding on lyrics that are filled with soul searching, desire, and personal inflection. On all of these songs, as well as the other songs she sang, her enunciation was flawless and her punctuated delivery of each lyric was filled with meaning....two numbers from Les Misérables...were simply exceptional. ...In addition to musical and film songs, Salonga also included a medley of numbers written by Michael Legrand and Alan and Marilyn Bergman featuring a lovely version of the Oscar-winning "The Windmills of Your Mind" and a soaring "A Piece of Sky" from the film Yentl...Salonga's stellar vocal control is full of power, precision and clarity. Her warm stage presence, clear connection with both the audience and the orchestra, personal stories, and spontaneous interjections made the whole affair genuine and refreshing..." -Gil Benbrook, Talkin' Broadway (click here to read the complete review)